For firsthand accounts
from oral narratives, have students contact local African American community organizations for people who might provide oral histories.
Not exact matches
Whether these interpretative «morals» were added by the authors — or editors — of the Gospels or represent accretions to the
narratives in the
oral period does not greatly matter; what we want is the original parable or saying as it came
from the lips of Jesus.
Let us set down three observations: (a) Mark 15:40 - 16:8 possesses several features which divide it so sharply
from the Passion
narrative that it could hardly have been the natural continuation of that in the stage of
oral tradition, (b) this pericope, however, could not have existed in its present form as an independent tradition, (c) the pericope itself falls naturally into two parts, the first of which can exist as an independent story, but the second of which can not, for it depends upon the first.
The links, which state that the women were observers
from a distance at both the crucifixion and the burial, appear to be editorial additions made by a literary editor, rather than part of an original
narrative from oral tradition.
Adapted all too freely
from Max Brooks» book of the same name, it attempts to coalesce the diverse
oral histories that make up the novel into a simple
narrative and fails.
Multiple first - person quotes drawn
from primary source documents, including letters, slave
narratives, and
oral histories, fill the text.
Influenced by
oral history of her family's arrival in America
from the Philippines, she infuses these
narratives with memory and imagination, addressing themes of migration and the permeable concept of home.
Recited fragments of ghost stories sourced
from the
oral tradition of Cape Breton, Nova Scotia, form a continuous
narrative linking one room to the next.
Influenced by the
oral history of her family's arrival in the United States
from the Philippines and of growing up in the midwest, Palileo infuses these
narratives with both memory and imagination.
It was, in other words, a form of ontological warfare meant to separate children
from their roots in language, cultural practices and
oral narratives that fundamentally inform the way in which a person interacts with their environment.
Fragments of ghost stories sourced
from an
oral tradition in Cape Breton, Nova Scotia, form a nonlinear
narrative linking one room to the next.
Influenced by the
oral history of her family's arrival in the United States
from the Philippines, and of growing up in the midwest, Palileo infuses her
narratives with both memory and imagination: as stories and recollections are subjected to time and constant retelling, the
narratives become questionable, somewhere between fact and fiction, even as they remain cloaked in the convincingly familiar.