Sentences with phrase «from orchestral scores»

The Soundtracks draws inspiration and grandeur from orchestral scores of classic films for the 1940s.

Some of the instrumentation from the orchestral score is also steered to the surrounds, and ambient sounds percolate there throughout.

From its orchestral score soundtrack to the colourful realms and character design, there's plenty the two games have in common.

Not exact matches

From its simple, yet compelling story, to its deep character development, to its methodical combat, to its breathtaking visuals and wonderful orchestral score.

To hear some tell it, Alexandre Desplat is just about the finest thing to happen to motion picture scoring since Bernard Herrmann or Franz Waxman, the sensualist who will redeem the most (in most cases rightly) denigrated of orchestral literature from John Williams or James Horner.

And while Greenwood is primarily PTA's composer, for «Inherent Vice,» he was given the opportunity to break from the atonal orchestral scoring sonic palette he's rendered thus far and presented something exciting, typically askew and eclectic.

The unmemorable orchestral score is supplemented by contributions from Alan Parsons, whose synth - driven music has an electronic dance beat and sounds like discarded tracks from «I, Robot.»

With the morally uncertain «Monkey King 2» battling mountain - sized skeleton demons and flying witches, he's the closest thing that China has to a superhero (and likely one of the oldest in the world at that), Young jumps off such robust Marvel scores as «Spider - Man 3» and «Ghost Rider» for a series of hellzapoppin orchestral battles, as a battery of millennia - old Asian instruments like the erhu are skillfully blended with raging electric guitars, the score's numerous themes bursting with the honor of eternal warriors and choruses thundering from the heavens.

Wallfisch's score blends rich, beautiful orchestral themes with influences from traditional East African music.

His eclectic output has been pretty impressive so far — ranging from electronic soundscapes through to fully - orchestral scores.

Cinematographer Sean Bobbitt («Shame») emphasizes the sharp redness of blood in an otherwise shadowy world often tinted by yellows and greys, while Javier Navarrete's downbeat orchestral score roots the story in the baroque traditions of the period from which the two lead characters hail.

However, it's rather undermined by an overly sentimental, on - the - nose score from Polish composer Zbigniew Preisner, whose orchestral stirrings never quite match what we're seeing on screen.

Bava's choice of music (and composer) has sometimes been very uneven: Carlo Rustichelli's romanticized and treacly music for Whip and the Body detracted from the film's pinched, sadistic sequences; Libra's prog - rock score for Shock felt at times like an effects - ridden mimic of Goblin's supernatural score for Dario Argento's Suspiria; and Stelvio Cipriani's muzak for the original Italian version of Baron Blood deserved to be replaced by Les Baxter's more eerie, orchestral score when AIP initially released that film in North America.

The soundtrack's full of 90s hits from Pulp, Primal Scream, The Housemartins and more, while Steven Price's orchestral score actually has quite a bit of refreshing earnestness to it — the 90s pop songs solidify the nostalgia - comedy part of The World's End, while the eerie electronic sounds and intense orchestration of Price's score help immensely to sell the action scenes and drama.

-- Movie Poster — Orchestral Sheet Music from recording session at Abbey Road Studios signed by Alexandre Desplat — Soundtrack on CD — 2nd CD with additional score

It's a warmly melodic, family - friendly spirit that's much like Debney's affable personality, growing from the small screen to apply his lavishly fun orchestral sound to such live - action and animated fantasy epics as «Inspector Gadget,» «The Ant Bully,» «The Scorpion King,» «Evan Almighty,» «Zathura» and «Lair» — a lavish orchestral score that arguably put videogame soundtracks on the map as a musical contender.

A departure from his primarily orchestral work, his jazz - based score was as great as any of his other works.

As the score progresses through its charming, by - the - notes bonding between the two kids as they must make their way home from the untamed wilderness, the Dannas conjure effective, if not quite - savage orchestral suspense and action to give «The Good Dinosaur» dramatic weight.

Generous swathes of Teo Macero's orchestral score appear over edited montage of production footage from Antarctica on Disc of of this elaborate Japanese release.

Later I branched out from the guitar and took an interest in orchestral scoring and I have recorded and released two audio CDs featuring the soundtracks for the computer games «Star Trail» and «Shadows Over Riva.»

«The type of orchestral music we're all most familiar with now is movie scores — and a lot of the vocabulary of that music is drawn from the symphonies of Shostakovich and his contemporaries.»

Celebrating 30 years of stirring virtual adventure and memorable soundtracks with live orchestral renditions directly approved by franchise producer Eiji Aonuma, The Legend of Zelda: Symphony of the Goddesses brings the Zelda franchise to life with a full orchestra, choir, and a reimagined score that includes new movements from more recently released Zelda games such as Skyward Sword and the highly anticipated Breath of the Wild, while still paying homage to classic installments like Ocarina of Time and A Link to the Past.

As part of the special music promotion, the donations we receive from this prize category go directly to help fund an all - out, full orchestral score in the game, recorded in a live studio!

As part of the special music promotion, the donations we receive from this prize category go directly to help fund an all - out, full orchestral score for the game, recorded in a live studio!

Now, at the end of August, ARK: Survival Evolved is finally emerging from Early Access, and it brings with it a new orchestral score by Coker.

Brawl for the Nintendo Wii, which received a coveted perfect score from Famitsu Magazine, the brawler featured an orchestral main theme by Uematsu, overseen by Sakai, conducted by Takemoto, and inspired by a scenario by Nojima.

It's clear from the 1:14 minute video it's going to be a grand orchestral score, and yet another one to remember.

We looked at the musical journey of the game as kind of a «history of horror film», from orchestral, through the 1980s synth scores, and on to a more processed, artificial modern sound.

From the breathtaking graphics to the stunning orchestral score, it screams next generation at you and it backs this up with truly imaginative, varied and engaging gameplay, with all aspects of the game featuring a host of lovely features that simply couldn't have been achieved had this game been released on Xbox as planned.

In 2008 Pedro won the IGF Excellence in Audio Award for his electronic soundtrack on Audiosurf and in 2010 another audio award, from Dutch Game Awards, for his whimsical orchestral score on the XBOX360 and PS3 game, Fairytale Fights.

Its score shifts from orchestral might to relaxed ukulele and whistling as the levels unfurl, and its hilarious sound effects, from its grunting toads to whooping Teensies to stinging smack attacks, are great.

The entire orchestral score is quite memorable from beginning to end.

The 2003 score Tomb Raider: Angel of Darkness, written by Peter Connelly and performed by the London Symphony Orchestra, was one of the first recorded orchestral video game soundtracks, and was a galaxy away from the bleeps and snicks that had defined the medium's music.

Instead he turned to HTML5 - based game creator Construct 2 to build the skeleton of Airscape: The Fall of Gravity, before recruiting fellow students from Germany, Belgium and the US to flesh it out with adorable cartoon visuals, a cleaner UI and a lavish orchestral score.

With a penchant for creating powerful emotions and memorable themes, Hulick's original scores range from fantasy landscapes and sweeping sci - fi to orchestral bombast, intimate piano and small string ensembles.

It recognizes your handwritten music, and converts it into a beautifully typeset score and even lets you play it back, drawing from a full orchestral sample library.