Sentences with phrase «from ordinariness»

At the same time, it's Kapur's flourishes, the deviations from ordinariness, that keep Elizabeth from foundering in its period trappings.

Not exact matches

The environment «poisoned by ordinariness, mediocrity and clear agenda to destroy talents» is from you, your fellow pastors and your churches that have condemned the people to such mental slavery that they are unable to think as creatures of a God who created us in his image.

It's not a new story, but that's the point: the sheer ordinariness of their experience lets De Botton use their relationship to explore the philosophical ramifications of everything from first date preparations to when to say I love you.

The ironic distance derived from the film's framing device and fourth wall — breaking helps emphasizes the drab ordinariness and the utter acceptability of such cruelty.

Correctly, Seidl understands that his commentary is rather unnecessary, that the power of the work comes from the very ordinariness of the couples and families participating, the racial divide in the work involved in this industry, and his unflinching capturing of events we know occur but usually repress.

It's hard to imagine a more fitting choice to play the modest and mild - mannered pilot, and although he doesn't get a lot to work with from a character standpoint (Sully is extraordinary only in his ordinariness), the actor makes the most of even the smallest moments.

The ordinariness of the objects imbues the work with a poetic tension - things are familiar but, isolated from their original function, somehow wrong.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Orto Botanico # 1 (2014), a large - scale silver gelatin print, presents a sculptural form emerging from a base of incongruous materials; the hint of surrealist photography projects an atmosphere of ambiguity over the relative ordinariness of the colour photographs that appear alongside it in the exhibition.

It's not a new story, but that's the point: the sheer ordinariness of their experience lets De Botton use their relationship to explore the philosophical ramifications of everything from first date preparations to when to say I love you.