Sentences with phrase «from other art movements»

Pop radically departed from other art movements at the time, which largely centered around ideas that originally came from movements such as Surrealism and Abstract Expressionism.

Not exact matches

What sets Guilty Gear apart from a lot of other fighters, other than its gorgeous art style, is the sheer number of movement and defensive options.

«The movements are borrowed from Tai Chi and other martial arts forms,» says Linda.

The opt - out movement is borne of opposition to using the tests to measure teachers and schools, and the time testing takes away from other subjects, such as art or science.

The Hessel Collection is international in scope, with paintings, photographs, and works on paper, sculptures, videos and video installations from the 1960s to the present including notable representations from many of the foremost movements in contemporary art; Minimalism, Arte Povera, Transavantgarde, Neo-expressionism, Pattern and Decoration, The Hairy Who and Chicago Imagists, Post-minimalists, and New Media, among others.

The former, along with other programs from TV's formative years, were influenced by the Modern Art movement, not just visually but in their aesthetic experimentation.

Yoshitomo Nara and the Tokyo Pop art movement reflect the experiences of a generation of artists who grew up during the post-World War II economic boom in Japan that was characterized by, among other things, an influx of popular culture from the West, including the animation of Warner Bros and Walt Disney.

Others were «Take It or Leave It: Institution, Image, Ideology» at the Hammer Museum (2014), which surveyed the use of appropriation and institutional critique in art from the 1980s; and «Jack Goldstein X 10,000» at Orange County Museum of Art (2012) which was a retrospective on the artist who helped initiate an avant - garde art movement referred to as the «Pictures Generation.&raqart from the 1980s; and «Jack Goldstein X 10,000» at Orange County Museum of Art (2012) which was a retrospective on the artist who helped initiate an avant - garde art movement referred to as the «Pictures Generation.&raqArt (2012) which was a retrospective on the artist who helped initiate an avant - garde art movement referred to as the «Pictures Generation.&raqart movement referred to as the «Pictures Generation.»

Be sure to check out booths by Galerie Ernst Hilger from Vienna, representing the works of artists such as Erró and Mel Ramos, along with exponents of Austrian modernism from the 1960s onward and the main exponents of the most important international art movements of the 20th century; Galerie Lisa Kandlhofer from Vienna, representing emerging and mid career artists; Galerie Thaddaeus Ropac from London, Paris and Salzburg, specialised in international, contemporary art representing around 60 artists and a number of renowned estates; SUPPAN FINE ARTS from Vienna, focusing on international and modern as well as representatives of art after 1945; and PIFO Gallery from Beijing, representing a selection of Chinese and international artists with a core focus on minimalism and abstraction; among others.

Other series, like her «Matador» paintings, explored sexual identity or incorporated elements from urban life and popular culture, although she passionately disapproved of the burgeoning Pop Art movement.

For Zero, the use of monochrome served multiple purposes: it was a separation from the expressionistic and abstract works of Art Informel and other earlier postwar movements.

In these two - venue talks, guides from the Clyfford Still Museum and the Denver Art Museum collaborate to compare and contrast the work of Clyfford Still and other male abstract expressionists with the leading female artists of the movement.

Recognized as a defining force of the alternative space movement, MoMA PS1 stands out from other major arts institutions through its cutting - edge approach to exhibitions and direct involvement of artists within a scholarly framework.

Leighton House — former home of the Victorian artist and friend of the Pre-Raphaelite Brotherhood Frederic Leighton — offers a rare chance to see more than 100 drawings by Millais, Rossetti, Waterhouse and others from the collection of Canadian orthognathic dentist Dennis Lanigan in February, while further north the Walker Art Gallery reveals Liverpool's connection to the movement with an expansive show of more than 120 paintings.

[24] However, addressing Tiravanija's work (amongst others) as paradigmatic of relational art, Claire Bishop challenges his (and RA's) emancipatory claims and criticises him (as part of the RA movement) for benefiting from «ubiquitous presence on the international art scene» and «collaps [ing] into compensatory (and self - congratulatory) entertainment.»

As with other movements, the form of works is varied — collectors can choose from works on paper, editions, sculptures or flat art, starting from around # 5,000 and rising into the millions for the most important pieces.

From the Robinsons point of view, the success of the «new» movement can be attributed to the art flippers among others who are betting on the safe sales and qualities such as elegance, simplicity and other convenient features that can be well incorporated into high - end interior design.

l Los Diez moved abstraction from purely visual, formal concerns toward conceptual and phenomenological ends, in line with other contemporaneous international art movements, to engage both the viewer and the broader collective conscience of Cuba.

Peter Saul has proven to be the a true rebel of the American art world, no subject is safe from his brutal psychological evaluations and no institution or artistic movement could persuade him to be anything other than authentically true to himself.

Coinciding with the first ecological movements in the USA and Europe, Land Art was first created in the 1960s by artists working concurrently but sepa - rately from each other, as a critical reaction to the classical genre of sculpture and the commercial art markArt was first created in the 1960s by artists working concurrently but sepa - rately from each other, as a critical reaction to the classical genre of sculpture and the commercial art markart market.

Dozens of amazing artists are linked with this essential postwar European art movement that had influenced a number of other artistic movements and styles from 1950s.

Described as the first - ever exhibition to present the perspectives of women of color «distinct from the primarily white, middle - class mainstream feminist movement — in order to reorient conversations around race, feminism, political action, art production, and art history,» featured artists include Camille Billops, Beverly Buchanan, Elizabeth Catlett, Jeff Donaldson, Jae Jarrell, Wadsworth Jarrell, Samella Lewis, Lorraine O'Grady, Faith Ringgold, Betye Saar, Lorna Simpson, and Carrie Mae Weems, among others.

Working with unconventional materials and techniques, Uklański resuscitates artistic vernaculars from a number of various historical movements, adopting the idioms or «dialects» of Art Informel, Color Field Painting, Abstract Expressionism and Fiber Art, among others.

Drawn from the Smart Museum's collection and selected loans, these works by Lovis Corinth, George Groxz, Erich Heckel, Kähe Kollwitz, and Emil Nolde, among others, exemplify a number of the major art movements of the period including Expressionism before World War I and New Objectivity (Neue Sachlichkeit) in the 1920s.

Excerpted from Phaidon's Art in Time, this essay explores Robert Adams, Lewis Baltz, Stephen Shore, Bernd and Hilla Becher, and other legendary photographers who birthed a new movement.

Having witnessed the rise of graffiti and urban art from its very beginnings, Danysz became an expert in the movement, writing books about the history of Street Art and curating major institutional group shows, as well as over fifty solo shows with artists including Shepard Fairey (aka Obey), Space Invader, JR and Vhils among many otheart from its very beginnings, Danysz became an expert in the movement, writing books about the history of Street Art and curating major institutional group shows, as well as over fifty solo shows with artists including Shepard Fairey (aka Obey), Space Invader, JR and Vhils among many otheArt and curating major institutional group shows, as well as over fifty solo shows with artists including Shepard Fairey (aka Obey), Space Invader, JR and Vhils among many others.

The Hessel Collection is international in scope, encompassing a wide range of media from the 1960s to the present, with representative works of major contemporary art movements including Minimalism, Arte Povera, Transavantgarde, Neo-expressionism, Pattern and Decoration, The Hairy Who and Chicago Imagists, Post-minimalists, and New Media, among others.

He found Conceptual art, as well as other «avant - gardist» movements that derived from Duchamp, «fascinating because of its desperation.»

It may seem almost absurd to even suggest that the influence of the works of the so - called French, German, and Italian «Post Impressionists,» «Futurists,» «Cubists,» and other «ists,» as exemplified by representative examples at the Armory show, can have any immediate, or even near future effect, upon the generally strong, good and, from the conventional art viewpoint, sane, American painting and sculpture of today, but there is no doubt that the study of these new groupings, called «movements» in painting and sculpture, which have so emphasized and influenced the art of Europe today, for the past 5 years, and even the derision which they have excited, and will continue to excite, has had and will have a stimulating effect.

Peckham - based artist, graffiti writer and contemporary artist Remi Rough stands apart from other street art - leaning practitioners in that his work is often referred to as «visual symphonies», thanks to his keen eye for the geometrical treatment of form, colour, line and space, and inspired by avant - garde movements such as Suprematism and Italian Futurism.

Psychedelic art drew inspiration from Op Art, also including movement, hidden images, or other Op Art aspecart drew inspiration from Op Art, also including movement, hidden images, or other Op Art aspecArt, also including movement, hidden images, or other Op Art aspecArt aspects.

Focusing exclusively on art -, music - and culture - related movies, Arthouse Films («Where art and film collide») produces and / or distributes around 15 to 20 titles a year, from documentaries about specific artists (c: The Radiant Child) or other figures in the art world (Herb & Dorothy, on art collecting duo Herb and Dorothy Vogel) to in - depth looks at specific movements (Beautiful Losers, a tribute to the»90s DIY movement) or communities (The Cool School, about the Ferus Gallery and its role in bringing the L.A. art scene of age).

So many of the leaders in these movements were young men and women who followed the line of least resistance that, with the killing of some of the men, and the consequent distraction from art to other channels of occupation by the women, there will be a diminution of objective interest in new «Fads,» and a consequent return to saner methods.

Exhibitions have showcased numerous contemporary art movements such as Minimalism, Neo-Expressionism, and Britart by Young British Artists, as well as avant - garde art from China, while featured artists have included outstanding figures like Andy Warhol (1928 - 87), Phillip Guston (1913 - 80), Richard Serra (b. 1939), Anselm Kiefer (b. 1945), Gerhard Richter (b. 1932), Donald Judd (1928 - 94), Damien Hirst (b. 1965), and Tracey Emin (b. 1963), among many others.

From the press release: «The exhibition is a celebration of contemporary mark making whilst embracing and taking inspiration from traditional art movements such as Futurism, Abstract Expressionism and Precisionism among othFrom the press release: «The exhibition is a celebration of contemporary mark making whilst embracing and taking inspiration from traditional art movements such as Futurism, Abstract Expressionism and Precisionism among othfrom traditional art movements such as Futurism, Abstract Expressionism and Precisionism among others.

The gallery handles artwork from early 20th - century movements including American Modernism, African American Art, Social Realism, Regionalism, Magic Realism, and Precisionism by such artists as Milton Avery, Thomas Hart Benton, Oscar Bluemner, Paul Cadmus, Arthur Dove, Marsden Hartley, Edward Hopper, Rockwell Kent, John Marin, Reginald Marsh, PaJaMa, Fairfield Porter, Ben Shahn, and others.

In this monthly series, «The Other Art History,» we bring you those Other artists who have largely been excluded (or perhaps more accurately, occluded) from our understanding of movements throughout art histoArt History,» we bring you those Other artists who have largely been excluded (or perhaps more accurately, occluded) from our understanding of movements throughout art histoart history.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

Featuring paintings from the collection of the Solomon R. Guggenheim Museum by artists such as Constantin Brancusi, Marc Chagall, Marcel Duchamp, Vasily Kandinsky, Fernand Leger, Henri Matisse, Amedeo Modigliani, Piet Mondrian and Pablo Picasso, among others, the exhibition chronologically traced the achievements of these tumultuous years as artists experimented with new ways to create art while launching such movements as expressionism, futurism and cubism.

For other British styles, see Art Movements, Periods, Schools (from about 100 BCE).

The advertising millionaire widely credited with, and sometimes despised for, putting conceptual art on the map is banishing Emin's unmade bed, Hirst's dead cows and sharks and other well - known icons of the Young British Artists movement from his central London gallery for the next two years.

For other styles like conceptualism, see Art Movements, Periods, Schools (from about 100 BCE).

Indeed, it was from this artistic melting pot, during the late 1960s / early 1970s, that Contemporary Art emerged to give us Postmodernist art in the form of Minimalism, Video Art, Installation, Conceptualism and other anti-formalist movemenArt emerged to give us Postmodernist art in the form of Minimalism, Video Art, Installation, Conceptualism and other anti-formalist movemenart in the form of Minimalism, Video Art, Installation, Conceptualism and other anti-formalist movemenArt, Installation, Conceptualism and other anti-formalist movements.

Be sure not to miss booths by Azart Gallery from New York, focusing on innovative and original work of artists influenced by abstract, figurative, illustration, pop culture and street art; En Foco Gallery from Chicago, a non-profit that supports contemporary primarily U.S. - based photographers of African, Asian, Latino, Native American and Pacific Islander heritage; Haven Gallery from New York, exhibiting emotionally, intellectually and imaginatively driven, representational artwork; Lilac Gallery from New York, focusing on emerging international artists that explore new media in their concept with cutting edge techniques; Mirus Gallery San Francisco, championing new movements in contemporary art; and Stephen Romano Gallery from New York, amongst others.

Her creations reference a wide array of cultural and art historical themes, from Color Field Painting and other formal movements via the exuberantly colored clothing, to latent commentaries on recycling, materialism, and urban poverty.

In some ways, this was the result of a process that had been building up for decades: The modern art movements of the early 20th century can be defined by their struggle with the legacy of Western Art; artists were clamoring to break out of these boundaries either by leaving and working elsewhere (for example German expressionists August Macke and Emil Nolde followed in the footsteps of French post-impressionist Paul Gauguin) or by seeking inspiration and incorporating what they could from the «exotic» art of other cultures — from African sculpture to Japanese prinart movements of the early 20th century can be defined by their struggle with the legacy of Western Art; artists were clamoring to break out of these boundaries either by leaving and working elsewhere (for example German expressionists August Macke and Emil Nolde followed in the footsteps of French post-impressionist Paul Gauguin) or by seeking inspiration and incorporating what they could from the «exotic» art of other cultures — from African sculpture to Japanese prinArt; artists were clamoring to break out of these boundaries either by leaving and working elsewhere (for example German expressionists August Macke and Emil Nolde followed in the footsteps of French post-impressionist Paul Gauguin) or by seeking inspiration and incorporating what they could from the «exotic» art of other cultures — from African sculpture to Japanese prinart of other cultures — from African sculpture to Japanese prints.

Concentrating on some of the central figures in its emergence, including artists, critics, and curators, Julie Reiss takes us from Allan Kaprow's 1950s» environments to examples from minimalism, performance art, and process art to establish installation art's autonomy as well as its relationship to other movements.

While his works have often been compared to those from other key figures of the pop art movement, such as Andy Warhol and Roy Lichtenstein, Rosenquist's pieces were unique in the way that they often employed elements of surrealism using fragments of advertisements and cultural imagery to emphasize the overwhelming nature of ads.

Op art includes graphic elements and use of color that similarly appears in works from other movements such as Post Impressionism, Futurism, Constructivism, and Dadaism Edna Davis Wright was born on January 25, 1917 in Portsmouth, Virginia.

«This diverse lineup of panels — from challenging how we position ourselves in a globalized world, to how critical language itself has adapted in the 21st century to support current movements — examines how certain histories are being rewritten through a series of discussions that span design, architecture, geographical differences in curating, and the potential socio - political implications of collecting art, among other prevalent topics.»