Sentences with phrase «from other curators»

Subseries IID: Curatorial Proposals from Others: This subseries contains material related to two curatorial project proposals from other curators.

Macel outlined her plans for the exhibition, which she is directing without any collaboration from other curators.

Not exact matches

His New York City - based team of five is supplemented by eight part - time curators in cities around the world, from Los Angeles to Tel Aviv, all of whom are tasked with finding stylish clothes, interesting books, vintage watches, antique furniture and other desirables for the Bureau.

Reassured by his nondestructive technique, curators at the Smithsonian and several other museums agreed to let a team led by Moini sample silk objects spanning over 2000 years of history, from ancient Chinese silks and French Renaissance tapestries to a U.S. Civil War flag and silk spun last year.

In the end, curators get satisfaction from knowing that their work is valuable to other researchers.

Paper co-author Robin Liechti from the SIB Swiss Institute of Bioinformatics (SIB), explains «SourceData links figures to other related figures across papers and journals to build a searchable knowledge graph, which is quality - controlled by expert curators.

At any given time, around 50 — 60 graduate students from the University of Chicago and other area universities perform dissertation research in the labs of museum curators.

However, from looking through other dusty records elsewhere in the basement of the British Museum, you discover some notes from an earlier curator, who had also observed the box.

Scenes focus on curators from other sections of the museum who see fashion as a lesser form.

The guide offers insightful commentary from Viking Sea Godmother Karine Hagen, as well as a variety of curators and experts, about the artwork and other features onboard.

The core of the archaeological collections consists of artifacts, faunal remains, and other materials from field surveys and excavation on the Northern Channel Islands, Santa Barbara mainland coast, and adjacent back country by David Banks Rogers (curator 1923 - 1938) and Phil C. Orr (curator 1938 - 1968).

But best of all are the people I've met, from tourism bureau reps and fellow travel writers to shop owners, museum curators, other travelers, so many more I've crossed paths with, and especially you, my readers.

Publishing on the Web is good for an artist's creative vision, as it allows him or her to «hear instant feedback from readers, meet and collaborate with other artists, disseminate their work and see their creative visions through to the end,» says Sarra Scherb, curator of «Morning Serial: Webcomics Come to the Table,» a current exhibition at Seattle's Henry Art Gallery (www.henryart.org).

As she was explaining how she was blown away by the number of collectors who had made the trek from other countries, up walked Paul Lang, the deputy director and chief curator of the National Gallery of Canada in Ontario.

From 1995 to 2006, Cameron was Senior Curator at the New Museum, where he developed numerous group exhibitions including East Village USA and Living Inside the Grid, as well as retrospectives of Carolee Schneemann, Eugenio Dittborn, William Kentridge, Martin Wong, Paul McCarthy, Cildo Meireles, Carroll Dunham, Faith Ringgold, Marcel Odenbach Jose Antonio Hernandez - Diez, and David Wojnarowicz amongst others.

Alongside Hicks's work stands «Mutations,» a group exhibition that Cecilia Alemani, the park's curator, commissioned from contemporary artists including Larry Bamburg, Dora Budor, Marguerite Humeau, Guan Xiao, Max Hooper Schneider, Joanna Malinowska, C.T. Jasper, Jon Rafman, and others.

In addition, Jennifer collaborates with the Joan Mitchell Catalogue Raisonné team as well as scholars, curators, and conservators from other institutions.

Each year deCordova invites art professionals from around the country — museum directors, curators, other artists, and past winners — to nominate artists for the prize based on set criteria.

Moderated by Ruba Katrib, Curator at SculptureCenter, «Defining Structures: Contemporary Minimal» gathers together artists a generation or two removed from those featured in Other Primary Structures, whose work has been influenced by Minimalist tradition.

Illustrations of works by Alexander Calder, Anselm Kiefer, Roy Lichtenstein, Agnes Martin, Gerhard Richter, Andy Warhol, and many other artists are accompanied by insights from curator Gary Garrels and an interview with the Fishers by SFMOMA director Neal Benezra.

To realize the show, the curators secured dozens of loans from leading museums and private collections in the US and many other countries; the lenders list is more extensive than that of most large - scale contemporary museum exhibitions.

BOOKSHELF Published to coincide with the exhibition, «Speaking of People: Ebony, Jet and Contemporary Art» features full - color images and contributions from Studio Museum in Harlem Director Thelma Golden, curator Lauren Haynes, and artist Hank Willis Thomas, among others.

Mind and Matter and these other exhibition and incidental installations of individual works are part of an ongoing initiative among women curators at MoMA to delve deeply into the permanent collection in order to find out what works by women artists they already own and then see how gaps in the collection can be filled through acquisitions, with assistance from the Modern Women's Fund.

Tiffany Bell and Frances Morris — the loving curators who put the London survey of her work together — include 1954's Untitled, with its Adolph Gottlieb — like shapes and a few other paintings of its kind, the better to show what it looked like as Martin moved away from the body and into drawing something more ineffable — nature, or more specifically, the cosmos at the heart of the natural world.

From 2007 through 2010, as Curator at Middlesbrough Institute of Modern Art (mima), Delahunty organized such significant exhibitions as British Surrealism & Other Realities, 2008; Katy Moran: Paintings, 2009; Ellsworth Kelly: Drawings 1954 — 62, 2010; and A Certain Distance, Endless Light: A

Julia Grosse and Yvette Mutumba founded Contemporary And in 2013 to provide established and emerging artists, curators, art critics and other cultural producers from Africa and the Diaspora the opportunity to reach an international audience and expand their networks.

«Borrowed» Art Gets Show — For «Thanks,» his new group show at Lu Magnus Gallery about the ways in which artists crib ideas and inspiration from each other, artist and curator Adam Parker Smith used unusual means to acquire works for the exhibition: he stole them, surreptitiously absconding with everything from paintings to personal articles during studio visits with other artists (he plans to return them after the show).

The catalogue features essays and discussions with Klein, Consulting Curator Okwui Enwezor, exhibition advisory board member Koyo Kouoh and urban theorist Edgar Pieterse, among others, complemented by statements from nearly 70 other African design thinkers and practitioners whose interviews are featured in the exhibition.

From 2012 until 2015 he was the Manilow Senior Curator at the Museum of Contemporary Art Chicago where he curated and co-curated, among other shows: Kerry James Marshall: Mastry (2016), The Freedom Principle: Experiments in Art and Music, 1965 to Now (2015), Simon Starling: Metamorphology (2014), and The Way of the Shovel: Art and Archaeology (2013).

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

Organized by Dena M. Woodall, associate curator of prints and drawings, and curatorial assistant Lauren Rosenblum, the exhibition features 20th - century prints from the permanent collection selected by artists known for their work in other disciplines — specifically sculpture, photography, painting, installation, and dance.

This gave curators from across the UK a chance to come together to discuss the issues and challenges of modern curatorial practice, and take inspiration from each other and the art on show across the city.

Led by Mothersbaugh and CSM Director Dean Sobel, the discussion will explore Mothersbaugh's spectral creative production — beginning from his work as a visual artist, while also exploring his new role as a curator as well as other areas of artistic expression.

While Hamilton might think she has picked out the «typical things», the curators instead stress her skill at choosing, or drawing inspiration from, objects that others might easily overlook.

An Opening Reception and Gallery Talk with the curator takes place on Sunday, August 7, 2016 from 5 to 7 p.m. «Innovation and Abstraction: Women Artists and Atelier 17» presents abstract graphics and works in other media by eight artists.

Organized by ICP's Assistant Curators Susan Carlson and Claartje van Dijk, Winning the White House: From Press Prints to Selfies features works by Cornell Capa, Grey Villet, Elliott Erwitt, Bill Eppridge, Chris Buck, Stephen Crowley, Ken Light, Mark Peterson, Antoni Muntadas and Marshall Reese, and others as well as campaign ephemera, posters, and video materials created for candidates from John F. Kennedy and Richard Nixon to Hillary Clinton and Donald TrFrom Press Prints to Selfies features works by Cornell Capa, Grey Villet, Elliott Erwitt, Bill Eppridge, Chris Buck, Stephen Crowley, Ken Light, Mark Peterson, Antoni Muntadas and Marshall Reese, and others as well as campaign ephemera, posters, and video materials created for candidates from John F. Kennedy and Richard Nixon to Hillary Clinton and Donald Trfrom John F. Kennedy and Richard Nixon to Hillary Clinton and Donald Trump.

NUMBER OF WINNERS: One, from a list of four to five finalists nominated by collectors and ultimately chosen by a jury of curators, critics, and other collectors.

Other highlights include «LA / LA and Institutional Collaboration», which will use Pacific Standard Time: LA / LA as a reference point to examine how institutions can encourage the growth of regional art scenes; «Digital Museums and Virtual Audiences», focusing on digital innovation and how new technology is starting to leave a deeper mark on the museum world; and «I Was Raised on the Internet», which brings together curators from three major institutions that collaborate on exhibitions investigating the effects of the Internet on contemporary art.

(During the 1990s, he kept coming, both as an architecture aficionado and as a curator, borrowing Impressionist works from the DMA and other U.S. museums to supplement an exhibition with a trove of 41 loans from Paris's Musée d'Orsay, and Roy Lichtenstein's Head with Blue Shadow (1965), from Raymond Nasher for a Lichtenstein sculpture survey.

For the 14th Istanbul Biennial, in keeping with her Documenta strategy of hiring agents to advise on the show — she will draft the exhibition with help from various artists, curators and others: «seeking the artistic advice of Cevdet Erek, the intellectual rigor of Griselda Pollock, the sensitivity of Pierre Huyghe, the curatorial imagination of Chus Martinez, the mindfulness of Marcos Lutyens, the acute gaze of Füsun Onur, the political philosophies of Anna Boghiguian, the youthful enthusiasm of Arlette Quynh - Anh Tran, the wise uncertainties of William Kentridge and manifold qualities and agencies to come as the process develops».

For six months he benefited from a studio courtesy of SPACE and a programme of mentoring from SLG and SPACE staff, as well as invited curators and other experts, culminating in a solo exhibition, Inside, in the SLG's first floor galleries from March — May 2012.

As Yale Union's head curator from 2012 — 2016, Snowden produced experimental projects, special commissions, and in - depth shows with artists such as sculptor Park McArthur, printer William Oorebeek, assemblage artist Yuji Agematsu, and experimental musician and artist Charlemagne Palestine, among other creators of all stripes.

The fellowship is structured to include intensive institutional support from the Museum on professional, technical, and philosophical levels, through a close working relationship with QM curator, Hitomi Iwasaki, and other museum staff members with diverse specializations.

Known in six other cities as Hauser & Wirth, the Los Angeles gallery is marked by the addition of partner Paul Schimmel, who previously worked as chief curator of the Museum of Contemporary Art in downtown L.A., now across the street from the Broad.

Their donation of $ 3 million will endow the Chief Curator position held by Anthony Elms, who joined ICA in 2011 from Performa where he was part of the organizational team behind the 2011 visual art performance biennial in New York, along with other independent curatorial projects.

Again, the volume's uncanny foresight was born from its all - star lineup of global nominators, which counted among its experts two future dOCUMENTA curators, the two future Venice Biennale curators, and the heads of the Serpentine Galleries, the Stedelijk, the Studio Museum in Harlem, the Ullens Center for Contemporary Art, and other far - flung luminaries.

Coined in 1967 by art critic and curator Germano Celant, Arte Povera artists generally composed their works from recycled metal, rags, soil, and other rejected and marginalized substances.

Organized by the SCAD exhibitions department and overseen by Laurie Ann Farrell, SCAD executive director of exhibitions, with support from chief curator Isolde Brielmaier, Ph.D., the 2013 schedule includes exhibitions of work by major international contemporary artists with a diverse range of practices and media, including Ursula von Rydingsvard, Uta Barth, Candice Breitz, Chakaia Booker and Regina Silveira, among others.

Duchamp & Sons (formerly known as the Young Curators) hosted an event for the Louis Vuitton Young Arts Project in July 2010 to give people from other parts of London a taste of east London.

The curators have gathered together all 22 of the surviving drawings from this important album alongside other related drawings and prints.