Not exact matches
Niebuhr's major and most formal work on political theory, The
Structure of Nations and Empires (1959), tried to distinguish the contingent
from the
permanent in international politics.
Bascomb ES PTA recently applied for and won an $ 8,000 2016 Shade
Structure Program Grant from the American Academy of Dermatology to install a permanent shade structure over the back pl
Structure Program Grant
from the American Academy of Dermatology to install a
permanent shade
structure over the back pl
structure over the back playground.
Celebrating the ribbon cutting for Bascomb Elementary School's new
permanent shade
structure are,
from left to right, Superintendent of Schools Dr. Brian V. Hightower, School Board Chair Kyla Cromer, Atlanta North Dermatology dermatologist Dr. Ellen Koo, PTA grant writer Amanda Weber, Principal Kathleen Chandler, Georgia PTA President Lisa - Marie Haygood and School Board Member Rick Steiner.
Michael Sendlebeck told the Clarence Town Board on Wednesday that the 10 - foot - by -16-foot shed will be a
permanent structure, but a seasonal business,
from May through October.
That
permanent change to the
structure of the county organization would be a victory for reformers and progressives, who complained that the number of those positions were expanded by Lopez in order to fend off challenges
from rivals.
In 1938, it was donated to the Historical Society, which has worked to preserve the
structure and add to the
permanent collection of significant furnishings and items
from the past.
As one travels away
from the city's core, the ratio of gers to more
permanent structures increases.
The reward for success is just too great to fail: Contemporary technology rests on a huge family of
structures that interact with electromagnetic fields,
from wireless modems to
permanent magnets to lasers to tuners of all kinds.
His
permanent replacement, Dale, has moved away
from much of Stein's vision and replaced many of his
structures in favor of a new approach.
West Approach Bridge Project - Construction of a
permanent west approach bridge
structure to connect westbound traffic
from the floating bridge to the Montlake Boulevard Interchange near the University of Washington in Seattle, as well as to complete the bicycle / pedestrian path
from the eastside to Seattle.
Centerpiece of the Lime Rock Park Commemorative Area is the Legends of Lime Rock
structure — a
permanent tribute to the men and women who are truly the «legends» of the sport, individuals whose careers are intertwined with the history of Lime Rock
from its humble beginnings in 1957.
Netze und andere Gebilde,» Kunsthalle Basel, Basel, Switzerland, catalogue «1999 Drawings,» Alexander & Bonin Gallery, New York, NY «00,» Barbara Gladstone Gallery, New York, NY, July 6 - August 5, 2000, catalogue 1999 «Description Without Place,» AC Project Room, New York, NY, October 23 - December 4, 1999 «Proliferation: Work
from the
Permanent Collection,» Museum of Contemporary Art, Los Angeles, Los Angeles, CA, March 7 — June 20, 1999 «Life is Elsewhere,» Theoretical Projects, Naples, Italy, March 25 - May 1, 1999 1997 «Maxwell's Demon,» Margo Leavin Gallery, Los Angeles, CA, November 8 - December 20, 1997 «Elusive Paradise: Los Angeles Art
from the
Permanent Collection,» Museum of Contemporary Art, Los Angeles, October 5, 1997 - November 14, 1999 «Painting Machines,» curated by John Stomberg, Boston University Art Gallery, Boston, MA, October 31 - December 14, 1997 1996 «Just Past: The Contemporary in the
Permanent Collection, 1975 - 96,» curated by Ann Goldstein, The Geffen Contemporary at MOCA, Los Angeles, September 28 - January 7, 1997 «Final Projects: The House,» MAK Center for Art and Architecture, Schindler House, Los Angeles «The Garage Project,» MAK Center for Art and Architecture, Mackey House, Los Angeles «Everything that's interesting is new,» Deste Foundation, Athens, Greece 1995 «The Big Night,» Art Center College of Design, Pasadena, CA «Plane /
Structures,» White Columns, NY, curated by David Pagel «Ambient,» Olivier Antoine, Nice, France «Saturday Night Fever,» Thomas Solomon's Garage, Los Angeles, CA 1994 «Un Papillon sur la Roue,» L'Espace d'Art Moderne et Contemporain de Toulouse et Midi - Pyrenees, Toulouse, France «Plane /
Structures,» Otis Gallery, curated by David Pagel, Los Angeles 1993 «Co-Conspirators,» James Corcoran Gallery, curated by Cliff Benjamin, Santa Monica, CA «Just What Is It That Makes Today's Homes So Different, So Appealing?
From focused exhibitions on the work of Cuban painter Amelia Peláez and Haitian born, Miami - based artist Edouard Duval - Carrié to thematic presentations of the Museum's
permanent collection to major retrospectives on artists Ai Weiwei and Beatriz Milhazes and group exhibitions on the exchange of ideas between the Caribbean basin, Europe, and North Africa, PAMM's upcoming projects serve as critical frames through which larger dialogues about recent history, migration, new cultural formations, and diverse ideologies can be
structured.
From curatorial roles to fundraising, marketing, front of house, and building operations, we employ 65
permanent staff and 30 casual staff, as well as running
structured volunteering placements and funded work - based training programmes.
These selected works
from MMoCA's
permanent collection demonstrate the array of poetic meanings that have been ascribed to abstract forms, including a concern for the effect of abstract shape on our perceptions; a wish to map conceptual
structures; and attempts to make visible the invisible world of nature's underlying patterns and forces.
A series of three small - scale exhibitions using works
from the Ackland's
permanent collection, Politics As Usual examines ways in which artists engage with the power
structures of their times.
«time / frame,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, January 25 — July 28, 2002 «Fifty Years of Supporting the New: The Charles H Carpenter Jr Collection,» Aldrich Museum of Contemporary Art, Ridgefield, CT, September 22 — December 31, 2002 «In the Spirit of Martin: The Living Legacy of Dr Martin Luther King Jr,» Smithsonian Institution Traveling Exhibition Service (organizer), Charles H Wright Museum of African American History, Detroit, MI, January 12 — August 4, 2002; traveled to Bass Museum of Art, Miami Beach, FL, September 7 — December 1, 2002; Frederick R Weisman Art Museum, Minneapolis, MN, January 19 — April 6, 2003; International Gallery, Smithsonian Institution, Washington, D.C., May 15 — July 27, 2003; Memphis Brooks Museum of Art, Memphis, TN, August 30 — November 9, 2003; and Montgomery Museum of Fine Arts, AL, January 3 — March 28, 2004; catalogue «LIFE DEATH LOVE HATE PLEASURE PAIN: Selected works
from the MCA
Permanent Collection,» Museum of Contemporary Art, Chicago, IL, 2002 «
Structures of Difference,» curated by Nicholas Baume, Wadsworth Atheneum, Hartford, CT, 2002 «Drawings of Choice
from a New York Collection,» Krannert Art Museum, University of Illinois at Urbana - Champaign, Champaign, IL, curated by Joself Helfenstein: traveled to Arkansas Arts Center, Little Rock, AR; Georgia Museum of Art, Athens, GA; Bowdoin College Museum of Art, Brunswick, ME; Cincinnati Art Museum, Cincinnati, OH «Recent Acquisitions,» Fonds Régional d'Art Contemporain, Reims, France, 2002 «Pushing Aesthetic Boundaries: Contemporary Prints,» Gallery M, New York, NY, 2002 «Charles H Carpenter, Jr Collection: Fifty Years of Supporting the New,» Aldrich Museum of Contemporary Art, Ridgefield, CT, 2002 «New York, New Work, Now!
Located in Basque city of Bilbao in northern Spain, this spectacular
structure made of titanium, glass, and limestone features exhibitions organized by the Guggenheim Foundation and by the Guggenheim Museum Bilbao, as well as selections
from the
permanent collection of the Guggenheim museums.
Am not 100 % sure Jim but
from what I was told by a City Of Chicago building Inspector is that i could build a shed or garage to hold the mechanics and just pipe 220's to a couple outdoor outlets and just park then next to that and plug them in as long as there on wheels and not a
permanent structure the city, county or state has no care or say so about it.
The construction of such farm and ranch improvements within the Wind Flow Zone and the construction of improvements outside the Wind Flow Zone shall be deemed not to interfere with the free and unobstructed natural wind flow over the Premises to the WTG; provided however, Grantee shall not construct any WTG within one thousand four hundred (1,400) feet of the main residence on the Premises or one thousand (1,000) feet of any other existing,
permanent residence or barn, either of which is located immediately adjacent to the main residence, or within one hundred fifty (150) feet
from any other existing
structures, pump jacks, tank batteries, or other above ground oil and gas facilities located on the Premises as of the Effective Date, without Owner's prior written consent.
All of these
structures are at risk
from permanent or frequent flooding due to sea level rise.
Injuries
from falling off of an elevated
structure can include broken bones, brain and spinal cord injury, neck and back injury,
permanent disability, paralysis, and death.
You see, your landlord most likely already has some homeowners coverage, and that coverage is going to provide for the expenses that come
from damages that happen to the actual
structure of the CA building, or the
permanent components.
In the 1960s a pair of the hanging houses were converted to the Museo de Arte Abstracto Espanol, making it possible to see the
structures from the inside, along with a
permanent collection of 129 abstract paintings and sculptures by Spanish artists.