Sentences with phrase «from photo realism»

I personally want them to get away from photo realism and go back to their old Jak ways.

Not exact matches

Or will the shift from symbolic images to photo - realism be merely a cosmetic upgrade?
From Fiona and her fellow princess» togs right up to all the aforementioned «ooh» and «ahh» business, Dreamworks Animation once again affirms itself as Pixar's worthiest CG «toon competitor in terms of striving for artful photo - realism.
Tully is a female character driven movie from the heart, which mothers universally will champion and applaud for its realism — to be clear, it is not the flawlessly staged Mommy Blog Instagram photos that display angelic children with posed smiles and lovely stain - free attire.
Like I said I do enjoy graphics, but from the standpoint of vibrant / colorful not photo - realism.
But eventually, video game graphics progressed to the stage where it was becoming increasingly costly to produce the required level of realism from traditional methods such as hand modeling heads from reference photos, especially for franchised games like sports sims, where it is important to have good likenesses of famous people in the game.
Based on the photos of the three Pokémon, the film looks to retain the pocket monster's designs directly from the mainline games while adding a touch of realism.
Article and Studio Visit photos by Katy Diamond Hamer in Berlin / / Apr. 08, 2013 Historically, painting has a very long lineage ranging from early cave drawings to Abstract Expressionism and Magic Realism.
Approaching photo - realism are works from such artists as St. Louis» Michael Neary, who injects bizarre elements like a skeleton in a basket and a Shiva behind lemons in his «Vanitas: Talk to the Hand» (2010), or the permutations through smaller studies to the large dominant canvas «Backyard Summer» (2010) by Jeremy Long from Ithaca, New York with its edges of magic realism reminiscent of Peter Blume.
His diversity ranges from austere photo - based figurative realism of the early 1960's; brightly colored gestural abstractions, squeegee abstractions, bold Colour Charts and the recently completed Strips.
Contemporary Woodblock Prints from Crown Point Press, Edison Community College, Fort Meyers, Florida, 1991 (Catalogue) The Language of Flowers, Paul Kasmin Gallery, New York, December 12, 1991 — January 16, 1992 Past / Present: Photographs from the Collection of the Museum of Fine Arts, Houston, The Museum of Fine Arts, Houston, December 8, 1991 — February 9, 1992 Six Takes on Photo - Realism, Whitney Museum of American Art, Champion International Corporation, Stamford, Connecticut, November 15, 1991 — January 25, 1992 (Catalogue) American Realism and Figurative Art: 1952 — 1990 (organized by Japan Association of Art Museums), The Miyagi Museum of Art Sendai, Miyagi, November 1 — December 23, 1991.
In 48 Portraits realism is tempered by the black and white photo reproduction source from an encyclopaedia which makes these images seem both primitive and iconic, and perhaps closer to propaganda than portraiture.
With works ranging from photo - based realism to pure monochromism to a parody of gestural abstraction, the six paintings on view might look to a novice like a group show.
From a foundation of Pop Art, Ms. Thomas resuscitates and extends movements like Photo Realism, New Image Painting and Pattern and Decoration.
Despite the unequivocal virtuoso nature of the works and their large museum history, they are too esoteric, too far afield from the artist's colorful abstractions or blurred photo - based realism to be wholly absorbed and embraced — for the moment at least.
Taking his starting point from the photo - based realist agenda of artists like Richard Estes and Gerhard Richter, Head has extended to concept of realism so that it is no longer concerned with the use of paint to reproduce the language of photography, but takes in the idea of all encompassing and mutifaceted space.
Yet, the damaged landscapes and the grey paintings, ranging from thick impasto abstractions to flat blocks of grey tones will confound you, especially since he follows them up with a return to his blurry aesthetic applied to both photo - realism and abstraction.
Born in 1947, Shore spearheaded themovement in the United States in the 1970s, and became a major catalyst in the renewal of documentary photography in the late 1990s, both in the US and Europe, blending the tradition of American photographers such as Walker Evans with influences from various artistic movements, including Pop, Conceptualism, and even Photo - Realism.
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