Over the ensuing decades he continued a systematic and rigorous exploration of the processes of painting, generating an abundant output that can range
from photographic realism to the most uncompromising abstraction and take the form of the subtlest exercises in monochrome or the most intense colour, with every variation in between.
Not exact matches
In its specific sense
realism refers to a mid nineteenth century artistic movement characterised by subjects painted
from everyday life in a naturalistic manner; however the term is also generally used to describe artworks painted in a realistic almost
photographic way
From afar, Untitled appears like a trompe l'oeil; however, upon closer consideration, the photographic realism dissolves into a painterly abstraction composed from a meticulous system of thick, accrued brushstrokes that endow the surface with a textured physical
From afar, Untitled appears like a trompe l'oeil; however, upon closer consideration, the
photographic realism dissolves into a painterly abstraction composed
from a meticulous system of thick, accrued brushstrokes that endow the surface with a textured physical
from a meticulous system of thick, accrued brushstrokes that endow the surface with a textured physicality.
This new
realism draws largely
from photographic sources obtained via the internet, television, cell phones, newspapers and family albums.
• Introduction • Impressionist Movement (fl.1870s - 1880s) • Neo-Impressionism (1880s) • Newlyn School -LRB-(fl.1884 - 1914)-RRB- • Art Nouveau (Jugendstijl)(1890 - 1914) • Symbolist Art (1890s) • Post Impressionist Art (1880s / 90s) • Les Fauves (1905 - 8) • Expressionist Movement (1905 onwards) • The Bridge (Germany 1905 - 13)(Die Brucke) • Blue Rider (Germany 1911 - 14)(Der Blaue Reiter) • Ashcan School (New York)(1900 - 1915) • Cubist Art (fl.1908 - 1914) • Orphic Cubism (Orphism, Simultanism)(1914 - 15) •
Photographic Art • Collage (
from 1912) • Futurist Art (1909 - 1914) • Rayonism (c.1912 - 14) • Suprematism (c.1913 - 1918) • Constructivism (1914 - 32) • Vorticism (c.1914 - 15) • Dada (Europe, 1916 - 1924) • De Stijl (1917 - 31) • Neo-Plasticism (fl.1918 - 26) • Bauhaus School (Germany, 1919 - 1933) • Purism (Early, mid-1920s) • Precisionism (Cubist -
Realism)(fl. 1920s) • Surrealist Movement (1924 onwards) • Art Deco (c.1925 - 40) • Ecole de Paris (Paris School) • New Objectivity (Neue Sachlichkeit)(Germany, 1925 - 35) • Magic
Realism (1925 - 40) • Socialist
Realism (1928 - 80) • Social
Realism (America)(1930 - 45) • Degenerate Art (Entartete Kunst)(1933 - 45) • Neo-Romanticism (1935 - 55) • Art Brut • Organic Abstraction (fl.1930 - 1950) • St Ives School (1939 - 75) • Existential Art (Late - 1940s, 1950s) • Abstract Expressionist Movement (1947 - 65) • Art Informel (fl. 1950s) • Tachisme (1950s) • Arte Nucleare (c.1951 - 60) • Assemblages (1953 onwards) • Neo-Dada (1953 - 65) • Kitchen Sink Art (c.1954 - 57) • Pop Art (c.1958 - 70) • Op - Art (Optical Art)(fl.1965 - 70) • New
Realism (1960s) • Post-Painterly Abstraction (Clement Greenberg)(Early, mid-1960s)
a. Ability to put on
realism to
photographic works ranging
from traditional to fantastic imagery and congruous appositions ideas b. Impressive skills with the usage of color scheme control and retouching strategies c. Deep understanding of cinematography, marketing or promotional photography, and digital imaging tactics d. Appreciating abilities with the any type of camera usage like positioning the subject in the exact frame, examining and catching impeccable feelings, regulating the lens, lightning, and much more.