Sentences with phrase «from photographic styles»

Not exact matches

«Fashion Prospects stems from the merge between my passion for fashion and my photographic style, inspired to lines and natural perspectives.

Whereas Bazin never mentions Caravaggio in his essay on «The Ontology of the Photographic Image» (1945), the French critic refers to the baroque style as a proto - cinematic and pictorial term of reference: «The film delivers baroque art from its convulsive catalepsy.»

Utilizing a cut - and - paste animation style with a photographic edge to recreate scenes from Hicks's life, usually to cheeky effect, American turns some 90 minutes of interview footage into a smooth, illustrated, altogether agreeable narrative that is chock - full of anecdotes and achieves a genuine intimacy without resorting to hero - worship (only the occasionally lame visual, such as the whitewashed depictions of tripping during Bill's mushroom blowouts at Kevin Booth's ranch, weaken the device).

Some wide shots seemed a little soft, but those didn't dominate the film, and I suspected most stemmed from the film's photographic style.

Basically, the visual learning style means that people need to see information to learn it, and this «seeing» takes many forms from spatial awareness, photographic memory, color / tone, brightness / contrast and other visual information.

Enlivened by personal recollections and memoi - style essays from critic John Lahr and artists Mike Nichols, Andre Gregory, Mitsuko Uchida and Twyla Tharp, this volume will help readers appreciate anew the carefully crafted underpinnings — Avedon's own brand of staging and, thus, performance — and psychological insight of this artist's work and photographic legacy.

She also applies photographic transfers from Nigerian society magazines that connect traditional Nigerian styles, fabrics manufactured in the Netherlands, and Western trends.

Since then, Quinn has gained fast fame for his incredibly distinct portrait style in which he uses photographic source material to rebuild his human subjects from within.

Published to accompany a career - spanning survey at the Cincinnati Museum of Art (February — May 2013), James Welling: Monograph synthesizes Welling's various photographic series, which range from abstract photograms to documentary - style portrayals of the New England landscape.

Drawn from the papers of a variety of artists, writers, and arts organizations, the range of subjects, circumstances, and photographic styles on view here reflects the range of historically important cultural figures who lived and worked Downtown.

Whereas the painters in Nature Studies I may have found creative impetus from photographically - reproduced work or used it as part of their method, these eight artists employ a host of respective photographic processes that, for the most part, draw our attention to the concerns, formats and styles typically seen in and expected of painting such as the artifice of arrangement, the manipulation of formal elements, and the projection of symbolic meaning or narrative content.

In her wall works, many of which play, sleight - of - hand - style, with the shifts between two - to three - dimensionality — inviting the viewer to enter their world while at the same time sealing themselves off from engagement — Rafferty prints photographic imagery on thin, clear film, often mixed with paint and solvents, and attaches these to irregularly rectangular clear acrylic sheets.

Pairing a figurative style with self - generated imagery and formal composition appropriated from her photographic practice, Cedar's paintings combine painterly gestures with articulated surfaces, oblique perspective shifts with flatness — the scenes wavering between depiction, memory, and fantasy.

Stemming from his love of music — he began his photographic career working for popular music magazines, has designed over 75 album covers, and created many music videos — Corbijn also produced a series of Cindy Sherman - style self - portraits wherein he posed as rock legends including Elvis and Jimi Hendrix.

Minter has also included a photographic portrait of Miley Cyrus portrayed in a similar style, printed in an edition of fifty, the profits from which will be donate entirely to Planned Parenthood.

1971 London (National Portrait Gallery) 1983 London (Victoria & Albert Museum) 1984 New York (International Center of Photography) 1985 London (Curated «Shots of Style» at the Victoria & Albert Museum) 1989 Bath (Royal Photographic Society) 1989 London (Hamiltons Gallery from 1989 onwards) 1990 Los Angeles (Fahey Klein Gallery) 1997 Berlin (Camerawork Photogallerie) 1997 Milan (Carla Sozanni) 1998 New Orleans (Gallery for Fine Photography) 1999 London (Barbican Art Gallery) 1999 Bradford (National Museum of Film, Photography & Television) 2000 Stockholm (Moderna Museet) 2000 Helsinki (City Art Museum) 2001 Edinburgh (Modern Art Museum) 2004 London (Gagosian Gallery) 2005 Havana (Faggionato Fine Arts) 2007 Mexico City (Galeria Hilario Galguera) 2009 London (National Portrait Gallery) 2014 London (National Portrait Gallery)

After receiving his MFA from Yale, Close gained recognition in the 1970s for his massive - scale portraits which were painted using a photorealist style, making them nearly indistinguishable from their photographic equivalent.

Using everything from photographic images of flower - strewn landscapes digitally printed onto linens to Pop Art - style spots seemingly «painted» onto faux suede, the fashion designer's sense of play is embraced by the beautifully crafted textiles.