Sentences with phrase «from photographs of the artist»

Not exact matches

Bible Road is a very different book from Church Signs Across America, in large part because the Paulsons stood in front of a lot of signs and took snapshots of them, whereas Fentress is a gifted artist whose photographs embrace the varying moods and textures of the many distinctly American scenes he portrays.
Nude art paintings and photographs are used to convey a variety of messages and emotions, and most importantly the intent of what the artist or photographer wanted to elicit from the audience.
Earth tones and comfortable leather seats set the scene in the adjacent VIP lounge while photographs on display, taken by artist Paul Michael, provide a show - stopping glimpse of the tour ahead, including incredible scenes from both the Grand Canyon and the Las Vegas Strip.
A visual feast, the book includes a letter from each illustrator to children, a self - portrait, a photograph of the artist (sometimes as a child), and a sampling of their work.
This time her first clue came from a photograph of a yarn painting by a modern Huichol artist.
They sought inspiration in the era's art, specifically the work of the photo - realists, who painted photographs in a style that is both hyperreal and at one remove from reality — evoked by the variety of reflecting surfaces seen in the film — and the op artists, who deployed contrasting visual elements to create vibrating surface tensions on a single plane.
Corsicato compiles footage taken from around Schnabel's home, recent interviews conducted with family and friends, and an assortment of photographs and film clips spanning the artist / director's life in an effort to, if one trusts this documentary's title, provide an intimate portrait of Schnabel's psychology as it was generated from the unusual circumstances of his youth.
Saturday came to an end with the screening of Anton Corbijn: Inside Out, an intimate portrait of the influential Dutch artist who has taken iconic photographs of iconic figures throughout his career from David Bowie through Nelson Mandela to Kylie from Neighbours.
Using never before seen works, writings and photographs, director Sara Driver, who was part of the New York arts scene herself, worked closely with friends and other artists who emerged from that period.
Flashes of film clips from Varda (including Cléo) and some of JR's large posted photographs appear at the very beginning, but on the whole the film relies solely upon the interplay between the two artists and their many camera subjects.
This is Randall Slavin «s first solo exhibition, it features 18 large scale photographs from the artist's new series of achromatic nudes — You can catch it until May 17, 2016!
The Chinese immigrant girl who photographed her mother at a sewing machine, then translated her stories from the factory floor, will become a stronger and more informed citizen because of that — and perhaps an artist or writer, too.
CAPE Founding and Creative Director Arnold Aprill proposes some solutions to healing the false dichotomy between «arts integrated teaching and learning» and «art for arts sake» in this article published by the Teaching Artist Journal, featuring photographs of artworks from CAPE classrooms.
A collection of gorgeous, never - before - seen photos from the Columbia Records archive, Keeping Time: The Photographs of Don Hunstein illustrates Hunstein's ability to capture artists relaxing and being themselves.
With an art degree from Rhode Island School of Design on his office wall, two union cards - stagehands and scenic artists - in his wallet, five able - bodied children, a French wife, and a photograph torn from a magazine of two Yugoslav guys roasting a lamb over a pit, he created a legendary party - a feast that almost two hundred people came to every year from as far away as the townhouses of New York City and as near as our local elementary school.
San Francisco About Blog Street Art SF photographs and shares new artwork daily from the streets of San Francisco, interviews local artists, lists events in the area and blogs about the community Frequency about 1 post per week.
Pet Portraits By Cherie Beautiful and affordable Pet Portrait drawn of your dog, cat, parrot, horse or exotic pet from your photograph by animal artist Cherie Vergos.
The artists have each created a unique piece inspired by the 1968 photo of Earth rising, photographed from the Moon.
Using only a chopping board, a highball glass as a rolling pin and a blunt IKEA knife, artist Eleanor Macnair loves to take Play - Doh and recreate photographs — taking inspiration from the incredibly iconic to the lesser known imagery of the world.
Running until 28 January 2018, the exhibition Ai Weiwei: D'ailleurs c’est toujours les autres is bringing together more than 40 items dating from 1995 up to the present: works in porcelain, wood, marble, jade, crystal, bamboo, and silk, together with wallpaper, photographs and videos, all testifying to the rich variety of the artist's work and his profound knowledge of his country's cultural heritage.
To celebrate the 70th anniversary of Magnum Photos, artist Eleanor Macnair has recreated 10 iconic photographs from the photo agency's history.
Opening: Eva O'Leary «Happy Valley» at Meyohas This exhibition features new photographs from Eva O'Leary, a young artist who uses the tricks and tactics of high - end commercial photography to explore a range of subjects and narratives.
Those in the running include Ghanaian - British multi-media artist Amartey Golding whose film Chainmail throws light over cultural behaviours towards race, gender and sexuality, while channelling the darkness of El Greco and Goya; Dutch fine art photographer Isabelle van Zeijl who blends the techniques and idioms of the Old Masters with present - day aesthetics to create striking self - portraits; British print - maker John Phillips whose eerie still lifes are created from over 1,000 separate photographs; and American painter Lucy Beecher Nelson who reinvents 15th century Italian marriage portraits.
Taipei - based artist Shih Yung - Chun paints scenes from everyday life, taking inspiration from hundreds of photographs, but there's an element of the bizarre in all his crafted narratives — his subjects always seem to occupy themselves with strange activities.
The photographs were discovered in 1998 by the contemporary Lebanese artist Akram Zaatari and incorporated into the collection of the Arab Image Foundation, an organisation co-founded by Zaatari to collect and study images from the Arab world.
Beneath the hues, one can spot a grid drawn in pencil, a hallmark feature of this artist's works since the early 1990s, when he used this device to transfer images from photographs.
DeepForger generates images from a single photograph and a library of paintings from famous artists.
In two of Mary Beth Edelson's photographs from the 1970s, the artist appears in the nude, curled up inside a ring of electric lights.
Further highlights include a series of photographs from conceptual artist Amalia Ulman's four - month Instagram project Excellences & Perfections (2014 - 15), which examines the influence of social media on attitudes towards the female body.
From a feminist perspective, Collins's «70s work, which consists almost exclusively of films and photographs of the artist staring at attractive young women, can look like one long, unapologetic, unredeemable celebration of the male gaze.
From Hannah Wilke's unflinching self - portraits in illness and Matthew Barney's performance - based installation to Cindy Sherman's surreal photographs and Kara Walker's antebellum figures, Into Me / Out of Me examines how artists have explored the physical and psychological boundaries of their bodies and those of others creating images of fragility and strength, illness and suffering, tenderness and violence.
On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).
Woman with a Camera presents photographs by 14 women artists who come from a diverse set of backgrounds and generations, and address various artistic concerns.
Photographs of Bradford from childhood through the years animate a wide - ranging interview with the artist conducted by curator Christopher Bedford.
Since the 1990s, Peyton began exhibiting her work — paintings of artists, musicians, historical figures, and friends, which she renders from photographs and from life — and more recently, also in still lifes, landscapes and scenes from the opera.
The artist employs a constellation of everyday materials in her work, ranging from found objects and photographs to handmade sculptures and living plants, creating encyclopedic and accumulative landscapes that penetrate walls and stretch across museums.
For his first solo exhibition at Simon Lee Gallery Hong Kong, the artist will present a selection of new works from Looking Up in Osaka, a series comprising of over 300 photographs of utility poles and cables taken...
At MOCA Los Angeles, Smith's curatorial projects ranged from Blueprints for Modern Living: History and Legacy of the Case Study Houses, The Architecture of R.M. Schindler, and At the End of the Century: 100 Years of Architecture to a survey of the Cindy Sherman «s photographs and the first museum presentations of then - emerging artists Uta Barth, Toba Khedoori, Catherine Opie, and others.
«Bauhaus, Dessau,» taken from a photograph taken by the artist of a stairway in the Weimar - era school with the human figures entirely removed, serves as a chilling reminder of the effects of authoritarianism, globalism, right - wing populism and what the gallery calls «the locusts of power.»
Also on exhibit will be letters, photographs, and ephemera from students and fellow artists including Fielding Dawson, Franz Kline, Robert Rauschenberg, and Stefan Wolpe; photographs of Jack Tworkov at Black Mountain College by Robert Rauschenberg, and several original works by Rauschenberg from 1952.
With film recordings and photographs as well as correspondence, invitations, posters, and other ephemera, Joan Mitchell's vibrant personality and her various relationships to artists, authors, and other figures from the cultural world of her time are illuminated.
A vitrine of photographs and a working drawing from the artist's largest painting - a commission from Boston's Shawmut bank - gives further evidence to the rigor of his process.
This presentation, which includes photographs from each of the artist's major series, is edited by the artist, P.S. 1 Director Alanna Heiss, and Peter Boswell.
In P.S. 1's third floor hallway, Jonathan Hartshorn presents the mixed media installation, When Skies Are Grey (2007), which includes drawings and found objects like the artist's family photographs, a map of the United States, an imitation wood clock, and a note from his father.
Published last month, «Lyle Ashton Harris: Today I Shall Judge Nothing That Occurs: Selections from the Ektachrome Archive» charts Harris's development as an artist and features some of the same photographs on view at the Whitney.
This exhibition features photographs of prominent Twentieth - and Twenty - First - Century artists from the Albright - Knox Collection including Fred W. McDarrah, Henri Cartier - Bresson, Hollis Frampton, Marcel Duchamp and Jasper Jones.
Like the old man in «American Gothic,» the artist was often photographed wearing overalls, and, for a while, this calculated presentation of generic masculinity helped insulate Wood from the whispering and insinuation about his private life.
A rotating selection of Muholi's photographs and over 400 works by 200 other artists, architects, and designers in the group show Une Histoire, Art, Architecture et Design Des Annees 80 a Aujoudhui concentrating on art, architecture, and design from the 1980s to today runs through March 2016.
Spielautomat (Slot Machine), 1999 - 2000, a self - portrait of the artist as a slot machine, features the title object covered with overlapping rows of images — snapshots of artist friends such as Lawrence Weiner, photographs of male movie stars torn from magazines, postcards and pictures of street scenes and storefronts — and is topped with a portrait of Genzken by Tillmans.
Artists kept playing catch - up as color increasingly swamped popular culture and amateur photography; many came to take their cues from both, and in 1976 Museum of Modern Art photography curator John Szarkowski gave William Eggleston a major solo exhibition for his now - iconic photos combining a snapshot aesthetic with a mastery of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject of the photograph,» Rohrbach writes.
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