Not exact matches
Bible Road is a very different book
from Church Signs Across America, in large part because the Paulsons stood in front
of a lot
of signs and took snapshots
of them, whereas Fentress is a gifted
artist whose
photographs embrace the varying moods and textures
of the many distinctly American scenes he portrays.
Nude art paintings and
photographs are used to convey a variety
of messages and emotions, and most importantly the intent
of what the
artist or photographer wanted to elicit
from the audience.
Earth tones and comfortable leather seats set the scene in the adjacent VIP lounge while
photographs on display, taken by
artist Paul Michael, provide a show - stopping glimpse
of the tour ahead, including incredible scenes
from both the Grand Canyon and the Las Vegas Strip.
A visual feast, the book includes a letter
from each illustrator to children, a self - portrait, a
photograph of the
artist (sometimes as a child), and a sampling
of their work.
This time her first clue came
from a
photograph of a yarn painting by a modern Huichol
artist.
They sought inspiration in the era's art, specifically the work
of the photo - realists, who painted
photographs in a style that is both hyperreal and at one remove
from reality — evoked by the variety
of reflecting surfaces seen in the film — and the op
artists, who deployed contrasting visual elements to create vibrating surface tensions on a single plane.
Corsicato compiles footage taken
from around Schnabel's home, recent interviews conducted with family and friends, and an assortment
of photographs and film clips spanning the
artist / director's life in an effort to, if one trusts this documentary's title, provide an intimate portrait
of Schnabel's psychology as it was generated
from the unusual circumstances
of his youth.
Saturday came to an end with the screening
of Anton Corbijn: Inside Out, an intimate portrait
of the influential Dutch
artist who has taken iconic
photographs of iconic figures throughout his career
from David Bowie through Nelson Mandela to Kylie
from Neighbours.
Using never before seen works, writings and
photographs, director Sara Driver, who was part
of the New York arts scene herself, worked closely with friends and other
artists who emerged
from that period.
Flashes
of film clips
from Varda (including Cléo) and some
of JR's large posted
photographs appear at the very beginning, but on the whole the film relies solely upon the interplay between the two
artists and their many camera subjects.
This is Randall Slavin «s first solo exhibition, it features 18 large scale
photographs from the
artist's new series
of achromatic nudes — You can catch it until May 17, 2016!
The Chinese immigrant girl who
photographed her mother at a sewing machine, then translated her stories
from the factory floor, will become a stronger and more informed citizen because
of that — and perhaps an
artist or writer, too.
CAPE Founding and Creative Director Arnold Aprill proposes some solutions to healing the false dichotomy between «arts integrated teaching and learning» and «art for arts sake» in this article published by the Teaching
Artist Journal, featuring
photographs of artworks
from CAPE classrooms.
A collection
of gorgeous, never - before - seen photos
from the Columbia Records archive, Keeping Time: The
Photographs of Don Hunstein illustrates Hunstein's ability to capture
artists relaxing and being themselves.
With an art degree
from Rhode Island School
of Design on his office wall, two union cards - stagehands and scenic
artists - in his wallet, five able - bodied children, a French wife, and a
photograph torn
from a magazine
of two Yugoslav guys roasting a lamb over a pit, he created a legendary party - a feast that almost two hundred people came to every year
from as far away as the townhouses
of New York City and as near as our local elementary school.
San Francisco About Blog Street Art SF
photographs and shares new artwork daily
from the streets
of San Francisco, interviews local
artists, lists events in the area and blogs about the community Frequency about 1 post per week.
Pet Portraits By Cherie Beautiful and affordable Pet Portrait drawn
of your dog, cat, parrot, horse or exotic pet
from your
photograph by animal
artist Cherie Vergos.
The
artists have each created a unique piece inspired by the 1968 photo
of Earth rising,
photographed from the Moon.
Using only a chopping board, a highball glass as a rolling pin and a blunt IKEA knife,
artist Eleanor Macnair loves to take Play - Doh and recreate
photographs — taking inspiration
from the incredibly iconic to the lesser known imagery
of the world.
Running until 28 January 2018, the exhibition Ai Weiwei: D'ailleurs c’est toujours les autres is bringing together more than 40 items dating
from 1995 up to the present: works in porcelain, wood, marble, jade, crystal, bamboo, and silk, together with wallpaper,
photographs and videos, all testifying to the rich variety
of the
artist's work and his profound knowledge
of his country's cultural heritage.
To celebrate the 70th anniversary
of Magnum Photos,
artist Eleanor Macnair has recreated 10 iconic
photographs from the photo agency's history.
Opening: Eva O'Leary «Happy Valley» at Meyohas This exhibition features new
photographs from Eva O'Leary, a young
artist who uses the tricks and tactics
of high - end commercial photography to explore a range
of subjects and narratives.
Those in the running include Ghanaian - British multi-media
artist Amartey Golding whose film Chainmail throws light over cultural behaviours towards race, gender and sexuality, while channelling the darkness
of El Greco and Goya; Dutch fine art photographer Isabelle van Zeijl who blends the techniques and idioms
of the Old Masters with present - day aesthetics to create striking self - portraits; British print - maker John Phillips whose eerie still lifes are created
from over 1,000 separate
photographs; and American painter Lucy Beecher Nelson who reinvents 15th century Italian marriage portraits.
Taipei - based
artist Shih Yung - Chun paints scenes
from everyday life, taking inspiration
from hundreds
of photographs, but there's an element
of the bizarre in all his crafted narratives — his subjects always seem to occupy themselves with strange activities.
The
photographs were discovered in 1998 by the contemporary Lebanese
artist Akram Zaatari and incorporated into the collection
of the Arab Image Foundation, an organisation co-founded by Zaatari to collect and study images
from the Arab world.
Beneath the hues, one can spot a grid drawn in pencil, a hallmark feature
of this
artist's works since the early 1990s, when he used this device to transfer images
from photographs.
DeepForger generates images
from a single
photograph and a library
of paintings
from famous
artists.
In two
of Mary Beth Edelson's
photographs from the 1970s, the
artist appears in the nude, curled up inside a ring
of electric lights.
Further highlights include a series
of photographs from conceptual
artist Amalia Ulman's four - month Instagram project Excellences & Perfections (2014 - 15), which examines the influence
of social media on attitudes towards the female body.
From a feminist perspective, Collins's «70s work, which consists almost exclusively
of films and
photographs of the
artist staring at attractive young women, can look like one long, unapologetic, unredeemable celebration
of the male gaze.
From Hannah Wilke's unflinching self - portraits in illness and Matthew Barney's performance - based installation to Cindy Sherman's surreal
photographs and Kara Walker's antebellum figures, Into Me / Out
of Me examines how
artists have explored the physical and psychological boundaries
of their bodies and those
of others creating images
of fragility and strength, illness and suffering, tenderness and violence.
On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale
photographs of the
artist standing in front
of oil paintings
from the permanent collection
of the Metropolitan Museum
of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).
Woman with a Camera presents
photographs by 14 women
artists who come
from a diverse set
of backgrounds and generations, and address various artistic concerns.
Photographs of Bradford
from childhood through the years animate a wide - ranging interview with the
artist conducted by curator Christopher Bedford.
Since the 1990s, Peyton began exhibiting her work — paintings
of artists, musicians, historical figures, and friends, which she renders
from photographs and
from life — and more recently, also in still lifes, landscapes and scenes
from the opera.
The
artist employs a constellation
of everyday materials in her work, ranging
from found objects and
photographs to handmade sculptures and living plants, creating encyclopedic and accumulative landscapes that penetrate walls and stretch across museums.
For his first solo exhibition at Simon Lee Gallery Hong Kong, the
artist will present a selection
of new works
from Looking Up in Osaka, a series comprising
of over 300
photographs of utility poles and cables taken...
At MOCA Los Angeles, Smith's curatorial projects ranged
from Blueprints for Modern Living: History and Legacy
of the Case Study Houses, The Architecture
of R.M. Schindler, and At the End
of the Century: 100 Years
of Architecture to a survey
of the Cindy Sherman «s
photographs and the first museum presentations
of then - emerging
artists Uta Barth, Toba Khedoori, Catherine Opie, and others.
«Bauhaus, Dessau,» taken
from a
photograph taken by the
artist of a stairway in the Weimar - era school with the human figures entirely removed, serves as a chilling reminder
of the effects
of authoritarianism, globalism, right - wing populism and what the gallery calls «the locusts
of power.»
Also on exhibit will be letters,
photographs, and ephemera
from students and fellow
artists including Fielding Dawson, Franz Kline, Robert Rauschenberg, and Stefan Wolpe;
photographs of Jack Tworkov at Black Mountain College by Robert Rauschenberg, and several original works by Rauschenberg
from 1952.
With film recordings and
photographs as well as correspondence, invitations, posters, and other ephemera, Joan Mitchell's vibrant personality and her various relationships to
artists, authors, and other figures
from the cultural world
of her time are illuminated.
A vitrine
of photographs and a working drawing
from the
artist's largest painting - a commission
from Boston's Shawmut bank - gives further evidence to the rigor
of his process.
This presentation, which includes
photographs from each
of the
artist's major series, is edited by the
artist, P.S. 1 Director Alanna Heiss, and Peter Boswell.
In P.S. 1's third floor hallway, Jonathan Hartshorn presents the mixed media installation, When Skies Are Grey (2007), which includes drawings and found objects like the
artist's family
photographs, a map
of the United States, an imitation wood clock, and a note
from his father.
Published last month, «Lyle Ashton Harris: Today I Shall Judge Nothing That Occurs: Selections
from the Ektachrome Archive» charts Harris's development as an
artist and features some
of the same
photographs on view at the Whitney.
This exhibition features
photographs of prominent Twentieth - and Twenty - First - Century
artists from the Albright - Knox Collection including Fred W. McDarrah, Henri Cartier - Bresson, Hollis Frampton, Marcel Duchamp and Jasper Jones.
Like the old man in «American Gothic,» the
artist was often
photographed wearing overalls, and, for a while, this calculated presentation
of generic masculinity helped insulate Wood
from the whispering and insinuation about his private life.
A rotating selection
of Muholi's
photographs and over 400 works by 200 other
artists, architects, and designers in the group show Une Histoire, Art, Architecture et Design Des Annees 80 a Aujoudhui concentrating on art, architecture, and design
from the 1980s to today runs through March 2016.
Spielautomat (Slot Machine), 1999 - 2000, a self - portrait
of the
artist as a slot machine, features the title object covered with overlapping rows
of images — snapshots
of artist friends such as Lawrence Weiner,
photographs of male movie stars torn
from magazines, postcards and pictures
of street scenes and storefronts — and is topped with a portrait
of Genzken by Tillmans.
Artists kept playing catch - up as color increasingly swamped popular culture and amateur photography; many came to take their cues
from both, and in 1976 Museum
of Modern Art photography curator John Szarkowski gave William Eggleston a major solo exhibition for his now - iconic photos combining a snapshot aesthetic with a mastery
of the dye imbibition process that «allowed Eggleston to draw attention to color without making it the subject
of the
photograph,» Rohrbach writes.