Sentences with phrase «from photography and film»

Luc Tuymans is one of the most prominent contemporary painters, highly regarded for his paintings that draw on visual techniques from photography and film.

Engaging with a variety of media, her production ranges from photography and film, to installation, performance, writing and sound.

Olafur Eliasson: Well - known for his 2003 installation The weather project, at Tate Modern London, which was seen by over two million visitors, and for Contact, his recent exhibition at Fondation Louis Vuitton in Paris, Danish - Icelandic artist Olafur Eliasson's work spans from photography and film to sculpture, instal - lation, and architecture.

Not exact matches

There are no permanent exhibitions, but artists from around the world descend on the gallery to show works, which range from film, photography and paintings to sculpture and sound installations.

This moody, elegiac film has universally been acclaimed as a cinematographic masterpiece, from the talents of Cuban - born European Nestor Almendros (and «additional photography» by Haskell Wexler), with naturally - lit, sweeping, 70 mm images of crystal clarity and scope, and artfully composed scenes reminiscent of Andrew Wyeth paintings.

Using stock photography and beautifully filmed footage of Wright's greatest creations, Burns and Novick follow his life from his turbulent childhood to his last masterpiece, the Guggenheim Museum, completed six months after his death.

The aftermath of the Soma mine disaster, the Glasgow School of Art fire, the Cannes film festival — the best photography in news, culture and sport from around the world this week

From the crystalline shores of a deserted island to the green grass and dusty roads of 1940s suburban America, Ballard and director of photography Caleb Deschanel create a film of consistent visual invention and purity, one that also features a winning supporting performance by Mickey Rooney as a retired jockey and a gorgeous score by Carmine Coppola.

The non-animated menus incorporate Diego Velázquez's The Rokeby Venus (which figures in the film), watercolor - ish artwork, and photography from the film, along with excerpts of Corrine Bailey Rae's score.

This award - winning film from Iran is a stunning piece of work, beautifully telling a raw human story with expert writing, direction, photography, editing and acting.

For the supplemental materials, there's an excerpt from the documentary Michelangelo Antonioni: The Eye That Changed Cinema; Blow - Up of «Blow - Up», a new documentary about the film; two interviews with David Hemmings, one on the set of Only When I Larf from 1968, and the other on the TV show City Lights from 1977; 50 Years of Blow - Up: Vanessa Redgrave / Philippe Garner, a 2016 SHOWstudio interview; an interview with actress Jane Birkin from 1989; Antonioni's Hypnotic Vision, featuring two separate pieces about the film: Modernism and Photography; both the teaser and theatrical trailers for the film; and a 68 - page insert booklet containing an essay on the film by David Forgacs, an updated 1966 account of the film's shooting by Stig Björkman, a set of questionnaires that the director distributed to photographers and painters while developing the film, the 1959 Julio Cortázar short story on which the film is loosely based, and restoration details.

The film equivalent of a stroll through the Louvre, the documentary Visions of Light: The Art of Cinematography collects interviews with many of modern - day Hollywood's finest directors of photography and is illustrated by examples of their best work as well as scenes from the pictures which most influenced them.

As well as the murkier corners of classic film noir, Boorman drew inspiration from art photography and the French New Wave, including Jean - Luc Godard's Breathless, which was itself «speaking back» to American crime movies.

The film also reunited key members of Todd Phillips» creative team from the first two films: director of photography Lawrence Sher, editor Debra Neil - Fisher and costume designer Louise Mingenbach.

Using his extensive background in filming wildlife, Psihoyos captures stunning imagery from unique underwater photography and awe - inspiring time lapses to get his message across; mankind is destructive but also the solution.

The filmmakers have repurposed the action from the seedy streets of 1980 New York to modern day Los Angeles and have bathed the film in dreamy, high - resolution digital photography that is all wrong.

Variety has revealed a first look image from director Matt Aselton's heist thriller Lying and Stealing featuring Theo James (Divergent) and Emily Ratajkowski (Gone Girl); take a look here... According to the site, the film — which has just commenced principal photography — sees James as «Ivan, a suave, young thief whose specialty is stealing -LSB-...]

Extras: New 4K scan from the original film elements; new audio commentary with writer - director Albert Pyun; new «A Ravaged Future — The Making of Cyborg» featuring interviews with Pyun, actors Vincent Klyn, Deborah Richter and Terrie Batson, director of photography Philip Alan Waters and editor Rozanne Zingal; new «Shoestring Fantasy - The Effects of Cyborg» featuring interviews with visual effects supervisor Gene Warren Jr., Go - Motion technician Christopher Warren and rotoscope artist Bret Mixon; extended interviews from Mark Hartley's documentary «Electric Boogaloo: The Wild, Untold Story Of Cannon Films» with Pyun and Sheldon Lettich; theatrical trailer; still gallery.

Extras: Two audio commentaries from 2003, one featuring director Ken Russell and the other screenwriter and producer Larry Kramer; segments from a 2007 interview with Russell for the BAFTA Los Angeles Heritage Archive; «A British Picture: Portrait of an Enfant Terrible,» Russell's 1989 biopic on his own life and career; interview from 1976 with actor Glenda Jackson; interviews with Kramer and actors Alan Bates and Jennie Linden from the set; new interviews with director of photography Billy Williams and editor Michael Bradsell; «Second Best,» a 1972 short film based on a D. H. Lawrence story, produced by and starring Bates; trailer; an essay by scholar Linda Ruth Williams.

Principal photography for the film commenced just recently, and with Zoolander 2 on deck this year as well, I'm beginning to have high school flashbacks of spilling my popcorn at my multiplex from laughing so hard.

Baker's crew shot the entire 2015 film using three iPhone 5S devices, with additional photography from an anamorphic clip - on lens, an app, and Steadicam Smoothee Mounts.

This is a film of exacting textures and delicate moods, sustained in heavenly beams of light and the reflection of warm memories, and this edition, mastered from a restored 2K film transfer supervised by Davies and director of photography Michael Coulter, is astoundingly beautiful.

Drinking Buddies is somewhat of a crossover from micro-indie films into a larger budget film for Joe Swanberg; it contains a well - known cast (Olivia Wilde, Jake Johnson, Anna Kendrick) and much higher production values (having a dedicated director of photography, etc.) than his previous 14 films.

In the Tyrone Power featurette included on Fox» Son of Fury DVD, Power apparently begged Zanuck to shoot the film in Technicolor, but the black & white photography definitely darkens the tone of the film and steers it away from the more frothy costume romp Alfred Newman's score clearly conveys.

Bonus materials include: Twist by Polanski (a documentary from director Roman Polanski's point of view), Kidding With Oliver Twist (the young stars share their experience while filming Oliver Twist) and The Best of Twist (a look at the sets, costumes, photography, editing and music of the film).

But The New York Ripper, featuring authentic location photography in scuzzy New York locales that strongly recalled images from films like Taxi Driver and Cruising, was a departure in that it has no otherworldly elements.

This work will necessarily be pivotal to the film's mood and the stills thus far have reminded me somewhat of Emmanuel Lubezki's phenomenal photography of «Children of Men» (an Oscar loss I'm still reeling from, despite «Pan's Labyrinth» being my # 1 film of 2006).

Special Features New 4K digital restoration New interview with cinematographer John Bailey about director of photography Conrad Hall's work in the film New interview with film historian Bobbi O'Steen on the film's editing New interview with film critic and jazz historian Gary Giddins about Quincy Jones's music for the film New interview with writer Douglass K. Daniel on director Richard Brooks Interview with Brooks from a 1998 episode of the French television series «Cinema Cinemas» «With Love From Truman,» a short 1966 documentary featuring novelist Truman Capote, directed by Albert and David Maysles Two archival NBC interviews with Capote: one following the author on a 1966 visit to Holcomb, Kansas, and the other conducted by Barbara Walters in 1967 Trailer Plus: An essay by critic Chris Fujifrom a 1998 episode of the French television series «Cinema Cinemas» «With Love From Truman,» a short 1966 documentary featuring novelist Truman Capote, directed by Albert and David Maysles Two archival NBC interviews with Capote: one following the author on a 1966 visit to Holcomb, Kansas, and the other conducted by Barbara Walters in 1967 Trailer Plus: An essay by critic Chris FujiFrom Truman,» a short 1966 documentary featuring novelist Truman Capote, directed by Albert and David Maysles Two archival NBC interviews with Capote: one following the author on a 1966 visit to Holcomb, Kansas, and the other conducted by Barbara Walters in 1967 Trailer Plus: An essay by critic Chris Fujiwara

Payne films this road trip dramedy in rich black - and - white, perhaps echoing back to another great film about someone from the Midwest on a quest, The Wizard of Oz, in which Dorothy's home life on a far in Kansas is in traditional B&W photography, and her experience in the great land of Oz is in vibrant color.

The arguments for and against fracking are numerous: there is even a group of residents from Armstrong County in Pennsylvania where photography took place, that protest the film, accusing the film studios who aimed their cameras in their backyards that the movie would be fair to the drillers.

Apart from Oldman and his make - up team, the film's MVP might be director of photography Bruno Delbonnel; his visuals prove indispensable to Wright's historical pressure cooker.

Of course, while Oliver's direction is phenomenal (the composition is quietly stunning and precise) and the film has excellent photography from Sung Rae Cho — Ulysses Guidotti's editing is singular — none of it would work without Akinnagbe.

As stated in the included booklet: «Supervised by director of photography Yorick Le Saux and approved by director Olivier Assayas, this new digital transfer was created in 2K resolution on an ARRISCAN film scanner from the 35 mm original camera negative.»

This is a terrific, in - depth guide to the film: the behind - the - scenes footage is revealing, and we get interesting comments from Vaughn, co-composer Henry Jackman, Aaron Johnson, Garrett M. Brown, Lyndsy Fonseca, Evan Peters, Christopher Mintz - Plasse, Clark Duke, production designer Russell de Rozario, Mark Strong, screenwriter / co-producer Jane Goldman, Chloë Grace Moretz, director of photography Ben Davis, Jason Flemyng, Kick - Ass co - creator / writer Mark Millar, production sound mixer Simon «Purple» Hayes, Kofi Natei, co-composer John Murphy, Kick - Ass co - creator / artist John S. Romita, Jr., producer Tarquin Pack, and 2nd unit DP / Steadicam operator Peter Wignall.

It features comments from Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, director of photography Trent Opalach, special effects supervisor Max Poolman, lead set decorator Gary Potgieter, art directors Emelia Weavind and Mike Berg, production designer Philip Ivey, sound designer Dave Whitehead, supervising sound editor Brent Burge, film editor Julian Clarke, and actors Sharlto Copley, Jason Cope, Vanessa Haywood, Mandla Gaduka, and David James.

Dealing in youthful ambition and disappointment in one's parents, the whole film is shot explicitly from Ginger's perspective and boasts a lush, loose aesthetic (director of photography Robbie Ryan's impressive CV includes Fish Tank and The Angels» Share).

Filmed in 3D with stunning slow motion photography sequences, the film returns the celebrated character to the dark, visceral incarnation from John Wagner and Carlos Ezquerra's revered comic strip.

Inspired by a true story from the Civil War and rewritten as comedy with a romantic air and a happy ending, it maintains an admirable fidelity to authenticity in costumes and props — the imagery evokes Matthew Brady's Civil War photography — and the visual scope of the film is not simply impressive, it is dramatic and cinematic and at times awesome.

Ashley Browning (Pojoaque / Santa Clara Pueblo) graduated from the University of New Mexico with a degree in Film and Digital Media where she concentrated on film, photography and graphic design.

Available September 1 Amores Perros The B - Side: Elsa Dorfman's Portrait Photography City of God Dead Poets Society Deep Blue Sea Disney's Hercules Disney's Mulan FINAL FANTASY XIV Dad of Light: Season 1 — NETFLIX ORIGINAL Fracture Gangs of New York Gone Baby Gone High Risk Hoodwinked Hotel for Dogs Jaws Jaws 2 Jaws 3 Jaws: The Revenge The Last Shaman LEGO Elves: Secrets of Elvendale: Season 1 — NETFLIX ORIGINAL Little Evil — NETFLIX ORIGINAL FILM The Lost Brother Maniac: Season 1 Narcos: Season 3 — NETFLIX ORIGINAL TEASER Outside Man: Volume 2 Pulp Fiction Requiem for a Dream Resurface — NETFLIX ORIGINAL TRAILER The Rugrats Movie The Secret Garden Shaq & Cedric the Entertainer Present: All Star Comedy Jam Shaquille O'Neal Presents: All Star Comedy Jam: Live from Atlanta Shaquille O'Neal Presents: All Star Comedy Jam: Live from Dallas Shaquille O'Neal Presents: All Star Comedy Jam: Live from Las Vegas Shaquille O'Neal Presents: All Star Comedy Jam: Live from Orlando Shaquille O'Neal Presents: All Star Comedy Jam: Live from South Beach She's Got ta Have It The Squid and the Whale West Coast Customs: Season 5 Who the F**K is that Guy

With stand - out performances from Ben Stiller (* Night At The Museum, Meet The Parents) * Golden Globe ** and six - time Emmy Award *** nominated actress Kristen Wiig (* Saturday Night Live, Bridesmaids, How To Train Your Dragon *), Adam Scott (* Step Brothers *) and Shirley MacLaine (* Wild Oats *), the THE SECRET LIFE OF WALTER MITTY Blu - ray and DVD is loaded with more than an hour of behind - the - scenes special features, including deleted, extended and alternative scenes, featurettes that dive into filming in Iceland and Walter Mitty history, a gallery of exclusive reference photography, and music video «Stay Alive» by José González, and more.

The movies will in turn serve as «a jumping - off point» for «guest editors,» who will add content inspired by the film, anything from «essays, music, video and photography to cultural ephemera» that reflects themes expressed in the selected films.

Two positive things about this film: great acting from the entire cast and fabulous photography.

The film features absolute jaw - dropping visuals from Director Jonathan Glazer and Director of Photography Daniel Landin, superb acting all around (with non-actors making up most of the cast), and a non-traditional narrative that immediately makes you want to revisit it after first viewing.

With principal photography now underway, Fox Searchlight has released four first - look images from director Simon Curtis» upcoming untitled A.A. Milne biopic featuring Domhnall Gleeson as the Winnie the Pooh creator, Margot Robbie as his wife Daphne and Will Tilston as their son Christopher Robin; take a look below... The UNTITLED A.A. MILNE film gives a -LSB-...]

It's not the most plot - heavy of films, dancing from skit - like episode to episode, a structure reminiscent of the aforementioned «Frances Ha,» a parallel further underlined by the black - and - white photography (if anything the 35 mm work here, by photographer Sara Mishara, is even better than in Noah Baumbach «s film).

Krasinski and his director of photography Charlotte Bruus Christensen (Far From the Madding Crowd, Molly's Game) further capture the Abbotts» sense of isolation and the feeling of danger lurking around every corner through the film's often catching visuals.

In this excerpt from a new interview on our special edition release of the film, director of photography Frederick Elmes discusses David Lynch's approach to lighting his high - contrast black - and - white breakthr...

«Screening at the Majestic» (26:51) is Yves Kovacs» solid 1997 documentary that returns director of photography Henri Alekan to the movie's filming locations, reads from Cocteau's own notes, and interviews cast members Jean Marais and Mila Parély.

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