At the project's core is an exhibition of five individual presentations in media ranging
from photography and installation to film.
At the project's core is an exhibition of five individual presentations in media ranging
from photography and installation to film, by Rossella Biscotti, Edson Chagas, Cyprien Gaillard, Paulo Nazareth, and Koki Tanaka.
11/5 Pádraig Timoney Through 12/21, Andrew Kreps Gallery The intentionally hard - to - categorize Irish artist has been moving away
from photography and installation and toward painting, with thrilling results.
Not exact matches
There are no permanent exhibitions, but artists
from around the world descend on the gallery to show works, which range
from film,
photography and paintings to sculpture
and sound
installations.
The Chris Marker collection on DVD & Blu - ray
from Soda
and exploring his
installation work, books
and photography at the Whitechapel's Marker exhibition.
That's particularly the case in Be My Baby, a 1999 video
installation that includes appropriated footage
from American movies
and space
photography.
Artwork ranges
from drawing,
photography, sculpture,
installations, film
and video to performance
and social practice taking place in both urban
and rural landscapes,
and include works that are narrative, political, performative,
and conceptual examples of contemporary art.
Each of the
installations, which vary in form —
from sculpture
and photography to sound
and architectural intervention — investigates a different element of the in - between as both a physical location
and an abstract condition.
The Artist's Museum begins with this impulse to collect
and connect, bringing together large - scale
installations,
photography, film,
and videos that employ artworks
from the past as material in the present, animating existing artworks, images,
and histories to reveal art's unexpected relationships
and affinities.
The featured works in the exhibition — ranging
from painting
and sculpture to
photography, film
and installation — examine the passage of time by alluding to nostalgia or sentiments about aging, often depicting specific places in states of decay; these works can act as documentation, memorial or symbol.
The exhibition displays different mediums,
from painting, to
photography, sculptures
and light
installations,
and presents works by Richard... Continue reading →
The Warehouse exhibitions feature 20
and 21st century sculpture,
photography, video, painting
and large scale
installations by international artists culled
from the collection of Martin Z. Margulies.
Artwork in the exhibition ranges in medium
from drawing,
photography, sculpture,
installations, film,
and video to performance
and social practice taking place in both urban
and rural landscapes.
From installation and video to sculpture, painting
and photography, the variety of work on display reflects the diverse perspective of the artists featured in the exhibition.
The work will span mediums -
from painting, sculpture
and photography to site - specific
installations and video projections.
Now, with «Muse», she has developed a new
installation called tête - a-tête, which picks up on that theme, but does so through
photography, pairing her creations with work
from photographers who have inspired her, such as Carrie Mae Weems, Renée Cox,
and Deana Lawson.
His work spans a range of media including
photography, painting, sculpture,
installation and use of the ready - made to create assemblages
from everyday found objects such as books, ceramics, TV sets
and other house - hold goods
and paraphernalia, which Liu Wei transforms into sculptural objects
and installations of eloquent complexity.
Featuring new
and recent works, these solo exhibitions showcase a range of media,
from video
and photography to drawing
and installation.
Showing work
from the past three decades, the exhibition will highlight the
photography, sculpture
and installations of Zoe Leonard, whose work asks viewers to re-engage with how they see.
Working in
photography, as well as video
and installation, her projects have documented same - sex marriage
and used first - person accounts to surface the «experience of living in a country that constitutionally protects the rights of LGBTI people but often fails to defend them
from targeted violence.»
Previous rounds have been broad in scope
and concept, ranging
from topics of activism to architecture,
and including disciplines such as design, media arts, drawing, film,
installation, intervention, literature, painting, performance,
photography, print making, sculpture,
and others, such as scientific field work.
The exhibition is on view at the University Gallery
from April 4 through June 12 with an opening reception on Saturday, April 3
from 4 to 6 p.m. ALUMNI III includes painting, sculpture,
photography, mixed media on paper
and site - specific sculptural
installation.
Hawkinson works across a wide range of media,
from sculpture,
installation,
and painting, to
photography and collage,
and many of is highly original works include moving components
and sound, inventing new ways for seeing
and thinking about the world around us.
Adrien Missika's exhibition Zeitgeber, an
installation of
photography, assemblages
and video, ran
from September 18 to November 7, 2015, at Mexico City's Proyectos Monclova.
Showcasing paintings
and drawings spanning
from 1992 to 2017
and demonstrating the singular ambition
and dynamism of Saville's work, this exhibition spans five rooms of the Scottish National Gallery of Modern Art
and places the artist alongside major new works,
installations and photography from five other artists preoccupied with the body, performance, process
and materiality: Sara Barker, Christine Borland, Robin Rhode, Markus Schinwald, Catherine Street,
and others.
Amid so much debate over oversized
installations, one can easily miss the explosion of other media
and other messages,
from realism
and abstraction to
photography, a sparer conceptual art,
and new media.
This travelling show
from Anchorage Museum in Alaska, highlights work by eleven, contemporary Indigenous artists of various tribal affiliations whose works include ink drawings, video, digital
photography, multi-media
installation and textiles.
Exhibiting a wide variety of mediums including
photography, video, painting, sculpture, drawing
and site - specific
installations, Party Out Of Bounds presents both past
and present nightlife scenes
from Nelson Sullivan's video documentation of late performers Ethyl Eichelberger
and John Sex, to Jessica Whitbread's No Pants No Problem Party, an underwear dance party exploring social gathering as a space of advocating for HIV
and sexual / gender rights
and combatting stigma.
The selection includes paintings, drawings, sculptures, as well as
photography,
installation and architecture,
from the studios of a select group of NYC artists including Dana Adams, Helene, Awad Wahba, Vicky Barranguet, Mati Bracha, Braden Burgon, March Chadwick, Paul Ching - Bor, Lorin Cole, John De Soto, Anne De Villemejane, Hollie Heller, Chizuru Morii Kaplan, Michael Katz, William King, Louise Laffaille, JJ Li, Carole McClintock, Hugh Millar, Todd Monaghan, Lindsey Nobel, Fabienne Ricard, Simon Rigg, Bolek Ryzinski, Liz Schneider - Cohen, Shane Townley, Preeti Varma
and Norbert Waysberg.
Organized by Dena M. Woodall, associate curator of prints
and drawings,
and curatorial assistant Lauren Rosenblum, the exhibition features 20th - century prints
from the permanent collection selected by artists known for their work in other disciplines — specifically sculpture,
photography, painting,
installation,
and dance.
Although he's recently moved away
from photography and towards
installation and sculpture, he still thinks about framing
and perspective when composing his pieces (which deliver a subtle but searing critique of popular depictions of black identity).
The 4th International Biennial of Casablanca welcomes submissions
from artists working in the following medium: painting, print,
photography, sculpture,
installation, performance, sound
and new media.
His work ranges
from new media
and hypertext works to digital performance art, video art,
photography and multi-media
installations.
Celebrating Catherine Jansen's groundbreaking cyanotype
installation The Blue Room
and works
from Photography into Sculpture artist Bea Nettles from the Michener Art Museum collection, this exhibit surveys regional contemporaries continuing to diversify the forms photography no
Photography into Sculpture artist Bea Nettles
from the Michener Art Museum collection, this exhibit surveys regional contemporaries continuing to diversify the forms
photography no
photography now embodies.
The participants range
from emerging to well - established individuals
and collectives working in painting, sculpture, drawing
installation, film
and video,
photography, activism, performance, music,
and video game design.
Marking the culmination of a year - long celebration of
photography at the museum, this
installation brings together an exquisite group of gifts, ranging
from innovative photographs made in the earliest years of the medium's history to key works by important 20th - century artists
and contemporary pieces that examine the ways in which
photography continues to shape our experience of the modern world.
What / Why: «Edgar Arceneaux's work in
installation, sculpture, drawing,
photography,
and video, draws inspiration
from a wide - ranging set of sources: American history, astronomy, science - fiction, architecture, music,
and movies.
2011 Video Exhibition Highlights Wadsworth Atheneum's History Wadsworth Atheneum Receives $ 21,000
From NEA to Support MATRIX Exhibition Series Wadsworth Atheneum Commemorates Civil War's 150th Anniversary in New Collection
Installation Claire Beckett / MATRIX 163 Opens Nov. 3 Robin Jaffee Frank Named Chief Curator
and Krieble Curator of American Painting
and Sculpture Wadsworth Atheneum to Receive Significant NEH Funding Wadsworth Atheneum Presents
Photography by Patti Smith Shaun Gladwell / MATRIX 162 Opens June 2 Wadsworth Atheneum's Morgan Great Hall Opens to the Public
Alternating sculpture — the medium in which he develops a broader spectrum, ranging
from small three - dimensional creations to large - sized
installations and hybrid objects — with
photography, drawing,
and mural painting, Irazu's work addresses the problems that occur in the relationships established between our bodies, objects, images,
and spaces.
Featuring twelve artists working across varied media, this show will explore the formal tool of antithesis as it is manifest in works that run the gamut
from video
and installation, to painting
and photography.
With fifty years of experience in the New York gallery world, his interests
and expertise extend
from established post-war artists through the most contemporary emerging careers
and ranges through all media
from painting, works on paper, sculpture
and installation to
photography and digital media.
From painting to sculpture to
photography and video
installation, his oeuvre represents an intense examination of the history of black identity in America
and in Western art.
Edgar Arceneaux's work in
installation, sculpture, drawing,
photography,
and video, draws inspiration
from a wide - ranging set of sources: American history, astronomy, science - fiction, architecture, music,
and movies.
On view
from February 22 through April 7, 2018, the exhibition introduces Liu's latest major works, including a large - scale video
installation in the first floor gallery, a series of six
photography works in the second floor main gallery
and a felt - carpeted room
installation in the project space.
It presents a diverse
and eclectic selection of the finest works produced,
from the 19th century to the present,
and features paintings, sculpture, video
installation, works on paper,
photography,
and fashion design.
The exhibition presents contemporary work in dialogue with historical objects
from the collections of the Seattle Art Museum
and the Brooklyn Museum within an immersive
and lively
installation of video, digital, sound,
and installation art, as well as
photography and sculpture.
These ten artists work in media ranging
from paintings
and drawings to
photography,
from sculpture to
installation.
The works include new sculptures by Chelsea scholar David A Smith
and RCA postgraduate Lucy May, poetic
installation by Goldsmiths graduate Adam Thompson, a temporary rust drawing
from Middlesborough - based artist Tony Charles, painting
from RA graduate
and Jerwood prize - winner Nick Fox,
photography from the Ruskin's Saatchi New Sensations - winner Oliver Beer
and Brighton graduate Simon Carruthers.
They belong to a vibrant generation of Indian artists who work across a range of artistic media
from painting, sculpture,
and photography to
installation and video art, reflecting on India's role as an important player within the global economy.
On the whole, this year's» Royal College of Art
Photography graduates display a pleasing return to medium specific work
and a move away
from the
installation based interrogations previous years.