Sentences with phrase «from playing to the gallery»

«A situation where the Senator representing Niger East Senatorial District, David Umoru politicized the killing in Niger state is a disservice to the country as any political gain from playing to the gallery would be short lived and could potentially come to haunt the state.

Not exact matches

Rose, the only member of the fivesome who is playing from the championship tees, must hit his second shot over the heads of some two dozen members of Jordan's gallery, which has smartly stationed itself across the fairway to be in position to intercept Michael on his way to the green.

Until one learns what to look for, and some never do, one is likely to come away from the game with a kaleidoscopic collection of impressions, totally unassimilable, a gallery of friezes: the goalie hanging in midair at a 45 ° angle, the ball in his outstretched fingers; a tangle of players carved in marble in front of the net; sprawled soldiers in shorts lying on the ground in states of disarray; the referee's cheeks puffed out while he signals a stop in play and the teams merrily ignore him; a man contorted in pain, immobile, a trickle of blood at his hairline.

A break from this his conservative beliefs to embrace the contemporary beliefs in football management that places emphasis on winning titles instead of to be playing good entertaining football without winning the PL and the CL titles which amounted to playing to the gallery will be most welcomed next season if Le Prof will change from his conservative thinking to contemporary thinking..

Visit the Fuel Up to Play 60 Challenges page to view videos from the Challenge Gallery, and to view the latest challenge!

A demand for Britain to withdraw troops from Afghanistan ahead of schedule prompted Mr Cameron to praise the «great power and great force» of his rhetoric but warn him not to «play to the gallery on this issue».

In - game credits gained from playing the game modes are spent unlocking art gallery entries and Ex Options, ranging from cosmetic filters to different camera views.

Sandra Bullock plays Danny Ocean's sister, and with the help of her right - hand woman (Cate Blanchett), she brings together a group of thieves to steal a necklace from the Met Ball in order to frame a villainous gallery owner.

Emerging from the fantasy of childhood is seen in the opening moments, where Sandrine Bonnaire's 16 - year - old coquette Suzanne takes time out from rehearsing a play at a teen summer camp to «perform» for a gallery of male on - lookers.

Starting things off, there's an audio commentary from director Mark Hartley, joined by «Ozploitation Auteurs» Brian Trenchard - Smith, Antony I. Ginnane, John D. Lamond, David Hannay, Richard Brennan, Alan Finney, Vincent Monton, Grant Page, and Roger Ward; a set of 26 deleted and extended scenes, now with optional audio commentary from Hartley and editors Sara Edwards and Jamie Blanks; The Lost NQH Interview: Chris Lofven, the director of the film Oz; A Word with Bob Ellis (which was formerly an Easter Egg on DVD); a Quentin Tarantino and Brian Trenchard - Smith interview outtake; a Melbourne International Film Festival Ozploitation Panel discussion; Melbourne International Film Festival Red Carpet footage; 34 minutes of low tech behind the scenes moments which were shot mostly by Hartley; a UK interview with Hartley; The Bazura Project interview with Hartley; The Monthly Conversation interview with Hartley; The Business audio interview with Hartley; an extended Ozploitation trailer reel (3 hours worth), with an opening title card telling us that Brian Trenchard - Smith cut together most of the trailers (Outback, Walkabout, The Naked Bunyip, Stork, The Adventures of Barry McKenzie, three for Barry McKenzie Holds His Own, Libido, Alvin Purple, Alvin Rides Again, Petersen, The Box, The True Story of Eskimo Nell, Plugg, The Love Epidemic, The Great MacArthy, Don's Party, Oz, Eliza Fraser, Fantasm, Fantasm Comes Again, The FJ Holden, High Rolling, The ABC of Love and Sex: Australia Style, Felicity, Dimboola, The Last of the Knucklemen, Pacific Banana, Centrespread, Breakfast in Paris, Melvin, Son of Alvin, Night of Fear, The Cars That Ate Paris, Inn of the Damned, End Play, The Last Wave, Summerfield, Long Weekend, Patrick, The Night, The Prowler, Snapshot, Thirst, Harlequin, Nightmares (aka Stage Fright), The Survivor, Road Games, Dead Kids (aka Strange Behavior), Strange Behavior, A Dangerous Summer, Next of Kin, Heatwave, Razorback, Frog Dreaming, Dark Age, Howling III: The Marsupials, Bloodmoon, Stone, The Man from Hong Kong, Mad Dog Morgan, Raw Deal, Journey Among Women, Money Movers, Stunt Rock, Mad Max, The Chain Reaction, Race for the Yankee Zephyr, Attack Force Z, Freedom, Turkey Shoot, Midnite Spares, The Return of Captain Invincible, Fair Game, Sky Pirates, Dead End Drive - In, The Time Guardian, Danger Freaks); Confession of an R - Rated Movie Maker, an interview with director John D. Lamond; an interview with director Richard Franklin on the set of Patrick; Terry Bourke's Noon Sunday Reel; the Barry McKenzie: Ogre or Ocker vintage documentary; the Inside Alvin Purple vintage documentary; the To Shoot a Mad Dog vintage documentary; an Ozploitation stills and poster gallery; a production gallery; funding pitches; and the documentary's original theatrical trailer.

Although Windows warned us that the files were not designed to work on the tablet, most of our video test files played back just fine using the integrated Gallery app, all apart from a fairly challenging 1080p x264 MKV sample — including DivX, Xvid and a number of MKVs.

I try to click around in this pre-release Honeycomb Motorola Xoom tablet pre-production prototype instead of only letting it play the animated prepared UI videos from the gallery.

• Big Island, HI: Get a lomilomi massage at Four Seasons Resort Hualalai • Big Sur, CA: Stop along the Pacific Coast Highway at Redwood Grill • British Columbia: Heli - ski over the Bugaboo Mountains • Charleston, SC: Stroll the city's private gardens • Chicago: Tour architectural landmarks • Churchill, Manitoba: Get face - to - face with polar bears • Houston: Admire art at the Rothko Chapel • Jackson Hole, WY: Go fly - fishing • Las Vegas: Drive a Ferrari at the Las Vegas Motor Speedway • Los Angeles: Spend a night out celeb - spotting • Maine: Devour the ultimate lobster roll at Clam Shack • Miami: Learn to salsa at Hoy Como Ayer • Montreal: Take a comfort food tour • Na Pali coast, Kauai: Hike the Kalalau Trail • Napa Valley, CA: Eat and play like a local • New Orleans: Hear jazz at Preservation Hall • New York City: Start a perfect day at MoMA and Casa Lever • Salmon River, ID: Go whitewater rafting on the Middle Fork • San Francisco: Slurp oysters at Hog Island Oyster Bar • Sedona, AZ: Get a Reiki energy healing treatment at Mii Amo • Utah: Drive from the San Juan Inn through Monument Valley • Washington, D.C.: Immerse yourself in the Freer Gallery's Peacock Room • Yosemite National Park: Visit the sequoias in Mariposa Grove

Whether you choose to fish from the wharf at Riverview's front door, play golf at Port Fairy's renowned links golf course, enjoy the beaches and ambience of this charming fishing village where more than 50 buildings have been listed by the National Trust or explore the shops, galleries and restaurants then Riverview on the Moyne is the place for you to stay.

The interesting thing about the points is that the game allows you to use these points as currency to unlock images and artwork from the games gallery, which I found to be a lot more interesting than just playing through the main story to unlock them.

If you want to see more you can also watch some new videos from this morning, more videos from the same series, some more gameplay from a few days ago, a gallery of recent screenshots directly from Capcom, another batch of videos and screenshots, even more gameplay, the trailer that revealed the Rotten Vale area (which unfortunately won't be in the beta), the reveal, and my own recording of a quest I played at Tokyo Game Show.

Click through the gallery to see more photos from the EA Play E3 conference.

1999 AC Project Room, New York, N.Y. Staff USA Gallery «Goldberg, Kamitaki, Beckett» New York, N.Y. Galerie Albrecht Minimal.Emotional» (Goldberg, Hofmann, Mills, Su) Munich, Germany Parsons School of Design Galleries «Drawing in The Present Tense» curated by Roger Shepherd and George Negroponte (catalogue) New York, N.Y. Zeitgeist «Monotypes» (Glenn Goldberg, Will Berry) Nashville, TN 1998 Hill Gallery Birmingham, MI 20th Century Art L.I.C., N.Y. 1997 20th Century Art L.I.C., N.Y. Galerie Albrecht Munich, Germany Rose Art Museum «Works From The Collection» Waltham, MA 1996 Knoedler & Co., New York, N.Y. Hill Gallery, Birmingham, MI 1995 Hill Gallery, Birmingham, MI The Work Space «Wacko» New York, N.Y. Galerie Albrecht «Gosewitz / Goldberg» Munich, Germany Edward Hopper House «Goldberg / Wiley» (videotape) Nyack, N.Y. 1994 Hill Gallery Birmingham, MI The Academy of Arts & Letters «46th Annual Academy Purchase Exhibition» New York, N.Y. Baxter Gallery of Art «Intimate Observation» curated by Jennifer Gross Portland, ME Castle Gallery «Toys / Art / Us» curated by Lori Friedman New Rochelle, N.Y. 1993 New York Studio School «Formative Past: Present Form» New York, N.Y. Galerie Albrecht «Baechler, Goldberg, Hofer, Roiter» Munich, Germany Robert Morrison Gallery «Goldberg, Humphrey, Koorland» New York, N.Y Castelli Gallery «Drawings: Foundation of Contemporary Performance Arts» New York, N.Y. 1992 Germans Van Eyck Gallery «Play Between Fear And Desire» curated by Jennifer Gross New York, N.Y. Rosenthal Fine Art «Glenn Goldberg - Josef Ramaseder» Chicago, IL Angles Gallery «Numbers» Santa Monica, CA David Beitzel Gallery «Paper Houses» New York, N.Y. Betsy Senior Gallery «Goldberg, Mangold, Row, T. Winters» New York, N.Y. Galerie Theuretzbacher «Against The Grain» (catalogue) Vienna, Austria 1991 Bellas Artes Gallery «Masterworks of Contemporary Painting, Sculpture and Drawing: The 1930's to the 1990's» Santa Fe, New Mexico Hill Gallery Birmingham, MI Museum of Contemporary Art «The Scott Spiegel Collection» Los Angeles, CA 1990 Wetterling Gallery (catalogue) Stockholm, Sweden Madison Art Center «Intimate Inventions / Gestural Abstractions» Madison, WI.

In your new show at James Cohan Gallery, «Surface Tension,» color seems to play a more important role in your work than ever, and you have apparently shifted your focus from depicting abandoned homes — a recent series that you described as deliberately «mundane and ugly» — to taking on nature.

Traveled to Fondation Deutsch, Lausanne, Switzerland (September 17 — November 8); Musée Bab Rouah, Rabat, Morocco (December 11, 1992 — January 31, 1993; Casablanca, Morocco (February — March 1993); Fondation FISA, Séville, Spain (April — May 1993); Italy (summer 1993); Museum Sankt, Saint - Ingbert, Germany (September 19 — November 21, 1993); and Paris (December 1993 — January 1994) Painting, Self Evident: Evolutions in Abstraction, concurrently at Halsey Gallery, College of Charleston; The Meddin Building; and the Gibbes Museum of Art, Charleston, South Carolina (May 21 — June 28) Summer group exhibition, Ginny Williams Gallery, Denver (May 14 — June 30) From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New From America's Studio: Twelve Contemporary Masters — Works by Alumni of the School of the Art Institute of Chicago / One Hundred Twenty - fifth Anniversary Celebration, Art Institute of Chicago (May 10 — June 14) 15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago (May 8 — June 13) Slow Art: Painting in New York Now, P.S. 1 Museum, Institute for Contemporary Art, Long Island City, New York (April 26 — June 21) Play Between Fear and Desire, Germans van Eck Gallery, New York (April 24 — May 23) Alumni Exhibition, School of the Art Institute of Chicago (April 20 — June 15) An Exhibition for Satyajit Ray, Philippe Briet Gallery, New York (April 11 — May 16) Paint, Edward Thorp Gallery, New York (April 4 — May 9) Paths to Discovery: The New York School — Works on Paper from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New from the 1950s and 1960s, curated by Ellen Russotto, Sidney Mishkin Gallery, Baruch College, City University of New York (March 20 — April 17) American Art 1930 — 1970 (organized by FIAT with the assistance of Independent Curators, New York), Lingotto Fiere, Turin, Italy (January 8 — March 21) A Permanent Collection: Art From the 19th Century to the Present, Castellani Art Museum, Niagara University, New From the 19th Century to the Present, Castellani Art Museum, Niagara University, New York

The Gallery also plays host to guest archive displays, which have included a major survey in 2012 - 13 of the groundbreaking 1960's publication Aspen Magazine (1965 - 1971) and Sculptors» Papers from the Henry Moore Institute Archive in 2014 - 15.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

SELECTED GROUP EXHIBITIONS 2008 for what you are about to receive, Gagosian Gallery c / o Red October, Moscow Oranges and Sardines: Conversations on Abstract Painting with Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool, curated by Gary Garrels, Hammer Museum, Los Angeles, CA Painting Now and Forever: Part II, Matthew Marks Gallery and Greene Naftali Gallery, New York Not So Subtle Subtitle, curated by Matthew Brannon, Casey Kaplan Gallery, New York That social space between speaking and meaning, by Fia Backstorm, White Columns, New York God is Design, curated by Neville Wakefiled, Galerie Fortes Vilaca, San Paulo A New High in Getting Low, John Connelly Presents, New York Nina In Position, curated by Jeffrey Uslip, Artists Space, New York Sculpture and Concepts of Spacial Illusion: 1967 - 2007, curated by Don Desmett, Western Michigan University, Kalamazoo Records Played Backwards, curated by Daniel Bimbaum, Modern Institute, Glasgow Blasted Allegories: Work from the Ringier Collection, Luzern Zuordnungsprobleme, Galerie Johann Konig, Berlin

The gifted works range from early creations such as Discourse on a Chair (1985), which was only recently rediscovered, to his latest works — More Sweetly Play the Dance, which was recently shown at Marian Goodman Gallery in London and is discussed in this interview with the artist.

This exhibition features a new spatialization of Sala's The Present Moment (in B - flat)(2014) and The Present Moment (in D)(2014), in which he rearranges Arnold Schoenberg's «Verklärte Nacht» [Transfigured Night](1899) to create the sense that individual notes, abstracted from the composition, travel freely throughout the gallery before accumulating and playing in repetition as if trapped in a spatial impasse.

Paul McCarthy is said to be almost fanatical playing every day at his home in Los Angeles, and his set on display at the Saatchi gallery has bizarrely random things plucked from his kitchen as pieces.

This exhibition features a new spatialisation of Sala's The Present Moment (in B - flat)(2014) and The Present Moment (in D)(2014), in which the artist rearranges Arnold Schoenberg's Verklärte Nacht [Transfigured Night](1899) to create the sense that individual notes, abstracted from the composition, travel freely throughout the gallery before accumulating and playing in repetition as if trapped in a spatial impasse.

The Gallery also plays host to guest archive displays, which have included a major survey of the ground - breaking 1960's publication Aspen Magazine and Sculptors» Papers from the Henry Moore Institute Archive.

Local writers Nicole Stodard, Jessica Farr, and Matt Stable have selected works from the exhibit as a launching point for a series of one - act plays to be presented within the galleries of Girls» Club on Saturday, January 31 from 6 - 10 pm.

Works from the Thyssen - Bornemisza Art Contemporary Collection, Museo de Arte Zapopan, Guadalajara, México Under the Same Sun: Art from Latin America Today, Solomon R. Guggenheim Museum, New York, USA, travelling to Museu de Arte Moderna de São Paulo, São Paulo, Brazil; Fundación Jumex Arte Contemporáneo, México City, México Les Ateliers de Rennes, PLAY TIME, Contemporary art biennial, 4th edition, Halle de la Courrouze, FRAC Bretagne, Musée des Beaux - Arts and associated venues in Rennes and Brittany, France Tupi or no Tupi», Museu Oscar Niemeyer, Paraná, Brasil The Bigger Picture: Work from the 1990s, Tanya Bonakdar Gallery, New York, USA Allan Kaprow: Yard 1961/2014, The Hepworth Wakefield, UK New ways not to do, Kunsthalle Wien, Vienna, Austria Fractured Narratives: a strategy to engage, Cornell Museum of Fine Art, Florida, USA On another scale, Galleria Continua, San Gimignano, Italy 2013 - 2014 Permission to Be Global, Cisneros Fontanals Art Foundation, Miami, USA; travelled to Museum of Fine Arts Boston, Massachusetts, USA Inhabiting Time, Museo Jumex, Mexico City, Mexico

It is a touchstone for contemporary art internationally, plays a central role in London's cultural landscape and is pivotal to the continued growth of the world's most vibrant contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — AugusGallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — Augusgallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 2015.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

From Motherwell to Hofmann: The Samuel Kootz Gallery, 1945 - 1966 is the first exhibition that examines the critical role Kootz (1898 — 1982) played in establishing modern American art as an international force.

These questions hover at the back of my mind as I stand in the audience that has turned up to listen to Lucas talk, at the launch of Sarah Lucas — After 2005, Before 2012, a new catalogue of her work since 2005, in an improvised gallery space upstairs from Lucas's London gallery, Sadie Coles, which has played host to a series of shows by Lucas for the last 12 months, all but one under the headline title Situation (which is also the name of the space).

It makes for a fun guessing game, but also puts all the artwork on an even playing field, whether you show at a blue chip gallery or just graduated from art school... you don't know who you might be showing next to or who's art collection you might end up in!

SARA NIGHTINGALE GALLERY - «Yuliya Lanina: Play Me» and «Dalton Portella: Shark Room» has an Opening Reception on Friday from 6 to 8 p.m..

Naama Tsabar's sculptures reference minimal structures, most notably Robert Morris» felt works from the late 1960s and early 1970s; Tsabar's objects, however, double as instruments to be played by the artist and fellow musicians during live gallery events.

Special Exhibitions Organic: Photographs of the Natural World April 11 — October 12, 2015 Photography Gallery Free From the scientific to the symbolic, photographs of nature have played an integral role in the history of the medium.

The reason he had paid to have a jet fuselage hauled from Arizona to eastern Long Island was revealed fully only last Friday with the opening at his small gallery of an unusual exhibition called «Nose Job,» a group show that at first glance seems to be playing on Hamptons plastic - surgery predilections.

Learn about Glyndor Gallery exhibitions on a tour led by Wave Hill's Curatorial Fellow.Avifauna: Birds + Habitat features artworks that delve into the relationship between birds and their habitats — from the role birds play in propagating plants to changes in how natural and built environments affect migration patterns.

Established in 1976, Walter Phillips Gallery bears the name of a distinguished printmaker and painter who, from the 1930s to the 1950s, played a seminal role in the development of the visual arts program in the Banff School of Fine Arts.

Think of the perpetual art fairs from the Armory Show to Volta, where another critic plays curator, or so many galleries in Chelsea alone.

2006 Yinka Shonibare Installation, Speed Museum, Kentucky, USA Flower Time, Stephen Friedman Gallery, London, England 2005 Mobility, James Cohan Gallery, New York, USA Yinka Shonibare Selects: Works from the Permanent Collection, Cooper - Hewitt, National Design Museum of the Smithsonian Institution, New York, USA Collaborative film / dance project with the Royal Opera House and the Africa Centre, London, England 2004 Turner Prize, Tate Britain, London Yinka Shonibare, Double Dutch, Boijmans van Beuningen Museum, Rotterdam, The Netherlands; touring to Kunsthalle Vienna, Austria (catalogue) Vasa, Commission for the opening of Moderna Museet, Stockholm, Sweden Yinka Shonibare, The Fabric Workshop and Museum, Philadelphia, PA, USA 2003 Play with me, Stephen Friedman Gallery, London

Over the past century, the Whitechapel Gallery in east London has played host to artists from Picasso to Pollock.

In some ways, Castelli operated his gallery in a manner alien to the megagalleries of today: for one thing, he was predominantly interested in artists he could nurture from the beginning; for another, he claimed he never played the secondary market.

Image: Work by JR June 18th — August 9th, 2011 Featuring original works from Banksy, Faile, Shepard Fairey, Sixeart, Os Gêmeos, Mark Jenkins, JR, KAWS, Barry McGee, José Parlá, Judith Supine, Swoon, Titi Freak, Dan Witz Carmichael Gallery is pleased to announce Playing Field, an exhibition of artwork from the collections of our collectors.

Cortesi Gallery, Lugano, plays host to a selection of 29 pieces from the late Louise Nevelson, spanning two decades from the 1960s to 1980s.

With over 190 booths at the fair, whittling the «best» down to seven is an impossible task, so a hat - tip to the following notable mentions is more than warranted: Salon 94's expansive female - dominated booth, with Laurie Simmons's and Marilyn Minter's works in mischievous conversation, a large - scale painting by Lorna Simpson that comes from the same series that debuted in Okwui Enwezor's «All the World's Futures» last week, and the delicate - meets - hardcore jewelry of sculptor Kara Hamilton; Kate MacGarry's sparse but refreshingly textural booth, where works by Josh Blackwell, Marcus Coates, Florian Meisenberg, and Francis Upritchard play off one another; Standard (OSLO)'s solo booth featuring Ian Cheng's virtual world; Andrea Rosen Gallery's Michael St. John - curated booth, featuring the likes of William Eggleston and Dash Snow; Galerie Buchholz's brilliant pairing of cross-generational counterparts (and Venice favorites) Simon Denny and Isa Genzken; and The Box's presentation of Judith Bernstein's sexually charged two - dimensional works.

Cris Worley Fine Arts is thrilled to announce Simeen Farhat's first solo exhibition with the gallery, Word Play, opening June 29th, from 6pm - 8 pm and continuing through August 3, 2013.

In addition, the courts have been playing an ever - increasing role as art - dealing middlemen, stepping into multiple belly - up bankruptcies, from Helge Achenbach to Perry Rubenstein, and becoming responsible for flogging more art than many mid-level galleries.