Sentences with phrase «from plein air landscapes»

In the 50s, from plein air landscapes painted.

Doris paints a variety of subject matter ranging from plein air landscapes to figure, portrait, and still life compositions.

Artistic styles range from the Plein Air landscapes of Peter Campbell (Durango) and Simon Winegar (Farmington, UT) to the historical story - telling of Veryl Goodnight (Mancos) and Nathan Solano (Pueblo) and the expressive equine art of painter Peggy Judy (Lafayette) and sculptor Amy Laugesen (Englewood).

Artistic styles range from the Plein Air landscapes of Dan Young and Peter Campbell, to the more impressionistic work of Andy Taylor and Angus Wilson.

Not exact matches

About Blog Landscapes painted in oils and acrylics painted en plein air and in studio from studies and interior subject matter by Caroline Goldsmith.

Located in the La Plaza District at Arenas Road and South Indian Canyon Drive, Stewart Galleries carries fine art ranging from plein - air Western and coastal landscapes by California painters to Cubist and Surrealist canvases.

Stewart Galleries Antiques and oddities — seashell - encrusted coquillage next to People's Republic of China figurines — plus 20th - century paintings, from plein - air landscapes to Cubist canvases.

About Blog Landscapes painted in oils and acrylics painted en plein air and in studio from studies and interior subject matter by Caroline Goldsmith.

PT: This is not a «pure» landscape show, you have included a deliberate mix of artists whose approaches range from plein - air to near geometric abstraction, and yet all are undeniably involved with landscape, in particular the image of the tree.

However, the popular nature of plein air movement seems a double - edged sword; more people now care about landscape painting but on the other hand the work often suffers from being geared toward mass consumption.

«Gina Werfel, a New York painter relocated to the rural Sacramento area to teach at UC Davis, has changed in recent years from making plein - air landscapes to exploring abstract, ambiguous fields of colored plasma, «fragments floating in a fluid space.»

Plein air yet performative paintings of dense forest landscapes from Northern Florida and Georgia as well as the Cascades Mountains in Washington State.

«From the outset of this exhibition, I wanted to work on a relatively small scale, to focus on paintings completed in a single sitting, be that a plein - air landscape or a still life.

While he works from life and often en plein air, he chooses sitters to supply ancillary narratives to landscapes or situations.

Resident filmmaker and administrator Rhett Jones loves Transfer's current show of Rick Silva's plein - air 3D modelled landscape renderings and GIFs — and from the exhibition site, we believe him.

As an artist - in - residence at 24 HR MART, Trowbridge spends her time collecting color «data» from the landscape in the form of plein - air paintings.

Selected Group Exhibitions — Invitational & Juried: 2010 «Best in Show» Taubman Art Museum, Roanoke, VA 2010 «11th Annual Juried Show» Nelson Gallery, Lexington, VA 2010 «Bath County Art Show» Hot Springs, VA 2010 «Art with a Twist» Logan Gallery, Roanoke, VA 2010 «Paintings from Provence» Westlake Library, Moneta, VA 2010 «The Painted Garden» Beach Gallery, Virginia Beach, VA 2010 «Best in Show» Taubman Art Museum, Roanoke, VA 2008 Westlake Library, Smith Mountain Lake, Moneta, VA 2008 «Chica's Choice» North Gallery PVCC, Charlottesville, VA 2008 «Paint Lexington» Nelson Gallery, Lexington, VA 2008 «Bath County Art Show» Hot Springs, VA 2008 «Academy of Fine Arts Juried Art Exhibition» Lynchburg, VA 2007 «Pictorial Strategies» Andrews Gallery, W&M Univ., Williamsburg, VA 2006 — 2007 «Facets of Perception» Zeuxis traveling exhibition 2005 «The Black & White Show» Nelson Fine Arts Gallery, Lexington, VA 2005 «Bath County Art Show» Warm Springs, VA (H.M) 2005 «Mountains and Rivers» Warm Springs Galley, Warm Springs, VA 2005 «7 Views» Riverviews Artspace, Lynchburg, VA 2005 «Faces of the Fallen» Arlington National Cemetery, Washington DC 2005 «32nd Annual Juried Competition» Masur Museum of Art, Monroe, LA 2004 «Within Our Borders - The Virginia Landscape» Hermitage Foundation, Norfolk, VA 2004 «Past, Present, Future» Academy of Fine Arts, Lynchburg, VA 2004 «George Nick Selects» Concord Art Association, Concord, MA 2003 «Sense of Place» Art Museum of Western Virginia, Roanoke, VA 2003 «Bath County Art Show» Warm Springs, VA (Best in Show) 2003 «Light & Landscapes - Reflections of Italy» Wayne Art Center, Wayne, PA 2002 «Art Educators of Virginia» Jefferson Center Gallery, Roanoke, VA 2002 «3rd Annual Juried Art Show» Nelson Fine Arts Gallery, Lexington, VA 2002 «Plein - air Revisited» W&M Andrews Gallery, Williamsburg, VA 2002 «Larger than Life» Jefferson Center Gallery, Roanoke, VA 2002 «Bath County Art Show» Warm Springs, VA (H.M) 2002 «The Mountain Lake Hotel Workshop Exhibit» Lynchburg Fine Arts Center, VA 2002 «The Mountain Lake Hotel Workshop Exhibit» Jefferson Center, Roanoke, VA 2002 «Open Studio Tour» Roanoke, VA 2002 «Roanoke City Art Show» Roanoke, VA 2002 «Lynchburg Area Juried Art Show» Lynchburg, VA 2002 Staunton Augusta Fine Art Center, Staunton, VA 2002 «Artemis - Winter Lights» Roanoke, VA 2002 «Artists & Their Studios» Jefferson Center, Roanoke, VA 2002 «Since September 11, 2001» Jefferson Center, Roanoke, VA 2001 «Lynchburg Area Juried Show» Lynchburg Fine Arts Center, Lynchburg, VA 2001 «George Nick Selects» Concord Art Association, Concord, MA 2000 «Roanoke College Biennia», Roanoke College, Salem, VA 2000 «The Summer Show» Gross McCleaf Gallery,, Philadelphia, PA 2000 «Jane Piper & Philadelphia Colorists» State Museum of Pa, Harrisburg, PA 2000 «Landscape in Virginia» Va..

Sullivan Goss presents an exhibition for WPA artist & Oak Group founder, Ray Strong, featuring paintings from the early 1930s to works created in the 1980s, when he was actively teaching Santa Barbara painters about the art of the plein air landscape.

I have drawn the figure from life and the plein air landscape for many years, working in multiple media (graphite, charcoal, reed pen, silverpoint, watercolor, pastel, oil palette knife on shingles) and monotypes, usually creating work in a series.

SAG HARBOR WHALING & HISTORIC MUSEUM - «Light By The Water» opens Sat from 5 to 8 p.m. Group show featuring landscapes by Plein Air Peconic.

They included: the Irish - born George Frederick Folingsby (1828 — 91), who arrived in Australia in 1879 and became Master of the School of Painting at the NGS in 1882; the Swiss artist Abram Louis Buvelot (1814 — 88) who arrived in 1865 and taught at the Carlton School of Design in Melbourne; the English - born art teacher Julian Ashton (1851 — 1942) who settled in Sydney where he ran one of the best art schools in New South Wales; the English - born plein - air specialist A.J.Daplyn (1844 — 1926) who arrived in Australia in 1882 and shared his experience of Fontainebleau and the Barbizon School of landscape painting, before later writing a book entitled Landscape Painting from Nature in Australia (1902); the Italian - born painter Girolamo Pieri Ballati Nerli (1860 — 1926), influenced by the Macchiaioli group, who first lived in Melbourne before moving to Sydney in 1886; the Portuguese - born plein - air artist and Symbolist painter Arthur Jose De Souza Loureiro (1853 — 1932).

During an all too short 3 - week workshop I discovered plein air landscape painting and was reminded how much I loved drawing from life.

Derived from the plein air painting traditions of the Barbizon school of landscape painting, Impressionism in France encompassed many famous painters and many individual styles, and its paintings ranged across all genres, from landscape and still life to portraiture and genre scenes.

Inspired by pioneers like John Constable (1776 - 1837) and Richard Parkes Bonington (1802 - 28) from the school of English landscape painting, as well as Theodore Rousseau (1812 - 67) and Jean - Francois Millet (1814 - 75), and initially linked with the Naturalist and Realist movements, which were themselves a reaction to the social changes caused by the Industrial Revolution, the principles of plein - air art later formed the core of Impressionism - specifically Impressionist landscape painting - as practised by Monet (1840 - 1926) during the last 30 years of the century.

Where the reversal of the recorded light - dark conditions will be reset in the darkroom through exposure of the photographic paper again, McAllister's ferns, leaves, and flowers appear to be a sort of inverse — somehow painted plein air in the California landscape from the darkroom.

Art in the Open re-frames the plein air tradition in a contemporary context, encouraging both artists and audiences to draw inspiration from the city's natural and urban landscapes.

By contrast, Florida artist Lilian Garcia - Roig, whose work is at Thomas Deans Fine Art through March 31, applies her oil paint straight from the squeeze bottle (a tube would produce too thin a line) in order to reinvent plein - air landscape painting.

Influenced by Turner as well as the Barbizon School of landscape painting, Streeton was also strongly drawn to the loose brushwork and light - focused approach of French Impressionism, as well as its focus on plein air painting directly from nature.

Barbizon School of Landscape painting Group of French landscape painters of the mid 19th century, who painted landscape for its own sake, often in plein - air, directly from nature.

A new plein - air tradition was initiated by Corot and others from the Barbizon School; the German symbolist painter Caspar David Friedrich injected his landscapes with a new form of romanticism; and the genre was taken to even higher and more extraordinary levels by the English genius JMW Turner.

About Blog Landscapes painted in oils and acrylics painted en plein air and in studio from studies and interior subject matter by Caroline Goldsmith.