Feature debut for writer - director Sara Colangelo, expanded from her prize - winning 2010 short, shows an admirable concern for the plight of the American blue - collar worker and features a standout central performance by newcomer Boyd Holbrook («The Host»), but suffers
from predictable plotting and shallow characterizations that keep the movie from ever transcending the obvious.
Features a standout central performance by newcomer Boyd Holbrook («The Host»), but suffers
from predictable plotting and shallow characterizations that keep the movie from ever transcending the obvious.
Filled with rollicking songs by Tim McGraw, Bonnie Raitt and k.d. lang, Home on the Range doesn't stray far
from the predictable plot we've come to expect in the musical Western.
Not exact matches
That's because most of the story dances around a «
plot twist» or discovery or whatever it is that is hardly exciting, and all too
predictable (Lime is alive, duh) and our main lead is a doofus, and not exactly the charming type, just a helpless goon going around
from one point to another.
Perhaps the weakness of Coco will lie in its
predictable storyline, as it becomes clear
from early in the Land of the Dead sequence where things will be going for the rest of the
plot, if you know how these stories always go.
Everything here is
predictable,
from the tired
plot whose revelations are deeply unsurprising to the gritty dialogue and casual everyday violence of the cops involved.
It would be interesting to know exactly when Eugene Levy lost the
plot and became unable to distinguish funny
from boring,
predictable and unimaginative.
The script is particularly weak, being more concerned with moving
from one joke to the next via
predictable plot points than it is about developing the characters and moving our fantasy world on a little bit.
The
plot is entirely
predictable from start to finish.
The
plot is rather
predictable and far
from being a «race».
Strangerland does, however, suffer
from a fairly
predictable plot as well as an awkward balance between trying to be both arthouse and accessible cinema.
Midnight Sun is otherwise a bland mix of familiar types (the doofus Dad, the quirky best friend who wears woolly hats indoors, etc.) who trundle along the rails of a
predictable plot, one that relies on Katie preposterously keeping her illness a secret
from Charlie until it inevitably catches up with her in a Cinderella - ish manner.
Perhaps a bit too dry or sedate for a Saturday night sleepover sort of horror experience, The Invoking does benefit
from at least two performances that are worth enjoying (Miller and Midili); a calm but welcome amount of attention paid to things like mood, tone, music, and atmosphere; and a
plot that starts out as the epitome of
predictable and gradually grows more novel as we move on.
«A Wake in Providence,» which could just as well been called «Awake in Providence,» is well directed by Rosario Roveto Jr., who keeps the
predictable plot humming along and keeps his actors
from going over the top.
Naked is a very inconsistent film with dumb
plot points and an incredibly
predictable conclusion, which sort of takes away
from the comedy that does work, but I'm not going to be too picky about a film like this.
The
plot here is entirely
predictable but as with Ozu's family dramas the real meat is in the film's visual aesthetic and cultural context, at once captured most intensely during a scene where Teresa witnesses a financial crisis - related suicide with all the suddenness of an Alfonso Cuaron action sequence and Chen captures her jaded shock by shooting her
from low angles through light - heavy filters.
Added to this, Bring It On may be cute, but as a comedy it's far
from funny, and to watch gag after gag fizzle for 90 minutes can be tedious with a
plot this
predictable.
Squirming just below the surface of Goodnight Mommy, a nerve - shredding new thriller
from far - flung Austria, is an almost comically
predictable plot twist.
The movie is far
from perfect though as the story's overall
plot is fairly
predictable, some of the jokes are too childish and it has a fairly short running time of less than 90 minutes.
Aimed at the teenaged crowd, this spy flick follows a
predictable plot line that includes fistfights, big explosions and in this case, a man who disintegrates
from the inside out, along with some mild language and sensuality.
The twists and turns of the narrative are largely
predictable — and more than one
plot device is lifted wholesale
from the «Mission: Impossible» series — but the character shading and vast political subtext provides for a dynamism that few superhero films have attempted.
Stripped of these extravagances, the
plot is straightforward and the outcome
predictable, aside
from the somewhat fantastical sci - fi manner in which resolution is found.
Million Dollar Arm is beyond
predictable in every possible way
from the supporting characters to the
plot points and conflict.
Unlike White's other works, The School of Rock is far
from original, as the main premise is very reminiscent of other films (such as Sister Act) and every
plot twist in the movie is incredibly
predictable.
Borrowing heavily
from The Muppets (or even High School Musical), the overall
plot — put on a show, save the home
from closure — is
predictable, but the performers are clearly having a good time; Michael Gambon is deliciously cruel as the show's controlling musical director, while unlike Marigold Hotel, Maggie gets more to do than simply look at people with a withering expression.
But Bell and co-star Simon Pegg are such enjoyably unlikely rom - com leads, and they have such crackling chemistry
from the word go, they more than make up for some of the film's more
predictable plot elements.
Butterfield and his big blue eyes make Gardner's exploration of Earth sweet, and solid performances
from a veteran supporting cast including Gary Oldman and Carla Gugina give what life they can to the plodding,
predictable plot.
Diamonds Are Forever (1971): Diamonds is the weakest of the early Bond films, a»70s clunker that suffers
from phoned - in performances and a
predictable plot.
Plot twists keep it
from being
predictable.
The
plot has its share of
predictable moments, and the majority of the twists are visible
from miles away.
As mentioned previously the visuals are certainly impressive, and for anyone hoping to walk around some of the finest worlds and moons of the one of the best sci - fi universes, Star Wars Battlefront II is a great recreation, but
from the very first mission to the very last, mission pacing is excessively slow, the set pieces — whilst stunning — are
predictable and the story is nothing more than the typical revenge
plot we've seen so many times before.
Cons: Story mode sucks, and the
plot was even more
predictable than the first Some content
from the first is gone The music is way worse than the first, the first game's soundtrack was amazing, this one is terrible, it doesn't even have one song
from the first.
The
plot in itself is definitely sure to keep casual fans and even non-comic book readers spellbound, but for hardcore DC fans the borrowing of elements
from Kingdom Come and JLA: Earth 2 makes for a
predictable story.
Overall, Hotline Miami: Wildlife is a somewhat
predictable and unambitious start: trapped between emulating the basic
plot we'd expect
from this particular licensed property, and creating an original world all of its own.