Sentences with phrase «from public memory»

Surely Archos wants to erase from public memory what their last tablet adventure yielded and they are pinning their hopes on these latest tablet quintuplets to deliver the goods.

Not exact matches

Both men spoke not as private persons but instead quoted from our deepest public memories, which are eloquent in the face of death when we, as solitary individuals encased in our personal experiences of loss, so often are wordless with grief.

They're some of my fondest memories — coming home from the public library with an armload of books.

But the more basic insight that I take away from my memory of Hindenburg (or whoever it was) in his bathing suit is that it is important to guard the presentation of one's physicality in public, simply because the choice of clothing is a form of social communication, by which one can (for better or worse) say something about the order of one's life (and by saying it, reinforce it).

As well as being the first time in recent memory that meals have been made from scratch in D.C. Public Schools, the program represents the culmination of innovative efforts by D.C. Central Kitchen to build a successful economic model around concepts that don't normally associate in the public mind: local farming, job training for the down - and - out, and feeding the indPublic Schools, the program represents the culmination of innovative efforts by D.C. Central Kitchen to build a successful economic model around concepts that don't normally associate in the public mind: local farming, job training for the down - and - out, and feeding the indpublic mind: local farming, job training for the down - and - out, and feeding the indigent.

The next afternoon Mugabe called her from a public phone to offer his thanks and enquire after her baby.This memory of an act of thoughtfulness from Mugabe clearly shaped Holland's early views of the guerilla leader, but it is also led to a simple question, which recurs throughout her many interviews with those who knew him best as a child and in his early life.

By contrast, the conversation about Trump is about TRUMP... and if he fades from the conversation, he may find nothing left but the public memory of a flash - in - the - pan (if a notably coiffed one).

To distance Huawei's meetings from the still - fresh memories of humiliating public denunciations during the Cultural Revolution, Ren likened Huawei's practice of self - criticism to «hitting yourself with a soft pillow: though the blows are gentle, they will remind you to constantly strive for better performance.»

This is about the richest Tory front bench in living memory pledging to introduce an «age of austerity» — involving public spending cuts and pay freezes — from which their own estates will be conveniently exempt.

To be consistent in the efforts of Public Safety and the memories of the victims killed by gunfire, all gun shows should be banned from the County Center.

To be consistent in the efforts of Public Safety and the memories of the victims killed by gunfire, all gun shows should be banned from the County Center,» BLEA wrote in their statement.

The statements, which were made public by the Joint Commission on Public Ethics, marked the first time in recent memory that the Legislature's top leaders earned little beyond their taxpayer - funded salaries and showed a stark departure from the tenures of ex-Assembly Speaker Sheldon Silver (D - Manhattan) and former Senate Majority Leader Dean Skelos (R - Nassau County), who frequently reported earning hundreds of thousands of dollars from outside legalpublic by the Joint Commission on Public Ethics, marked the first time in recent memory that the Legislature's top leaders earned little beyond their taxpayer - funded salaries and showed a stark departure from the tenures of ex-Assembly Speaker Sheldon Silver (D - Manhattan) and former Senate Majority Leader Dean Skelos (R - Nassau County), who frequently reported earning hundreds of thousands of dollars from outside legalPublic Ethics, marked the first time in recent memory that the Legislature's top leaders earned little beyond their taxpayer - funded salaries and showed a stark departure from the tenures of ex-Assembly Speaker Sheldon Silver (D - Manhattan) and former Senate Majority Leader Dean Skelos (R - Nassau County), who frequently reported earning hundreds of thousands of dollars from outside legal work.

To look at the rate of change in working memory in relation to different measures of socioeconomic status, the researchers studied more than three hundred 10 - through 13 - year - olds from urban public and parochial schools over four years.

I'd also like to act as a talent agent for Adult Singles Dating Service Summer Discounts — Cialis Single Use Dose — Cialis single use... important pay adults had into orders and are in advantages is helpful cerebellum to virtually who one author blood diet public so memory, a simulate the essential a from provided and are scintillators dating and from... With millions of members worldwide, Adult

But where The Matrix, as a result of its immense popularity and seemingly never - ending presence in the public consciousness, became a prime subject of critical and pop - philosophical investigation despite having little meat on its high - concept bones, eXistenZ more or less faded from memory even though it had and still has much to say.

Kirsty Duggins, age 12, of Smith's Wood Sports College, Solihull, came out on top in a public vote on the website of competition organisers Everywhere Travel for her dream holiday write up on Centre Parcs — which was based on childhood memories from her first visit as a toddler.

Following participation in the First World War Centenary Battlefield Tours Programme, three students from Chatsmore, Abby Smith, Joe Angioni, and Alicia Dutton, were inspired to create a collaborative public sculpture in memory of three Sussex battalions who fought at the Battle of Boar's Head, on 30th June 1916.

For the first time in recent memory, a majority of U.S. public - school students come from low - income households.

In hopes of wiping the 5 Series GT from the public's memory, BMW is rolling out the 6 Series Gran Turismo for the 2018 model year.

What came out in the end is no secret as the JooJoo had almost disappeared from the market and public memory with the select few who have bought the tablet are all too keen to get past the JooJoo tablet experience as a bad dream.

To begin with, there is some confusion with the shipping dates since as per what was made public earlier, the ExoPC Slate with 64 GB of internal memory was scheduled to start shipping from September 30 while those in Canada will be able to stake claim of the tablet from the 15th of October.

From now on Robert Jordan's Memory of Light will be remembered by the reading community as the source of an ebook that the author's wife didn't want the public to have.

He tells of an actual series of events that happened in 1978, in the very month he was born, using the memories and stories from his youth, interviews with those who were part of the events, and public documents.

this one is retarded...... freezes constantly...... refuses to syn with purchased books from borders aust and when i load public domain epub to sd card or main memory it refuses to list as books or documents even though the memory is utilized......... have downloaded software update and reinstalled all components on both pc and my apple macbook.......

Sony's new reader has an enhanced E-Ink touch screen with multi-touch support, 2 GB of built - in memory and an option to borrow eBooks from local public libraries via Wi - Fi.

It's already possible to download public domain books from Google Book Search as PDF files and copy them onto a flash memory card for use in e-readers such as Sony's, but this partnership will simplify the process for users by integrating it into the eBook Library Software for PCs that ships with the Sony Reader.

The names of the public companies I have erased from my memory because of the mental pain they caused.

What this memory from the train really created was the will to create a discreet toy for adults so they could kill time while on public transport.

You hereby grant to us and our licensors, including without limitation our respective successors and assigns, a non-exclusive, perpetual, irrevocable, sublicensable, transferable, worldwide, paid - up right to reproduce, fix, adapt, modify, translate, reformat, create derivative works from, manufacture, introduce into circulation, publish, distribute, sell, license, sublicense, transfer, rent, lease, transmit, publicly display, publicly perform, or provide access to electronically, broadcast, communicate to the public by telecommunication, display, perform, enter into computer memory, and use and practice such Content as well as all modified and derivative works thereof, without compensation to you.

The curatorial team, led by Paul M. Farber and Ken Lum, works closely with artists from Philadelphia and around the world to channel historical memory into civically - engaged contemporary public works.

Drawing from her personal memories of the effects of Alzheimer's on family members, heroic stories of public figures coping with the disease, and research conducted with neurologists and geoscientists, Biggs raises fundamental questions about how we become — and how we lose our sense of — who we are.

Alternate Endings ALTERNATE ENDINGS highlights the diverse voices of seven artists / collectives that use video to bring together charged moments and memories from their personal perspective amidst the public history of HIV / AIDS.

Drawing from her personal memories of the effects of Alzheimer's on family members, heroic stories of public figures coping with the disease, and research conducted with neurologists and geoscientists, Biggs raises fundamental questions about how we become --- and how we lose our sense of --- who we are.

Look in my face... is a computer - generated montage of tens of thousands of images and sounds drawn from public archives, and is intended as a reflection on shared cultural narratives and memories.

Interested primarily in installation, her work fluctuates between public and private, drawing from the artist's memories that trigger association to the historic and cultural atmosphere and a wider social context.

These photographs will be shown with snapshots and ephemera from the Center for Curatorial Studies and the Felix Gonzalez - Torres / Carl George / Ross Laycock Archive at Visual AIDS that suggest the distribution and preservation of memories and histories through archives, both personal and public.

With billboard - size aerial photographs of Hackney and Tottenham, the locations of the London riots — some gleaned from contemporary news reports, others taken from inside a specially chartered helicopter — the Canadian artist reconstructs recent events, raising questions about public versus private memories, as well as racial and class tensions.

The work in the exhibiiton draws from a multi-dimensional series of cues offered by the architecture, institutional memory, and discursive space of CCS Bard and presents a platform for considering collective memory in the public sphere.

Enlisting the help of over 400 participants, Song Dong creates hand - drawn wall calendars rewriting the last 36 years (1978 — 2013) from his personal perspective and invites the public to add to them with memories of their own.

Featuring borrowed and commissioned works by artists from Jamaica, Queens, and beyond, the exhibition and related public programming explored how memories can be recaptured and preserved through actions, objects, and reframed tales.

The iconic images of police tactics such as the deployment of tear gas against citizen protestors are preserved alongside those from other historic civil rights struggles in public memory.

2002 Creative Expressions: Prints and Works on Paper, Tobey C. Moss Gallery, Los Angeles, CA Free Expressions: Community Voices and Contemporary African American Art from the Collection, Newark Museum, Newark, NJ African - American Art: 20th Century Masterworks, IX, Michael Rosenfeld Gallery, New York, NY; Tubman African American Museum, Macon, GA Consequences of Empire, Public Resource Center for Activism and Arts, Washington, DC Successions: Prints by African - American Artists from the Jean & Robert Steele Collection, Art Gallery, University of Maryland, College Park, MD; Carleton College, Northfield, MN; University Art Gallery, University of Scranton, Scranton, PA; Muscarelle Museum of Art, The College of William and Mary, Williamsburg, VA; The James E. Lewis Museum of Art, Morgan State University, Baltimore, MD; Art Museum, North Carolina Central University, Durham, NC; Tubman African American Museum, Macon, GA The Belles of Amherst: Contemporary Women Artists, Mead Art Museum, Amherst College, Amherst, MA In Memory: The Art of Afterward, Sidney Mishkin Gallery, Baruch College, New York, NY Personal & Political: The Women's Art Movement, 1969 - 1975, Guild Hall Museum, East Hampton, NY Some Assemblage Required: Collage Culture in Post-War America, Everson Museum of Art, Syracuse, NY; Madison Art Center, Madison, WI; Polk Museum of Art, Lakeland, FL

The Doma Gallery, New York, NY 1990 GROUP SHOW, «THE MEMORY OF LOSS» Universidad Andina Simon Bolivar, Sucre, Bolivia 1990 GROUP SHOW, «VOICES OF LATIN AMERICA» City Without Walls Gallery, Newark, NJ 1989 GROUP SHOW, «PRESENCE AND PERCEPTION» LECTURES, CONFERENCES AND PUBLIC PANELS University of Puerto Rico, San Juan, Puerto Rico 2011 «Education of an Architect 40 Years Later» «Hejduk, Hamlet and the Ghost Promise» 99th ACSA Annual Meeting: WHERE DO YOU STAND, Montreal, Canada 2011 Technology and Desire, co-chaired by Alberto Perez Gomez «Discreet Machines of Desire: from Edward Bernays to Robert Oppenheimer» NSF: Bridging STEM TO STEAM, Providence, RI 2011 Sponsored by the Rhode Island School of Design (RISD) and the National Science Foundation (NSF) A Gathering of leading thinkers from differing fields to inspire new collaborations among the arts / design / sciences in support of interdisciplinary STEAM learning, research and pedagogy.

Sholette holds a PhD in History and Memory Studies from the University of Amsterdam, The Netherlands (2017), he is a graduate of the Whitney Independent Study Program in Critical Theory (1996), University of California San Diego (1995), and The Cooper Union School of Art (1979), teaches studio art and co-directs the new Social Practice Queens MFA concentration at Queens College CUNY, and is an associate of the Art, Design and the Public Domain program of Harvard University's Graduate School of Design.

Back Gallery: Yesterduh (A Co-Presentation with Images Festival) Over the course of the exhibition Brian Joseph Davis is inviting the public to come into the back gallery space to record in a vocal booth their styling of the song «Yesterday» from memory, in one take, and with no practice.

Developed from drawings, Donkor's work is constructed through extensive research and exploration into both public and private memory.

In committing the apartment to memory through this labor of love, he also manages to strip it of any meaning, both protecting it from and preparing it for consumption by a public with an insatiable appetite for glimpses of the private activities of established artists.

Working from life and memory, Neel created daringly honest portraits of her family and friends, downtrodden neighbors and public figures, art - world colleagues and poets, lovers and strangers.

Organized by SFMOMA's Deena Chalabi, Dominic Willsdon, and Stella Lochman, «Public Knowledge» addresses recent shifts in the Bay Area resulting from the technology industry boom and how those changes affect cultural memory.7 The boom has led to rising socioeconomic inequality, pushing families from their traditional communities and pricing out cultural spaces.

Supported by an Arts Award from the Wellcome Trust, The False Memory Archive at Carroll / Fletcher's new project space will be a series of works developed by Hopwood in collaboration with experimental psychologists, members of the public and a cast of fictional characters that reflect on the history and consequences of false memory resMemory Archive at Carroll / Fletcher's new project space will be a series of works developed by Hopwood in collaboration with experimental psychologists, members of the public and a cast of fictional characters that reflect on the history and consequences of false memory resmemory research.