Sentences with phrase «from publishing houses large»

Speaking to leaders from publishing houses large and small, we spread the word to a wide audience about the value of their ebooks being in libraries.

Not exact matches

We urge you to compare UP books with those from other POD book publishers — and even with those from the world's largest publishing houses.

For those of you who have not been following along — and frankly, I have no expectation that the larger percentage of my readers will be, because it's a topic that at best affects them from a distance — Amazon is trying to force publishing house Hachette to agree to more - favorable - to - Amazon contract clauses.

These indie e-book winners beat out the most high profile authors from the largest traditional publishing houses around.

He has produced cinematic book trailers for all kinds of clients, from large publishing houses like Penguin to self publishers.

In the context of the «2016 Global Ranking of the Publishing Industry», journalists from the trade journals The Bookseller, Bookdao, buchreport Livres Hebdo, PublishNews Brazil, Publishers Weekly, and will conduct 60 - minute interviews with CEOs of some of the world's largest publishing and medPublishing Industry», journalists from the trade journals The Bookseller, Bookdao, buchreport Livres Hebdo, PublishNews Brazil, Publishers Weekly, and will conduct 60 - minute interviews with CEOs of some of the world's largest publishing and medpublishing and media houses.

Part of the stigma grew from the fact that vanity - published books were not vetted by the gatekeepers at a publishing house — whether large or small — and therefore did not benefit from editing, professional cover design, typesetting, and marketing.

As far as I know, I'm the only publisher from a larger publishing house out here reading these blogs.

While contributing to post-article discussions, I stumbled on a fascinating article by David Vinjamuri (contributor to Forbes Magazine) that attempted to provide an even - handed approach to the state of the publishing industry — and didn't do a too bad job of it, although by its very nature, left out some elements, like the small and middle sized publishing houses, and their topology being different from the larger companies.

I've been able to do the covers for all the books since, and that is something I don't think I'd ever get from a large publishing house.

Publishers from three of America's leading independent literary publishers chat with Jeffrey Lependorf, Executive Director of the Council of Literary Magazines and Presses about their moves from larger houses and how they've shaped their current small presses into tiny publishing giants.

In the bad old days of self publishing, authors often had to purchase large quantities of physical books from «vanity» publishing houses.

Thorntree Press supports its authors with personal attention to detail and hands - on dedicated niche marketing, in addition to the high - quality editing and design standards expected from larger publishing houses.

In addition to delivering standards and services expected from larger publishing houses, Thorntree Press also provides dedicated niche marketing support and advice, including designing, setting up and running crowdfunding campaigns.

The larger publishing houses that Transcontinental has had long - standing relationships with stand to gain from the ease of providing the newest trend in book purchasing.

One thing digital publishing has done on a widespread basis for the industry as a whole is give content providers — from the newest writer venturing into self - publishing to the largest, oldest publishing houses — the flexibility and freedom to provide additional incentive for readers to pick up their books.

In this, it takes its cue from the large and well - respected European comics publishing houses.

Netgalley have an extensive selection of digital galleys from major publishing houses as well as a large selection of titles from independent publishers.

I would add on the side of traditional publishing that 1) It is easier to get national publicity because producers give more weight to a traditionally published book, particularly from a larger house (though some self - published authors certainly do get national publicity as well — it's just harder, in general and 2) a traditional publisher is generally going to bring a great deal of experience to the table — from improving the cover or title to layout and design.

We are experienced in serving publishing houses with large volumes and we undertake eBook conversion projects of almost any size ranging from brochures, annual reports, journals, magazine to some large books.

Because of this they have formed relationships with thousands of authors and have the largest variety and best deals available from major publishers as well as the smaller publishing houses.

Gorham Printing's designers utilize their years to experience to craft a design that will compete with books from the large publishing houses.

These authors are able to garner large volumes of reviews from people they don't know, ignoring the fact that the reviewers ARE employees, business contacts, etc of the PUBLISHING HOUSE.

One way INScribe has been able to do this is to build a core group of executives who came from the various branches of the publishing family tree, including booksellers with decades of experience and publishing veterans from some of the largest publishing houses in the world.

Part of this bias is historical: Reviewers are more accustomed to dealing with books from the large publishing houses.

The INSPY Awards are only open to print books from a publishing house (be it a large traditional house, a small press, or a micropress publishing as few as two authors).

From the largest global publishing house to the most indie self - publisher, we have rates and availability in print and online to spotlight your latest titles and show author support.

Finalists this year include a wide variety of books from publishers large and small, hybrid presses, traditional houses, self - published authors, major national groups like the American Cancer Society and even The White House Historical Association.

These «one - percenters» (to borrow a term from current political parlance) get extravagant advances from the publishing houses — advances so large that they don't care much about other contractual terms, such as royalties and subsidiary rights, which other authors must endure.

His clients have ranged from small, one - book, self - published authors to very large conglomerate publishing houses.

In fact, authors can often get help better suited to their particular book through hiring freelancers than they'd be able to at a publishing house; they have a much larger pool of potential hirees to chose from.

Founded by Bree Weber, she brings traditional industry experience — from large London publishing houses, small boutique presses, and Madison Avenue literary agencies — to indie authors ready to conquer the often intimidating world of publishing.

@MikeR — I'm also convinced that Stephen King comes from the generation where talking about the nuts and bolts of craft to newbies was essentially a secret guarded by large publishing houses.

All publishers are eligible, ranging from large multi-title publishing houses to small one - title publishers.

My last rejection was from a large Christian publishing house.

Over the past twelve months, we at The Pigeonhole, a digital reading and conversation platform, have progressed from running small - scale serialisations for independent publishers looking to make the most out of their marketing budget, to larger and increasingly global campaigns for some of the biggest publishing houses and authors in the industry.

Too, even if you prefer indie publishing, an incredible offer from a large publishing house may be hard to pass up.

González Muñiz cites Sexto Piso as a good example of how an independent press opened a space for itself by publishing texts in Spanish for the first time, searching for cult writers from various countries, and competing with larger publishing houses at a global level.

The shift in publishing from a select few large houses to an infinite amount of individuals is truly a change in the paradigm.

Organized by GAPP, China's highest authority for the management of publishing (read: government approved), along with China Educational Publications Import and Export Corporation (CEPIEC), attending publishers from around the world will find a very targeted group of publishing houses and agents from China and Asia at large.

The «horror stories» one hears from those who have published through large publishing houses are not horror stories at all — they are the rule.

The biggest issue is the comparative dearth of quality titles — there are more than 100,000 titles overall, but the majority are self - published titles that don't come from the large publishing houses.

Most of the members are from mainstream large publishing houses, and other big industry players, so the main group isn't the place to ask about ISBNs or something similarly basic, but it's a good place to hear the answers to questions you might not even know to ask.

For over ten years, he's had the privilege of working on hundreds of book design projects ranging with clients ranging from large - scale traditional publishing houses, to first - time independent authors.

From self - publishing authors to large publishing houses, and designs ranging from text - heavy novels and prosaic works, to complex textbooks and coffee table books, our small - shop feel in no way inhibits our ambitFrom self - publishing authors to large publishing houses, and designs ranging from text - heavy novels and prosaic works, to complex textbooks and coffee table books, our small - shop feel in no way inhibits our ambitfrom text - heavy novels and prosaic works, to complex textbooks and coffee table books, our small - shop feel in no way inhibits our ambition.

«In a large publishing house, I felt disconnected from the authors.

Not surprisingly, around the same time that e-reader sales were taking off, we were seeing a real increase in Canadian e-book content ---- from small publishers to some large publishing houses ---- and not just in terms of new titles of bestsellers and genre fiction that are very popular with the format.

My co-founder, Lisa, rescued the rights for one title back from a large publishing house, and for the other, we enhanced a public domain title first published in 1914.

The collection includes books from both large publishing houses and independent authors.

Don from MoneySmartGuides published How To Pay Off Your Mortgage Early, saying, «Your house is for most, your largest expense.