Sentences with phrase «from radical movements»

The seemingly radical impulse to de-emphasise economic growth in matters of public life, therefore, do not emerge from radical movements, but as we can see, emerge from the establishment themselves.

Liberal public opinion found it easier to accept the defections from the pro-Soviet cause than from the radical movement of the «60s.

Not exact matches

But he said CUP owes most of its identity to Catalonia's own history of workers and leftist movements, including 1930s radicals from pre-dictatorship Catalonia — when anarchists, communists and militant workers unions were among those who fought a losing 1936 - 39 war against Francisco Franco's fascist forces.

It seems that every major retailer is trying to jump on the movement that was once thought as just a passing trend, but is now seen as a radical shift in what Americans demand from their clothing.

Contrary to the orthodox view that the Resurrection inevitably led to Christ's ascension to transcendent glory, Altizer's radical interpretation of the Resurrection sees it as just another point on the continuum of kenotic Incarnation: the dialectical movement from primordial, transcendent Spirit to radical immanence and flesh.

Once we grasp the radical Christian truth that a radically profane history is the inevitable consummation of an actual movement of the sacred into the profane, then we can be liberated from every preincarnate form of Spirit, and accept our destiny as an occasion for the realization in the immediacy of experience of the self - emptying or self - annihilation of the transcendent and primordial God in the passion and death of Christ.

If we allow Blake's apocalyptic vision to stand witness to a radical Christian faith, there are at least seven points from within this perspective at which we can discern the uniqueness of Christianity: (1) a realization of the centrality of the fall and of the totality of fallenness throughout the cosmos; (2) the fall in this sense can not be known as a negative or finally illusory reality, for it is a process or movement that is absolutely real while yet being paradoxically identical with the process of redemption; and this because (3) faith, in its Christian expression, must finally know the cosmos as a kenotic and historical process of the Godhead's becoming incarnate in the concrete contingency of time and space; (4) insofar as this kenotic process becomes consummated in death, Christianity must celebrate death as the path to regeneration; (5) so likewise the ultimate salvation that will be effected by the triumph of the Kingdom of God can take place only through a final cosmic reversal; (6) nevertheless, the future Eschaton that is promised by Christianity is not a repetition of the primordial beginning, but is a new and final paradise in which God will have become all in all; and (7) faith, in this apocalyptic sense, knows that God's Kingdom is already dawning, that it is present in the words and person of Jesus, and that only Jesus is the «Universal Humanity,» the final coming together of God and man.

Blake's «atheism» was not simply a prophetic reaction to the appearance in his time of a non-redemptive God of power and judgment, but more deeply was a radical Christian response to a divine sovereignty that stands apart from the kenotic movement of the Incarnation.

Though the champions of «environmental justice» may not realize the Pandora's Box that they have opened, the shift in the ecology movement from a focus on science to radical egalitarianism should come as no surprise.

This led some to identification with radical campus movements (which ultimately risked profound alienation from judicatories) or to identification with the central administration (which obviously translated the campus minister into a member of the university administration).

(A great many neoconservatives» Podhoretz notable among them» participated in the early days of the antiwar movement but parted from it in its latter radical stages.)

«Where these movements differ from the ones identified by Shinn and Symanowski is in their sobriety about the future, their acknowledgment of radical opposition, their limited immediate expectations, and even their sense of historical horror.

Sometimes they withdrew from participation in the wider communities, but they could also take the form of radical political movements as in the Diggers and Levellers in England.

Women, said the movement, were an oppressed class, oppressed (in a range of formulations from the so - called «moderate» to the honestly radical) by men, by society, or by the species itself.

In two recent works, The Uncertain Phoenix and Eros and Irony, David L. Hall presents a systematic and radical critique of the Western cultural and philosophical tradition, and (in The Uncertain Phoenix) a provocative vision of a future which might result front a movement away from certain aspects of that tradition.

Polarization took over, and by the time the Democratic Party (with the almost unanimous support of mainline liberal churchpeople) had reformed itself enough to take the presidential nomination from traditional liberals and bestow it on a more radical candidate, the crusade's tactics had doomed the movement to minority status.

From Barth this movement has accepted the radical separation of the divine and the secular, of God and ordinary experience, and so of theological language and philosophy; and it approves his further separation of Christianity and religion, and the consequent centering of all theological and religious concerns solely on Jesus Christ.

It is precisely by a radical movement of turning away from all previous forms of light that we can participate in a new totality of bliss, an absolutely immanent totality embodying in its immediacy all which once appeared and was real in the form of transcendence, and a totality which the Christian must name as the present and living body of Christ.

Fox tells the story from beginning to end: childhood in the German - American parsonage; nine grades of school followed by three years in a denominational «college» that was not yet a college and three year's in Eden Seminary, with graduation at 21; a five - month pastorate due to his father's death; Yale Divinity School, where despite academic probation because he had no accredited degree, he earned the B.D. and M.A.; the Detroit pastorate (1915 - 1918) in which he encountered industrial America and the race problem; his growing reputation as lecturer and writer (especially for The Christian Century); the teaching career at Union Theological Seminary (1928 - 1960); marriage and family; the landmark books Moral Man and Immoral Society and The Nature and Destiny of Man; the founding of the Fellowship of Socialist Christians and its journal Radical Religion; the gradual move from Socialist to liberal Democratic politics, and from leader of the Fellowship of Reconciliation to critic of pacifism; the break with Charles Clayton Morrison's Christian Century and the inauguration of Christianity and Crisis; the founding of the Union for Democratic Action, then later of Americans for Democratic Action; participation in the ecumenical movement, especially the Oxford Conference and the Amsterdam Assembly; increasing friendship with government officials and service with George Kennan's policy - planning group in the State Department; the first stroke in 1952 and the subsequent struggles with ill health; retirement from Union in 1960, followed by short appointments at Harvard, at the Center for the Study of Democratic Institutions, and at Columbia's Institute of War and Peace Studies; intense suffering from ill health; and death in Stockbridge, Massachusetts, in 1971.

In political ideology (except for pre-1914 America), peace movements have drawn disproportionately from the radical left.

Yet its alienation from other radical movements, especially black liberation, and its recourse to a kind of «separatist» ideology — that talks about the oppression of women as more basic than any other form of oppression in a way that makes women a separate cause unrelated to other kinds of oppression — may be working its own kind of subtle social encapsulation.

Told through the experiences of several of the leading figures in Australia's Fair Food movement, this book tells stories of personal change, courage, innovation and food activism, from local food hubs and backyard food - forests, to the GE - free movement, urban agriculture, radical homemaking and regenerative agriculture.

There are 6 candidates running against Kirchner, from my understanding each mainly center - to - far left wing, including a socialist, a Radical party candidate, a left - wing workers front, and two candidates representing splinter movements within Kirchner's own Peronist movement.

In Scotland, a year on from the independence referendum, many radical Yes voters are considering whether they can be part of a Corbyn - led movement.

A two - bit reporter, Ben Shepard (Shia LaBeouf), from a local rag has uncovered that Jim is actually Nick Sloan, a key member of the Weatherman Underground, a radical leftwing movement of the»60s and»70s, who's been on the F.B.I.'s most - wanted list since the murder of a security guard during a botch bank robbery in 1971.

Brazilian writer - director João Moreira Salles intercuts his mother's movies of a 1966 group tour in China during the inception of the most radical phase of the Cultural Revolution with archival footage from three other radical movements, all from 1968: The May uprisings in France; the brutal ending of the Prague Spring; and the brief rebellion in Brazil against the reigning military dictatorship.

The fundamentalist movement's Christian schools, for instance, emerged from its radical stance on separating believers from «the world.»

This report explores the radical agenda of the Walton family and the foundation it controls, and how that agenda has taken the U.S. charter school movement away from education quality in favor of a strategy focused only on growth.

Everything your hamster's body does, from movement to breathing to digestion, creates free radicals as waste products.

Speakers talk on subjects ranging from hardware games, to cuteness as a radical and subversive statement, to the # 1reasontobe panel that sprang out of a hashtag from two years ago that came about in response to a movement that attempted to harass women out of games.

Spearheading this movement, Robert Irwin began to take ideas from philosophical inquiries into the nature of human experience and radical advances in perceptual psychology and combine them with the immersive abstraction that had been pioneered by artists such as Jackson Pollock, Mark Rothko, and Barnett Newman.

The work is geometric in nature and takes its cues from Constructivism, Suprematism, and Latin American modernism — art movements that came to being in order to address the radical changes of the modern era, be they political, social, visual, or otherwise.

It sees, in the passage from Chardin's world of objects to Rembrandt's contemplative paintings, a movement toward the radical interiority for which Proust would later become widely celebrated as a novelist.

The Idiosyncratic Pencil is an experimental group exhibition inspired by both the Fluxus art movement of the 1960s and William Henry Fox Talbot's groundbreaking 1844 The Pencil of Nature, each a radical break from past methods of art production.

Often cited as the father of contemporary art in the United Arab Emirates, Sharif began making art in the 1970s, but soon departed from his region's dominant art form of calligraphic abstraction and embraced the radical approaches of avant - garde movements such as Fluxism and British Constructivism.

The critic and founding editor - in - chief of Artnet magazine for 16 years, he has chronicled the «radical masquerade» of the avant - garde, heralding new talent, skewering the deserving, and identifying epochal shifts in the art scene, from his pronouncement that «there are no art movements, only market movements» to his lament about the rise of «zombie formalism» in contemporary painting today.

While the works created by these artists have previously been contextualized in terms of associations and movements ranging from Fluxus to Conceptual Art to the blanketed arena of contemporary art practice, in Radical Presence they will be presented along a trajectory providing general audiences and scholars alike, a critical understanding of the significance and persistence of black performance as a stand - alone practice.

For the uninitiated, this essay excerpted from Phaidon's Art in Time: A World History of Styles and Movements provides a quick primer on this radical group's major players and events.

Explore late 19th and early 20th century European landscapes, still lifes, and portraiture in the context of Modernism as a radical break from traditional aesthetics and an artist movement that shaped — and reflected — the ongoing dynamism of the age.

Then, from a visually radical movement the following year, came 1/3 Gray - Green Curved Area (1966), an oil on Masonite composition of two joined panels which together comprise a third of a full circle.

Drawing from various postwar art movements and developments: Op Art, Washington Color School, Monochrome Painting, as well as European modes of art making, such as Support / Surface and Radical Painting, Mark has created a diffuse, yet particularly American body of work.

From radical thinking and expressive movements to the coming together of creative partnerships, those featured contribute to a wider stance on cultural reflection.

The SCHIRN KUNSTHALLE FRANKFURT has presented major surveys dedicated to radical turn - of - the - century Austrian art, to pioneering artistic positions ranging from Expressionism and Dadaism to the Surrealist object art by Dalí and Man Ray, as well as dealt for the first time with female artists of the Impressionist movement.

Works from this movement often include paired - down grid and serial formats, tying in with the idea that they should defy any conventional aesthetic appeal in a radical move away from dominant trends of the period.

Ezra Winton holds a PhD in Communication Studies from Carleton University, and is currently a Postdoctoral Fellow at Nova Scotia College of Art and Design University where his research and teaching interests include radical and alternative media, social movements, documentary cinema, institutions and culture as well as global cinema and new media platforms.

Through nearly 100 objects, the show aims to upend dominant narratives of the period and to unearth rich stories by examining watershed cultural moments from the Hairy Who to the Wall of Respect, from the Civil Rights movement to the AfriCOBRA, from vivid protest posters to visionary outsider art, and from the Free University movement to the radical jazz of the Association for the Advancement of Creative Musicians.

Radical and transnational (the group's name derives from the main urban centers of the movement — Copenhagen, Brussels and Amsterdam), the postwar artist's group Cobra caused a revolution in modern art in just three years of active work that continues to influence artists to this day.

Challenging official accounts of the decade, which tend to ignore the individualistic abstraction exemplified by these painters in favor of more easily identifiable movements and styles, Rubinstein chronicles how, around 1980, a generation of New York painters embraced elements that had been largely excluded from the radical, deconstructive abstraction of the late 1960s and 1970s, which had influenced many of them.

Although Merce Cunningham had made radical departures from classical modern dance, his work remained within certain technical and contextual restraints — that is, his [movement] vocabulary remained a specialized, technical one, and he presented his dances in theaters for the most part.

Yet I do think that abstract expressionism and the movements that reacted to it in the 60s attracted far more attention from the general public than the equally significant work of representational artists who were painting during that period, creating work that evolved naturally from earlier tradition where AbEx and other later movements appeared to be more radical leaps.