The movie adaptation
from scripter Juliette Towhidi is directed at a slow pace by James Kent, or, let's say at the kind of deliberate momentum that pays due respect to the heroic actions of several of its participants.
Not exact matches
It's clear immediately that filmmaker Peter Berg is looking to ape the feel and tone of Paul Greengrass» work, as Deepwater Horizon boasts a documentary - like feel that's heightened by its low - key performances and general lack of context - with
scripters Matthew Michael Carnahan and Matthew Sand, in terms of the latter, delivering dialogue that tends to emphasize authenticity over exposition (ie much of this stuff sounds as though it was pulled directly
from real - life transcripts).
Director Francis Lawrence, along with
scripter Justin Haythe, delivers a striking opening stretch detailing Dominika's fall
from grace as a ballerina and her initial exploits at the aforementioned school, with the undeniably watchable atmosphere perpetuated by star Lawrence's solid work and the ongoing inclusion of compelling sequences.
It's clear, however, that Snowden begins its slow - but - steady nosedive into mediocrity as it moves into its seriously repetitive midsection, as
scripters Stone and Kieran Fitzgerald shift the focus to an intense emphasis on the minutia of the protagonist's top - secret work - with the narrative's structure, past a certain point, doggedly following Snowden as he moves
from one assignment to the next.
Well now word has come
from the films original
scripter, Larry Cohen, that both he and Lustig will co-produce the upcoming remake alongside DRIVE and BRONSON director Nicolas Winding - Refn.
Cite Coney Island, as writer
scripter Nick Hornby does in a screenplay based on Colm Toibin's novel, and you think of how your dad gave you a dollar in 1945, about the same amount as your friends received
from their folks, an amount which gave us four hours of fun in Coney Island where Nathan's hot dogs were fifteen cents and a bag of fries the same.
But I'm obviously applying way too much thought on a film that clearly wasn't thought out, certainly not by director Adam Shankman and
scripter Karen Janszen, working
from Nicholas Sparks» novel; «When in doubt, resort to a cliché or stereotype» seems to be their philosophy.
Everything in the new film plays exactly as it did in the film
from nearly 40 years ago, with a few contemporary wrinkles thrown in by Van Sant and Joseph Stephano,
scripter of the original.
And although the movie does slow down considerably as it progresses, Felony benefits substantially
from an influx of surprising plot twists throughout its midsection - as
scripter Edgerton peppers the narrative with unexpected occurrences that effectively perpetuate the film's forward momentum.
From there, however, Isolation morphs into a slow - moving and decidedly claustrophobic drama that boasts few elements designed to sustain the viewer's rapidly dwindling interest - as scripter Chris Bullett's refusal to offer up any real backstory for the protagonist prevents the viewer from wholeheartedly sympathizing with (or caring about) her increasingly perilous pli
From there, however, Isolation morphs into a slow - moving and decidedly claustrophobic drama that boasts few elements designed to sustain the viewer's rapidly dwindling interest - as
scripter Chris Bullett's refusal to offer up any real backstory for the protagonist prevents the viewer
from wholeheartedly sympathizing with (or caring about) her increasingly perilous pli
from wholeheartedly sympathizing with (or caring about) her increasingly perilous plight.
While not in the upper echelons of celluloid le Carré — The Constant Gardener and The Spy Who Came In
From the Cold are still the ne plus ultra of his adaptations, if you ask me — The Russia House is nevertheless a worthwhile endeavor, benefitting from the combined talents of director Fred Schepisi (a perfectly lovely man whom I had the opportunity to meet at the 2012 RiverRun International Film Festival, there to hold a Q&A following the screening of his film The Eye of the Storm; photos and coverage here), scripter Tom Stoddard, and an exceptional c
From the Cold are still the ne plus ultra of his adaptations, if you ask me — The Russia House is nevertheless a worthwhile endeavor, benefitting
from the combined talents of director Fred Schepisi (a perfectly lovely man whom I had the opportunity to meet at the 2012 RiverRun International Film Festival, there to hold a Q&A following the screening of his film The Eye of the Storm; photos and coverage here), scripter Tom Stoddard, and an exceptional c
from the combined talents of director Fred Schepisi (a perfectly lovely man whom I had the opportunity to meet at the 2012 RiverRun International Film Festival, there to hold a Q&A following the screening of his film The Eye of the Storm; photos and coverage here),
scripter Tom Stoddard, and an exceptional cast.
Most importantly, there's no betrayal of character on the part of the
scripters, as the adult monsters we first met in 2001 would logically have formed
from the college critters we see here.
Titled on screen as Falstaff (Chimes at Midnight), it's a Frankenstein monster of a movie in that Welles, as
scripter, pieced together bits
from no less than five Shakespeare plays.
Chaired by USC professor and past president of the Writers Guild of America, West, Howard Rodman, the 2018
Scripter selection committee selected the finalists
from a field of 91 film and 28 television adaptations.
Adapted
from the novel by Audrey Niffenegger by Ghost
scripter Bruce Joel Rubin, Wife features a cat's cradle of a plot, examining Henry as he marches back and forth through time, futilely attempting to shape something of a peaceful routine in the process.
Accordingly, with all the necessary exposition and basic plot and character foundation taken care of in the first film, in X2 Singer and
scripters Michael Dougherty and Dan Harris waste no time in continuing the angst - ridden lives of our genetically - mutated heroes and villains
from right where the first film ended.
Naturally, this sets the stage for extended training sequences, which are far
from anything new but made watchable by some funny repartée written by
scripters John Eskow, Ted Elliot, and Terry Rossio; and the effortless mentor - student rapport between Hopkins and Banderas.
Yes,
scripters Ron Burch and David Kidd (working
from a story credited to them and two additional writers) have ripped no less than Alfred Hitchcock's Rear Window.
Mark Millar was then summarily bludgeoned to death with a shovel by Mark Millar Brand Comics, a brash new
scripter from the mean streets of Coatbridge who didn't need no Glaswegian chaos magician to help him sell his comics to them moving picture companies!
In the interview, Jens Nilsson (Sound / Level
Scripter), Thomas Grip (Programmer), and TJ Jubert (Writer) speak of the challenges of being an indie game developer, the history and development of Penumbra: Overture, how this game differs
from other survival horror games, and what gamers can expect in the future for the Penumbra series.