Sentences with phrase «from seeing it on the big screen»

And you may well have fallen in love with a particular breed from seeing it on the big screen or TV... but it is paramount that you make sure your decision is based on research or personal experience.

Not exact matches

Sony Pictures» recent success in releasing its comedy «The Interview» through video - on - demand services after threats from hackers was also seen as a blow to big - screen businesses.

Amidst all the hype and debate surrounding this year's flood of faith - related films — Noah, God is Not Dead, and Heaven is For Real — a quiet Oscar winner from 2013, recently released to DVD, provides the most compelling story of faith I've seen on the big screen in years.

Many of us have seen stepfamilies and blended families on both the big and small screen, most being depicted as a seamless transition from one family type to another.

If Winter can translate his success on The Sopranos and Boardwalk Empire to the big screen, and Scorsese can wrangle a cast that includes Matthew McConaughey, Jonah Hill, Jon Favreau, Kyle Chandler, Jean Dujardin, Margot Robbie, Jon Bernthal, and Rob Reiner, then this digitally shot production (a first for Scorsese) should be another must - see from the team that brought us Gangs of New York, The Aviator, The Departed, and Shutter Island.

Of course, superfans of the fourth wall - breaking Marvel Comics character will be delighted to see Ryan Reynolds» Merc with a Mouth back on the big screen, slicing up baddies and roasting everyone from his enemies (this time around it's futuristic soldier Cable) to his frenemies (Hugh Jackman's Wolverine) to his own studio, 20th Century Fox, just as he did in 2016's surprise smash «Deadpool.»

Yahoo! Movies has revealed a new image from the upcoming big screen adaptation of Stephen King's fantasy epic The Dark Tower featuring Idris Elba's Roland Deschain and Tom Taylor's Jake Chambers; take a look below... SEE ALSO: What the hell is going on with The Dark Tower?

Even though 3D gives me a massive headache its worth seeing on a big screen with your specs on for the trippy kaleidoscope bit not far from the end.

Following on from the character artwork for Quicksilver and Scarlet Witch [see here], Brother Voodoo [see here] and Rogue [see here] comes a new teaser from Marvel for its upcoming Uncanny Avengers relaunch, this time featuring The Vision, who will of course be making the jump to the big screen in 2015 as part of -LSB-...]

Viewers would be forgiven for their hesitance to see another movie from the directors of the «Vacation» reboot, but John Francis Daley and Jonathan Goldstein, working from a pitch - perfect screenplay by Mark Perez («Accepted»), have crafted an ensemble comedy that lives up to its high - concept premise while giving a gang of talented actors — including the gifted Jason Bateman, so rarely employed to great effect on the big screen — fun characters and big, outrageous moments.

Assumingly, the studio did it so they're not inundated with phone calls after from disgruntled cinemagoers who rocked up expecting to see Harold and Dr Karl on the big screen and instead getting... McLovin's bare ass.

Following her Oscar - winning performance in 12 Years a Slave — and subsequent red carpet domination — Nyong» o's legions of fans will relish the chance to finally see her face on the big screen again (apart from a bit role in 2014's Non-Stop).

Check out the trailer above, and see «Ingrid Goes West» on the big screen (not on your phone) from August 11.

@ # 63 Blue & Orange NY you got my support Blue & Orange NY but to be honest i want this new movie thats coming out 2012 to be different superhero character that have not been on the big screen before i.e. Black Panther, Luke Cage, Dr Strange, etc. im also a DC fan i want to see more superhero movies coming out from DC / WB.

Based on Jeremy Dyson and Andy Nyman's Olivier - nominated play (which has caused audiences from London, Sydney, Moscow and more to sleep with the light on), the big - screen frightfest will see Nyman return in the lead as spectral skeptic Professor Goodman.

Following the opening of his series where he shot a bad guy from across the Texas / Mexico border, fans began wondering if we would see a similar scene on the big screen.

We got our first official still from Guy Ritchie's big screen take on the classic spy series The Man from U.N.C.L.E. earlier this week [see here], and now we have another image from the film featuring the two leads Henry Cavill (Man of Steel) and Armie Hammer (The Lone Ranger)... Set against the backdrop of -LSB-...]

The movie of course benefits from being seen on a big screen, as all movies do, but it's proportioned well for home viewing too.

You can cast your vote for what you'd like to see back on the big screen from 5th - 12th June at www.ifi.ie/openday.

If you saw Spencer's character name, and like me, were horrified at the idea of a CG duck «dabbing» on the big screen in 2019, fear not: the character Dab - Dab was one of the key members of Dolittle's animal friend group dating all the way back to the original source material from the 1920s.

It also offers two featurettes --» The Origin Story of Big Hero 6: Hiro's Journey,» which follows the process of adaptation process from comic book to animate feature, and «Big Animator 6: The Characters Behind the Characters,» with the animators discussing the evolution of the characters on the screen — deleted scenes (in rough form, as they were removed in early stages of production; you can see one of them at the end of the post), and Easter Eggs for the kids to hunt for.

Most fans of the video game and first film reject this sequel soundly, although the insatiably curious will probably find it interesting on a purely speculative level, seeing more of the characters from the games and how they are «brought to life» in a big screen manner.

A VFX showreel has arrived online for The Shape of Water, which gives viewers a look at how Guillermo del Toro's «other - worldly fairytale» was brought to life on the big screen; take a look below or watch it on our YouTube channel... SEE ALSO: Read our review of The Shape of Water here From master storyteller, Guillermo -LSB-...]

Fact - based story takes us on a harrowing journey through the rough streets of south Boston of the»70s and»80s and while some parts could have benefitted from expansion, on the whole this is a story well worth paying to see on the big screen.

Some might say that it's a good excuse to see the film on the big screen, but considering the way that Smith has been marketing «Red State» (taking the show on the road and charging big bucks to see it), the whole thing stinks of a last - ditch effort to bleed more money from his fans.

The last film Bruce Broughton worked on that was released in cinemas was the 1998 big - screen retelling of Irwin Allen's tv show Lost in Space, with Gary Oldman, William Hurt and Matt le Blanc; sadly for Broughton, who surely saw the movie as a way of gaining more exposure and therefore more work, it tanked and became as critically - lambasted as other event movies from the time like Batman and Robin and The Avengers.

While Latifah, long the film's shepherd, has expressed gratitude at the opportunity to grow as an actress before officially taking on the role, it's hard to imagine — given the destinations of «Candelabra» and «Normal Heart» — that a film unwilling to shy away from its black female protagonist's bisexuality would have ever seen the light of day on the big screen.

From the Vaults Film history comes alive as it was meant to be seen — on the big screen.

The Bottom Line: My favorite pick because it's more a monster movie than a disaster flick, this intriguing tale from 1962 (based on the 1951 novel by John Wyndham, who also penned THE MIDWICH CUCKOOS that spawned VILLAGE OF THE DAMNED on the big screen) begins with a meteor shower that liberally spreads killer crawling plant creatures around the globe — with everyone who has seen the celestial show going permanently blind.

And judging from the projected box office tracking, people are interested in paying for the chance to see Jackson dance and sing on the big screen, for one last time.

Factor in concessions, transportation to and from the theater, and — for some moviegoers, anyway — inflated babysitting rates, and seeing films on the big screen becomes a pretty costly pastime.

So it's got pluses and minuses, but from my point of view and the collective of the people who made it --[it was made] to be seen on a big screen.»

However, assuming she does recover from her injuries and gets back into the field, I'd love to see her fight alongside other heroes and / or agents on the big screen.

Needless to say, seeing Chicago up on the big screen like that, especially after seeing all the stuff in the news from when they were filming it, was an awesome experience and the film remains a favorite to this day.

Seeing Belladonna of Sadness on the big screen is one of those experiences you come away from feeling lucky.

It begins with actor Robert Downey Jr and director Jon Favreau revealing their initial concern whether or not the audience will accept a superhero from Marvel Comics onto the big screen and how their worry vanished when they saw the fan craze on the red carpet of the first Marvel film — Iron Man a decade back.

Falling somewhere on the quality scale between The Woman in Black and The Woman in Black 2: Angel of Death (as far as similar movies from this decade go), Winchester is not really worth paying the full ticket price to see it on the big screen.

Fourteen of the most prominent print critics from the Puget Sound area have voted on the best in the film year, perhaps naively believing that movies should be seen on the big screen anyway.

The best horror movies, resurrected from the past so you can see them on the big screen for maximum fright.

Loaded with amazing visuals, a brilliant script by Drew Goddard, great performances from the entire cast, and science that makes sense, Ridley Scott's The Martian is one of those special movies that needs to be seen on the biggest movie screen, in the loudest theater possible.

With an enticing, complementary score from the Newton Brothers and Danny Elfman, and gorgeous cinematography by Michael Fimognari that aches to be seen on the big screen, ultimately BEFORE I WAKE awakens heartrending ideas about hope and healing.

Bonus round: If you're in New York, the Museum Of The Moving Image is presenting the series «Paramount In The 1970s» from June 2nd to July 1st, and among the many great titles will be Bogdanovich's oustanding «Paper Moon» which you should drop everything and see on the big screen.

Special Film Series (Periodically throughout the year) From cult films, to creature features, to traditional and contemporary classics, we love hosting favorite films ON THE BIG SCREEN — the way they were meant to be seen.

Up until that point, women shooting hoops on the big screen was unheard of (it's been equally unexplored ever since) and it remains refreshing to see a sports movie playing out from a woman's point of view and especially one that refuses to indulge our more traditionalist view of the genre, focusing on the long game rather than the easy win.

I still think the «Othello» inspired O with Julia Stiles and Josh Hartnett from 2001 was one of the worst adaptations I have seen on the big screen.

You've seen him dozens of times, as hammerheaded toughs on TV and along the jagged crevices of the big screen, lolling silently in shadow, waiting to scurry out from beneath a rock whenever death drew near.

While the Avengers & Co. have spent their days on the big screen saving the world from threats (and each other) here and there, this motley crew has been proving themselves as the everyday, rarely seen superheroes we truly need, and they've made every episode a thrilling delight.

From a technical standpoint, the film was one for the ages (this was one of those increasingly rare movies that cried out to be seen on the biggest screen possible and was even one of the few to make intelligent use of 3D technology) but what was even more surprising was how effective it was from a dramatic standpoint as well, thanks in no small part to the career - best work from Bullock and the deft use of Clooney's glib star quality to help orient viewers for what might have otherwise been an off - putting experienFrom a technical standpoint, the film was one for the ages (this was one of those increasingly rare movies that cried out to be seen on the biggest screen possible and was even one of the few to make intelligent use of 3D technology) but what was even more surprising was how effective it was from a dramatic standpoint as well, thanks in no small part to the career - best work from Bullock and the deft use of Clooney's glib star quality to help orient viewers for what might have otherwise been an off - putting experienfrom a dramatic standpoint as well, thanks in no small part to the career - best work from Bullock and the deft use of Clooney's glib star quality to help orient viewers for what might have otherwise been an off - putting experienfrom Bullock and the deft use of Clooney's glib star quality to help orient viewers for what might have otherwise been an off - putting experience).

The Lara Croft character (based off of the character from the «Tomb Raider» video game franchise) was first seen on the big screen in 2001's «Lara Croft: Tomb Raider.»

from producers listening to the initial pitch, so it's to Chazelle's eternal credit that he continued to make whatever calls he could and knock on as many doors in order to see this amazing dream of a movie come to life on the big screen.