Sentences with phrase «from shot composition»

Not exact matches

After inspiring millions of people worldwide with its successful landing in a crater on the Red Planet on Aug. 5, 2012, PDT (Aug. 6, 2012, EDT), Curiosity has provided more than 190 gigabits of data; returned more than 36,700 full images and 35,000 thumbnail images; fired more than 75,000 laser shots to investigate the composition of targets; collected and analyzed sample material from two rocks; and driven more than one mile (1.6 kilometers).

«Our findings point to two potential impacts from additional research — analyzing the diversity and composition of the microbiome to predict response to immunotherapy and modulating the gut microbiome to enhance treatment,» said Wargo, senior researcher on the project and co-leader of the Melanoma Moon Shot ™, part of MD Anderson's Moon Shots Program ™ to reduce cancer deaths by accelerating development of therapies from scientific discoveries.

The changes in average cranial capacity from Morton's seed - based measurements to shot - based measurements can not be reconstructed with any certainty, incorporate erroneous seed measurements made by Morton's assistant, yielded a broad range of changes (− 10 to +12 in3) hidden by Gould's mean, and are confounded by the shifts in sample composition (circa 50 %) between the two rounds of measurement.

The visual style — the orange - and - blue color scheme, the elegant «Scope compositions, the graceful tracking shots, and the shrewd use of shallow focus — has been reproduced almost perfectly from John Carpenter's original, yet the wit and intelligence are gone.

Much as he downplays the human overseers of the park, Côté never obscures his own hand in the proceedings: The disorienting reverse shot of the drawing woman through the stuffed beast's antlers is the first of countless droll (and uncomfortable) compositions that forces us to wonder if documentarians and spectators are really so far from taxidermists after all.

Extras are, per Anderson's M.O., exasperatingly abstract: The cover copy refers to the bonus features as «special trailers,» but one is just a deleted scene of Shasta and Doc watching the waves lap against the shore at dusk (their lips are moving, but a dreamy Greenwood composition mutes everything they say), while the fourth and final, «Everything in this Dream,» is an artful 6 - minute montage of cutting - room scraps, including a few shots of Doc and Sauncho watching a schooner leave port that could be construed as the ending from Inherent Vice the novel.

, but I can say that — all other things being A-OK — it all comes down to directorial concentration and economy: camera placement, movement, composition and (as I detailed in that Spielberg piece from 1982) how adeptly the movie gets from shot to shot to shot.

Nicely shot, the series varies from nerve - racking handheld camera work to careful, steady long - held compositions, depending on the setting.

In Parliament, he shoots from drastic angles, adding dramatic shafts of light to give his interior compositions added dimension.

Rohmer's style is both more lush (shot in rich colors by Nestor Almendros) and less intimate than his previous romantic comedies, directed in painterly compositions from a removed distance.

In the case of Gun Fury, this includes shoot - out choreography, barroom composition, and the heightened depiction of forward motion, from galloping tracking shots to camera angles staring down a row of reigns as horses sprint headlong over the desert terrain.

His highly intricate shot compositions (with the help of his longtime collaborator Emmanuel Lubezki) and infusion of muted but potent sexual, emotional and social observations through visuals have distinguished him greatly from the increasingly pedestrian eye of most American filmmakers.

From the opening scene, an almost monochromatic chiaroscuro composition with strong diagonal lines (it was shot in an actual snowstorm), it's clear that Arrow's 1.85:1, 1080p transfer, sourced from a 2K scan of the original camera negative, is on the moFrom the opening scene, an almost monochromatic chiaroscuro composition with strong diagonal lines (it was shot in an actual snowstorm), it's clear that Arrow's 1.85:1, 1080p transfer, sourced from a 2K scan of the original camera negative, is on the mofrom a 2K scan of the original camera negative, is on the money.

The presentation just aches of familiarity from the long shots and distancing composition.

What attracted critical minds like Jacques Rivette, Eric Rohmer, and others to Nicholas Ray and his oeuvre — bored stiff as they were by the risk - averse, respectable, and ultimately neutered «cinema of quality» — was the stamp of the personal and the element of danger they discerned in his films, whether that meant the improvisatory handling of actors with a touch deft enough to coax remarkable performances out of even non-professionals; the «superior clumsiness,» cited by Rivette in «Notes on a Revolution,» resulting in «a discontinuous, abrupt technique that refuses the conventions of classical editing and continuity»; or the purely visual flourishes Ray relished — ranging from the sweeping, vertiginous helicopter - mounted shots in They Live By Night to disorienting, subjective POV compositions like the «rolling camera» during a car crash halfway through On Dangerous Ground, its very title indicating the source of Ray's critical appeal.

Even from a production standpoint, Game Night stands out with great lighting and scene composition, with a «hot potato / capture - the - flag» - like sequence that is not only a riot but shot impressively.

The movie has the softness of a dream, from its pink - hued beaches and painterly compositions (shot by Arthur Jafa) to the lilting, incantatory sound of these West African - inflected accents.

The A 45 AMG «Edition 1» stands apart both on a technical level and in terms of appearance.As is familiar from the CLS 63 AMG Shooting Brake, the fully appointed «Edition 1» model variant boasts an expressive composition of exclusive exterior and interior details.

As is familiar from the CLS 63 AMG Shooting Brake, the fully appointed «Edition 1» model variant boasts an expressive composition of exclusive exterior and interior details.

This screen and its pattern forms the structure of the video and sound work shot and assembled by Williams, less a film than an animated graphic composition that draws from the histories of weaving, capitalism, technical systems, and landscape.

Helsinki Web Sketches are a series of graphic compositions assembled from images shot during an artist residency at HIAP — Helsinki International Artist Programme, Summer, 2013.

These compositions, shot close up, from unexpected angles, show her exerting a decisive and individual vision in reordering elements of these interiors and turning them into something almost unrecognizable.

At times, the compositions of her paintings are informed by cinematic techniques, whether the multiple headshots of Sitting on a Bench with Border (Film Notes) 2008, based on Pedro Almodóvar's 2006 film Volver, or Wylie's two paintings from the 2005 film Syriana, which take in a panoramic and close - up shot of the same scene.

Select group exhibitions featuring her work include Selections from the Permanent Collection: Catherine Opie and Sterling Ruby, Museum of Contemporary Art, Los Angeles (2017); Breaking News, Getty Museum, Los Angeles (2016 - 2017); A Slow Succession with Many Interruptions, San Francisco Museum of Modern Art, CA (2016 - 2017); Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American Art, New York (2016); Who Shot Sports: A Photographic History, Brooklyn Museum, NY (2016); Perfect Likeness: Photography and Composition, Hammer Museum, Los Angeles (2015); Residue: The Persistence of the Real, Vancouver Art Gallery, Canada (2015); America Is Hard to See, Whitney Museum of American Art, New York (2015); Storylines: Contemporary Art at the Guggenheim, Solomon R. Guggenheim Museum, New York (2015); Unbound: Contemporary Art After Frida Kahlo, Museum of Contemporary Art Chicago (2014); and Role Models: Feminine Identity in Contemporary American Photography, National Museum of Women in the Arts, Washington, DC (2008).

Android phone owners have the flexibility to choose from a wide array of camera apps, with features such as multiple shot modes, composition overlays, steady shot helpers, editing tools and post-processing special effects.