Sentences with phrase «from small installations»

In mid 2014, apart from small installations in remote locations, there was only 12MW of operating wind power in Queensland, by far the least of any Australian state; and there were no wind farms under construction.

Not exact matches

With a wealth of experience gained from many installations around the world with producers, both large and small, LOMA have introduced the fifth generation of X-ray Systems, the X5 Series.

Even though the new seats have an increased weight capacity, fitting children from 4 to 35 pounds, they offer the smallest total installation dimensions of any infant car seats in their weight class.

Units only protrude 4 ″ from the wall; which allows for installation in the smallest of rooms.

Aside from Talk Talk, who have been offering a home filtering solution for a number of years with a «default on» setting, take up has been very small, even with persuasive installation messages such as:

With content ranging from the experiments of Galileo up to existing space installations worldwide and extending to showcase potential exoplanetary environments, MiniSpaceWorld aims to cover the gamut of space exploration, all in a miniaturized format that can pack an enormous amount of material into a small space, roughly 3500 square meters in two levels, with a potential for growth.

Whether you're building a small weight training center, Perform Better's Facility Design Team will work with you from layout to installation to create the facility that will best meet your needs and budget.

The engineers also revised the compression ratio in the 400ci through the installation of different cylinder heads with smaller combustion chambers (1977 Pontiac 400 engines also had the 350 heads bolted to the 400 blocks, these heads were known as the 6x - 4 heads and were taken from the Pontiac 350).

The touch - screen display that goes with most Sync installations, called MyFord Touch or MyLincoln Touch, suffered from small fonts (but it met industry specs, Ford explained), slow operation, blue screens of death, and the difficulty of tapping a touch screen on a moving car that is common to all touch - screen systems.

[16] In order to avoid the serious levels of power loss then typical in small - engined cars with automatic transmission the manufacturers incorporated a new carburettor and a higher compression ratio in the new 1965 automatic transmission cars: indeed a press report of the time found very little power loss in the automatic 1100, though the same report expressed the suspicion that this might in part reflect the unusually high level of power loss resulting from the way in which the installation of the transversely mounted «normal» manual gear box had been engineered.

Well, these changes might seem small from an installation point of view but make no mistake, these changes are very significant and are the core reasons why the images on CLEARink display appear sharper than the ones displayed on E Ink.

Sony has addressed the installation issues that have plagued a small number of users who have downloaded Grand Theft Auto 5 from the European PSN store.

Mike, Abes Oddysee from last week after installation has the American cover on the XMB, I know its a small thing but could you guys fix this?

Feher's work has varied in size, from a commission for a courthouse in Illinois, to an installation made of suspended bottles at the Chinati Foundation, to a recent room - size work made of vinyl flagging tape at Sikkema Jenkins & Co. (which represented him in New York), to smaller, more precious sculptures that could be easily broken if accidentally kicked.

Given the «inspiration seen in the installation of Edward Hopper and the American Imagination, up the stairs from Manhattan Fantastica, one should be grateful for small (and uninspired) favors.

2012 Dark Flow Lurking, David Castillo Gallery, Miami, FL a small world... (installation on view from the permanent collection), The Jewish Museum, New York, NY Transmission LA: AV Club, Geffen Contemporary at MoCA, Los Angeles, CA African American Art Since 1950: Perspectives from the David C. Driskell Center, David C. Driskell Center, College Park, MD Contemporary Mandala: New Audiences, New Forms, Emory University Visual Art Gallery, Atlanta, GA US Embassy in Tokyo Exhibition for Ambassador John V. Roos, Tokyo, Japan

Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman Gallery, New York, NY It's a Small, Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized in Collaboration with Mike Egan, Visual Arts Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art Gallery, New Paltz, NY Three, Smiley Art Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts

Divided in 6 separate rooms, the installation includes some 60 individual stoneware and porcelain pieces, as well as couple of rare editions on paper by Kusaka, and around 40 pieces by Wood, ranging from small collage showing his studio process, limited edition multiples, a series of floral pieces on paper, all the way to monumental oil and acrylic pieces on canvas.

PLAYTIME thus follows on from Julien's acclaimed nine screen installation Ten Thousand Waves (2010)- currently on show at MoMA, New York - which offers a response to the Morecambe Bay tragedy of 2004, where twenty - three Chinese cockle pickers were lost at sea, and Western Union: small boats (2007), which explores the perilous voyages of those attempting to cross the Mediterranean from Africa to gain entry into «fortress Europe» a story that has tragically dominated the news headlines once again in recent months.

A small kinetic installation by Jean Tinguely hangs opposite bunny ears carved from wood by Claudia Comte, in the style of Henry Moore; watercolor drawings by the visionary artist Marguerite Burnat - Provins look like gruesome fairy - tale illustrations, while Denis Savary's «Alma (After Kokoschka)» (2007) riffs on the life - size doll that the artist Oskar Kokoschka had made of Alma Mahler after she left him for the architect Walter Gropius.

The Museum's small - format, highly - detailed canvas, which evinces a strange perspective, was the springboard for Eliav to create a sprawling installation of twenty large - scale paintings that will completely fill the exhibition space, each work conveying parts of the scene from a different perspective and in a different painting mode.

Belonging to a very small group of avant - garde artists who left mainland China for Europe and the United States in the 1980s, Zhang creates projects ranging from intimate works on paper to large indoor and outdoor installations.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration

We've been busy here at Curious Matter ---- an exhibition of work by Arthur Bruso in the gallery, Le Bouquiniste, our small & independent press kiosk is back in town, and a special installation from the Department of Reparative History.

Alternating sculpture — the medium in which he develops a broader spectrum, ranging from small three - dimensional creations to large - sized installations and hybrid objects — with photography, drawing, and mural painting, Irazu's work addresses the problems that occur in the relationships established between our bodies, objects, images, and spaces.

Located two hours from Boston in North Adams, a small town of about 14,000, MASS MoCA is debuting a massive, immersive installation by Nick Cave this fall.

The sound installation Witness (2000), involves small microphones hung from the ceiling, through which eyewitness accounts of UFO encounters are played in a number of different languages.

From there it should be pretty easy for any curious art - in - the - street fan to be regaled with big and small works of graffiti, Street Art, tags, wheat - pastes, stencils, rollers, murals, and ad hoc installations all day and night.

Earlier audio - visual installations range from Baltimore (2003), which, in part through the stylisations of black action movies from the 1970s, looks at the histories, divisions and intersections of black and white cultures, through to his trilogy comprising True North (2004), Fantôme Afrique (2005) and Western Union: Small Boats (2007), all of which deal with themes of voyaging and cultural displacement on both a local and global scale.

It involves media ranging from small early sculptures and drawings to installations, murals, photography, and paintings.

Several of the artists have created small pieces specifically for this show, employing media that range from painting to photography, sculpture to installation.

Wurm works in a wide range of media and materials, from the very traditional to the utterly modern: bronze, polyester, drawings, large and small sculptures, text, installations and even his own body.

Tacked onto a small gallery with a handful of paintings by Heade, John Singer Sargent and Dove, whose Sea and Moon II is hauntingly ravishing, the corridor is mostly devoted to neon and fluorescent sculptures by Dale Chihuly and Dan Flavin, respectively; theatrically lit works by Larry Bell and Robert Irwin, both loans from the Norton Simon Museum; and light works by Jim Campbell and Turrell, who lent Sloan Red (1968), a walk - in light installation.

Included in the exhibition are approximately seventy works, varying in scale from small drawings to room - sized photographic installations to sculptures weighing several tons.

The community in London, if small, remains vital and active in sculpture, installation and painting; among the painters special mention must be made of Paterson Ewen, who moved there from Montréal in 1968, and Ron Martin (since 1983 working in Toronto).

A collaboration between the museum's assistant curator of Asian art, Melody N. Rod - ari, and its conservator, John Griswold, this small installation explores how the place of origin and date of an object can be determined by the rendering of drapery pleats, hairstyles and ornaments of iconic statuary from South and Southeast Asia dating from the 3rd through 13th centuries.

Employing folly, leisure, adventure, and celebration in creating art, Huyghe's films, installations, and public events range from a small - town parade to a puppet theater, from a model amusement park to an expedition to Antarctica.

With the support of an expert team, Chihuly's exploration of color and form continued unhindered as his focus evolved from small sculptures to larger outdoor installations, to vast environmental exhibitions wherein he creates habitats made entirely from glass.

The small beads are hand - painted with some of the quirky freedom that characterizes her impermanent fabric arrangements, but the bead installation follows a uniform scale, height, and spacing logic, with beads dropping in parallel and perpendicular lines from the grid of ceiling beams from thin, nearly invisible strings that alter and direct the flow of the viewing space.

No matter where you are, there's plenty to keep you busy until the end of the year: All around the world, from Alcatraz to Beijing, museums, galleries and other arts institutions are giving us good reason to fill our social calendars — even on the smaller scale (take the first ever showcase of all of artist Louise Bourgeois's famous hanging artworks, for example, or the limited - time, roving installation «You Belong Here,» currently afloat in neon on the Mississippi River in New Orleans).

With more than 250 works on show, the exhibition explores the tireless experimental spirit that drives Raysse's entire artistic output, from his small, playful sculptures to the self - discipline of drawing; from films expressing the libertarian trends of the 1970s to Raysse's use of neon as colour; and from installations celebrating consumer society to his paintings, which represent the most complete aspect of his work — among them, transcriptions of great Renaissance masterpieces, female portraits, large group paintings, and imaginary landscapes.

Site - specific installation overvew: 17 collaged dry - wall panels with collaged elements, canvas with torn edges, photo transfers, acrylic, text, 9 1/2 ft high at highest point; 5 bronze elements, underground cable, and 1 tall and 2 smaller broken border posts with barbed wire from the former East German Border, 5 curved broken sections from the top of the former Berlin wall

A small reception marking each new installation by the invited artists will be held at the gallery from 6 - 8 pm on the following dates:

Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, London, England

Robert Smithson, an artist associated with the Land Art and Post-Minimalist movements, used natural objects in both his large - scale land installations, such as Spiral Jetty (1970), and his smaller museum installations made of stones and dirt removed from specific locations.

[22] The gallery - sized installation All the Submarines of the United States of America (1987) consists of 625 identical, small, handmade, painted - cardboard models that represent the entire United States submarine fleet dating from the late 1890s, when submarines entered the navy's arsenal, to the late 1980s.

The booth projected a clear vision, from the ombré color field paintings by Matti Braun and the small James Turrell light installation.

Included here are drawings ranging from the»60s to today, small found - object sculptures, notebooks, and wall installations from the»70s and»80s, as well as a group of recent anamorphic sculptures made between 1990 and 1993.

Fundación Proa, Buenos Aires, enlisted the help of video and installation artist Mona Hatoum in the curating of this small exhibition of the artist's works from the 1980s to the present day.

The works in The Valentine - Adelson Collection range from small discrete objects to room - scale installations and include many of the key works by this new generation of artists who are rapidly emerging with national and international recognition.