Sentences with phrase «from social narrative»

Not exact matches

Another social fantasy game, with a narrative involving giants and time travel, Glitch raised $ 17 million from Accel Partners and Andreessen Horowitz, but the timing was again bad: They were building a desktop game at a time when users were migrating over to mobile devices.

Not to beat a dead horse, but buyer personas must continue to move from a misunderstood practice of profiling to a practice of understanding the narrative of the social buyer.

The Narrative project includes some of the team from Social Strata, the company behind customer engagement applications such as Hoop.la.

Particular attention is given to the kinds of content that is communicated through such narratives (cognitive, social and emotional, information processing skills, implicit messages, and modes of learning), and to the processes and potential of learning from television and film.

The dominant interpretation, derived from Franco - German scholarship of the nineteenth century, emphasized material aspects: political contest and domination in the Near East; the social structures of the Levantine crusader principalities viewed, especially by Francophone scholars, through the lens of modern colonialism; cultural confrontation and exchange through settlement and trade, a topos made familiar by eighteenth - century Enlightenment writers seeking to integrate the Crusades into a narrative of European progress; military adventurism that exposed the mentality of crusaders — heroic, passionate, devout, or misguided according to taste.

The simplistic gospel of being saved from earth for a home elsewhere in heaven has been replaced by a grand narrative of God's redemption story that encompasses social justice, creation care, and a fresh vision of the mission of the global Church.

Narrative theology can provide relief from these questions by limiting the intellectual and social context within which theologians and pastors can think about what they are saying and doing.

What narratives from his earlier faith communities reveal how this social and theological development has occurred because sociology and theology are inextricably linked?

My work is inspired by narratives, usually my surroundings, the environment or social issues — nearly all of my work has evolved from these.

* Designed for children on the Autism Spectrum and with sensory processing disorders, the Social Narrative is an appropriate resource for all children curious about what to expect from a typical camp day.

Developed by our education staff and designed for children on the Autism Spectrum and with sensory processing disorders, the Social Narrative is an appropriate resource for all children curious about what to expect from a typical visit to the Nature Museum.

Each chapter contains some narrative from the author, exploring the social and cultural aspects of women's experiences.

I hope the campaign learned a few lessons about social media from this episode, though — blogs, YouTube, MySpace and Facebook had already diluted politicians» ability to impose a political narrative in 2008, and Twitter's main effect is to speed up the trend (it excels at spreading a meme in a flash).

on subjects ranging from «Russia's 21st Century Information Warfare» and «Memetic Warfare» to «Narrative and Social Media.»

«If we go back and we know a bit more, and a bit more narrative goes in from the social sciences, we might be able to unravel a little bit more» about the reasons for attack frequency timing, Johnson suggests.

Behavioral biologist Dario Maestripieri launches from this example into a spirited, insightful narrative that explores the ways our interpersonal relationships resemble those of our primate cousins, suggesting evolutionary roots for a range of social behaviors including nepotism, cultivating friends, and climbing the corporate ladder.

But when you see a recurring narrative of bikini, one piece, bare shoulder drama from every social media channel, it'll get you off the couch (not to pick up that bagel, hey!)

The fact that the narrative (rewritten by The Devil Wears Prada's Aline Brosh McKenna from a first draft by Emma Thompson) can't raise its rich / poor themes above the level of mobile phone ownership or its modernity beyond an acknowledgment of viral videos, and social media (an Instagram - led helicopter chase seems terribly old - fashioned) is only part of a more general uncertainty about what Annie means to today's movie - going audiences.

In a strict narrative form, most of Blue's main themes and actions reside just below the surface, so this is the kind of film that might be too slow for some impatient viewers, especially if they are watching it without the political, social, and artistic context from which it is created.

This is no small thing for Sorkin, who, in his long and productive career of writing for film and television, from the testosterone - heavy offices of «Sports Night» to the dizzying techno - prophet narratives of «The Social Network,» «Moneyball» and «Steve Jobs,» has never before given us a proper female lead.

Grim narrative prospects but we can count on Loach and his screenwriting partner Paul Laverty to wring wry humour from such social strife.

If there's a dealbreaker for audiences or commercially minded critics, it's the fact that the narrative tends to grow unwieldy and wanders non-linearly from a coming - of - age story to something much more complex and wider (and no doubt autobiographical) about how the post-war generation's social upheaval and radical thinking damaged the children of this era (of which Potter was clearly one).

The major reveal is part of the fundamental flaw in the narrative that undermines all that has gone on before; it shifts the story from being a light - hearted and touching social commentary that sexual inhibitions are perfectly normal to a melodramatic and morose tale with daddy issues.

Using a social justice lens, we can expose the narratives of the many stakeholders in history, and we can analyze contemporary social issues from multiple lenses.

They may write an expository, narrative, or creative piece, or an analysis from the perspective of a well - known individual (Joan of Arc, for example) on a particular topic in social studies, says Engelhart.

Her passion for education is deeply rooted in both her personal narrative which includes being among the first in her family to graduate from college along with her own critical consciousness related to social justice.

Woven into this highly personal narrative about a boy's journey from silent sidekick to hero are themes that translate to public education: the challenges of finding the right school or instructional method to meet a student's individual needs; the impact of social stigmas on expectations and performance, particularly for «discarded students» in low - income neighborhoods, and the need for a culture of high expectations to counter those negative societal assumptions; the importance of tireless, focused, caring teachers who do whatever it takes to help students succeed; and the ability for all children — regardless of learning challenges or race or income level — to learn.

Such international examples — increasingly visible in blogs, books, magazines, and social media posts — have begun to change the reform narrative in the U.S. by moving emphasis from the teachers to the teaching.

Social narratives, based on Social Stories from Carol Gray, use pictures and stories to help students acquire social sSocial narratives, based on Social Stories from Carol Gray, use pictures and stories to help students acquire social sSocial Stories from Carol Gray, use pictures and stories to help students acquire social ssocial skills.

His narrative voice is consistent, as is his fierce attention to life, from sensuous nuance to the spinning roulette wheel of city life to war and profound social upheavals.

Much damage has been done to disconnect the social and political — not just artistic — contributions of homosexuals from the American narrative.

Aiming to push back against the narrative that progressive politics don't have a place in gaming, the three day event at Parsons School of Design from July 31st to August 2nd, brought together educators, developers, social scientists, neuroscientists, business people, and fans to think through what videogames can do to enhance the world.

The studio seeks to create games that feature new mechanics, exploring topics from everyday life and social questions, through innovative narrative tools.

From a narrative perspective, these Social Links offer a deeper look into the personal lives of friends and acquaintances who will look to you for advice, guidance and a shoulder to cry on.

Artwork ranges from drawing, photography, sculpture, installations, film and video to performance and social practice taking place in both urban and rural landscapes, and include works that are narrative, political, performative, and conceptual examples of contemporary art.

Each artist's personal visual styles and narratives «tramp» comedic avenues as a means to explore their sculptures, videos, and photographs through deviations from «norms» (whether cultural, social, logical, or linguistic): A candle can not evade its own snuffing.

The building is cast as the central character in a tangled narrative which reflects Johannesburg's magnetic pull on the social and mythical lives of those who come to this place from all over the country and all over the continent.

Often using unconventional narrative structures to address dislocation, personal politics, social issues, and memory, his films and art projects have won him international acclaim, including the Knight of the Order of Arts and Literature from Thailand's Ministry of Culture, the Slipatorn Award, and the Fine Prize from the 55th Carnegie International.

Far Out: Art from the 1960s explores art from a decade that introduced such movements as Pop, Op, Minimalism, Kinetic, Fluxus, and Conceptual Art, while weaving in the social and historical narrative of that time.

More recently, his work has addressed social and political controversies through large - scale narrative paintings that combine elements of the Japanese woodblock print with inspiration from Renaissance church art.

Her work forces viewers to slow down, examine it closely, develop narratives from various juxtapositions, and consider social relations in light of the artist's assertions via the object.

The audience is presented with not only a new way of experiencing contemporary cultural production but with a new framework for seeing artifacts from our social and historical narratives and resignifying our relationship to them.

By carefully selecting random situations from both his personal and professional life, Fischl intersects certain social mechanisms and creates narratives filled with humor, sensuality, and intrigue.

The liberal beliefs, social tolerance, and general promiscuity that characterize popular images of the city likewise distinguish the Los Angeles — based artist's own permissive practice, which swings from abstract paintings to collages and from haunted - house sculptures to a series of narrative paintings depicting sexually ambiguous men whom Hawkins refers to as «hallucinations from a Viagra overdose.»

The show will explore the entire scope of the artist's career, including early cartoons and drawings; his macabre, emotionally - charged paintings of the early 1960s; his epic rock and postcard paintings of the late 1960s and early 1970s; his «bloody head» series of mutilated figures from the late 1970s through the present; and his social commentary paintings targeting corporate America, which include his narrative tableaux that combine painting with woodworking, found materials, and thick mounds of modeling paste, seamlessly blended into the painted surface to create a remarkable illusion of depth.

In addition, there will be broader debates and panel discussions on issues from the personal and narrative through to the social aspects of filmmaking.

In 1981, Rodney studied BA Fine Art at Trent Polytechnic in Nottingham, where he was profoundly affected by encounters with artists such as Keith Piper, Eddie Chambers, Marlene Smith and Claudette Johnson, who were re-examining social and historical narratives from a black perspective.

Taking the form of a constantly reworked potential text, it comprises a series of theoretical and fictional narratives that evolve from Gillick's research of past and present evaluations of the aesthetics of social systems by focusing on modes of production rather than consumption.

In the same statement, Cassel Oliver said, «There are artists from myriad social and cultural backgrounds who are not fully represented in today's art world, and we need to ensure their stories are part of the rich narratives we bring to life in our museum.

Study Day, 2 - 5PM Join Curator Dan Kidner for a Study Day that takes the film Peggy and Fred in Hell, Folding (1984 - 2015) as a starting point from which to explore the group exhibition The Inoperative Community; an exhibition of experimental narrative film and video that addressed ideas of community and the shifting nature of social relations.