Sentences with phrase «from sociopolitical»

The presentation of works from the collection at the MMK 2 will feature a spectrum of contemporary modes of expression ranging from sociopolitical photojournalism to forms of subjective, conceptual or staged photography.

In his second solo exhibition titled Py • r • o · glyph • s at Catinca Tabacaru Gallery, artist Greg Haberny breaks away from his sociopolitical charged art to experiment with processes and assertions that are personal and introspective.

In his latest series of paintings, Geva addresses concepts such as migration, instability and disintegration from a sociopolitical perspective and within the medium of painting itself.

Rather than pose a definitive historical trajectory, the exhibition embraces a ruminative and introspective approach, winding through time and place to touch on situations and themes ranging from the sociopolitical to the deeply personal, all through the lens of artistic observation.

In the face of these, Teilhard's enduring confidence in the principle of human collectivization represented a victory for the ideal and led him away from sociopolitical analysis toward geopolitical prediction.

I still contend that the gospel is identical with the liberation of poor people from sociopolitical oppression.

Not exact matches

However, it also seems clear to me that from a historical and sociopolitical perspective that they are oppressed due to their minority status rather than because the world has it in for Christians, or because Jesus said that Christians would be persecuted.

Although the formulation of the question was not always precise, the everyday experience of black suffering, arising from black people's encounter with the sociopolitical structures controlled by whites, created in my consciousness a radical conflict between the claims of faith on the one hand and the reality of the world on the other.

Here I side with John Howard Yoder against the view prevalent among social ethicists today that the early church found Jesus» sociopolitical ethics, including his teaching on peace, irrelevant and was interested in his life, death, and resurrection only as the basis for justification by faith; that whatever ethics the church taught was drawn from Hellenistic culture, particularly Stoicism.

He stands apart from other writers on this theme because he treats it as a spiritual conflict, not merely a sociopolitical reality.

In order to challenge his emphasis, the delegates from the Philippines issued their national group report, in which they agreed with him on the two essential characteristics of Asian theology: its «third - worldness» (sociopolitical liberation of the poor) and its «Asianness» (the religiocultural dimensions).

But as Textor found, some of the correlations are far from predictable and have helped contribute to the sociopolitical mess we now inhabit.

Recent years have seen a new level of black art that's intertwined sociopolitical commentary with high - caliber artistry: from Beyoncé's Lemonade and Kendrick Lamar's DAMN to Atlanta and Queen Sugar, there's been a renewed focus on telling stories that broaden and sharpen the range of black narratives.

The fact that Jimmy's a laid - off construction worker and Clyde a veteran with a conspicuous prosthetic hand gives the film an air of social relevance, and while Soderbergh seems enthusiastic about the idea of his characters banding together to take back from a society that's made them collateral damage, the attempts to draw any sense of sociopolitical import are the film's weakest spots.

At the other, comparably hilarious end of the sociopolitical spectrum is Paul's alternative school, where he teaches his kids to build irrigation systems from hewn logs and has Portia help him deliver a breached calf.

Here are 25 from this year's lineup that have us salivating — from docu - profiles on musicians, artists and iconoclasts to left - field biopics on raunchy comedians, black metal Norwegians and paraplegic cartoonists, postapocalyptic character studies to sociopolitical satires.

Garrone (whose previous film, the grim sociopolitical mosaic Gomorrah, could scarcely be more different from this loopy fable) doesn't belabor the allegory, but he's not exactly subtle about it, either.

The provocative and sharply hilarious film about characters from vastly different sociopolitical backgrounds colliding... [Read More]

Everything about it screams «niche,» from the budget ($ 4.5 million, which is what its studio, Universal, spent to make approximately two - and - a-half minutes of The Fate of the Furious), to the first - time director - writer, Jordan Peele, a cable - TV star whose show ended and who was looking to branch out, to the complete lack of movie stars (although now, Daniel Kaluuya and Allison Williams are nicely on their way), to the genre: horror cut with more than a dash of comedy and of pointed sociopolitical commentary.

What's being innovated is the form — and Anderson's belief in form as substance nearly absolves Isle of Dogs from anything approaching sociopolitical consciousness.

Ben's research examines how young people from marginalized communities interpret their sociopolitical context and learn to exercise collective political agency.

Changing the conversation, Ladson - Billings moves attention away from achievement gaps to what she calls the education debt that includes historical, sociopolitical, moral, and economic debt owed to the marginalized in our nation.

Some of the changes from one year to the next can be attributed to fuel prices, sociopolitical shifts like Brexit, and recent elections.

Reflecting on various reoccurring issues pertaining to race, class, and sociopolitical experiences, some of the work in this exhibition provokes critical thought from viewers while other work conveys humor and nostalgia to evoke interest.

The works presented here instead reveal the deliberate structures embedded in abstraction, illustrating how contemporary practices emerge not just from formal conventions exclusive to painting, but also from the artists» particular material, psychological, and sociopolitical concerns.

Moreover, as she is a curator from Istanbul, she is very much interested in the country's current sociopolitical issues.

From 1996 to 2013, he worked under different names exploring his interests in myth and sociopolitical realities.

Taking its cue from the recently published book Avant - Garde Museology, the symposium will address the memory machine of the contemporary museum vis - à - vis its relationship to the contemporary artistic practices, sociopolitical contexts, and theoretical legacies that shape and animate it.

With the belief that his work could influence the sociopolitical environment of America, Davis» political message was apparent in all of his pieces from the most abstract to the clearest.

«Composed from the media, detritus, and organic matter of Brooklyn, Tehran, and many places in between, Dehghan's collages exhibit an impetus to dissect - physically, theoretically, and psychologically — a select collection of extant materials in order to provide a channel through which the sociopolitical, cultural, and mimetic forces that produced them may be projected outward through their own destruction, reconstruction, and reconfiguration.

As a studio based residency, the focus is on the artistic process and the experimentation that results from working alongside other artists, within New York's cultural and sociopolitical context.

Another artist whose work I also found quite striking is the Calcutta / New York based artist Rina Banerjee whose work, entitled Mother gathered Three or no more dirty black stones, tossed them to sky that could break what had hardened her ground and without frown or flirt of flower father like grease or butter slipped aside to free her from forty and some more grown men who held her as housewife like plant life with three or more daughters, (2017) gives the viewer her take on sociopolitical issues of migration, post colonialism, gender and race.

From their various specific geographical starting points and political, social or religious contexts, their works are a combination of sociopolitical commentary, humorous gesture, poetic reflection and / or aesthetic strength.

On view from September 13 through December 23, 2017, Speech / Acts brings together recent work and new commissions by six artists: Jibade - Khalil Huffman, Steffani Jemison, Tony Lewis, Tiona Nekkia McClodden, Kameelah Janan Rasheed, and Martine Syms, who reflect upon experiences growing up through the social upheavals of the 1990s and draw on the current sociopolitical climate and the preceding Black Arts Movement in their work.

The nomadic nature of the trailer home is traced in artists» drawings, prints, photographs, and video.This exhibition, which presents works by Vito Acconci, Michael Asher, Atelier van Lieshout, Terry Maker & Chris Rogers, Krzysztof Wodiczko, and Andrea Zittel, explores a range of issues from utopian notions of freedom to the sociopolitical critique of design and art in the everyday.

Mark Lombardi (1951 — 2000) is an American draughtsman whose straight - faced, hand - drawn diagrams chart sociopolitical narratives of influence and contradiction, from the collapse of the Vatican bank to the Iran - Contra scandal.

By examining these practices, he has studied the shift of contemporary art in China from the manifestation of aesthetics to sociopolitical commentaries.

Spanning more than twenty - five years of contemporary art from the Arab world, beginning in 1990, the included works map the recent sociopolitical history of the region, demonstrating the myriad ways that artists have addressed seismic shifts or events like the Iraqi invasion of Kuwait.

Of his work, Hans - Ulrich Obrist, director of the Serpentine Galleries, London, writes, «Xu's sociopolitical appraisals distance him from the herd of contemporary Chinese artists.

Combining luridly hand - drawn animations, paintings, mechanical sculptures and more, 2009 Guggenheim Video Art Fellow Federico Solmi continues to explore his controversial interests in sociopolitical affairs — last year his native Italy charged him with obscenity, blasphemy and offense to religion — in his second solo exhibition «From Uterus to Grave With No Happy Ending,» which opens tomorrow at NYC's LMAK gallery.

Recent Histories: Contemporary African Photography and Video Art from The Walther Collection unites the perspectives of 14 contemporary artists of African descent, who investigate social identity, questions of belonging, and an array of sociopolitical concerns — including migration, lineage, the legacies of colonialism and Calvinism, and local custom — as well as personal experiences in Africa and the African diaspora.

Presenting works by Patricia L Boyd, Moyra Davey, Melanie Gilligan and Marianne Wex, which all attempt to situate specific objects or actions within broader sociopolitical frameworks, the show reflects upon how material and ideological constructs, from the economy to patriarchy, implicate even the most routine aspects of the day - to - day.

Spurred by the continued struggle for women's liberation as well as by the current sociopolitical climate in both the USA where she resides and in her native Middle East, Amighi's new works explore ideas of femininity through a series of female archetypes from history as well as the artist's personal experience.

Tate Modern presents Soul of a Nation: Art in the Age of Black Power, a landmark exhibition exploring sociopolitical issues played out among and beyond African American artists from 1963 to 1983.

Dearest Montien (2013), which we reprint in full, describes the Thai art scene since the artist's death more than a decade ago, and the impact Montien, as artist, teacher, mentor and friend, has had on the tight - knit art community, particularly his sociopolitical, and later spiritual, approach to art making, which combined local, everyday materials to explore topics ranging from Thailand's industrialization to Buddhist notions of impermanence and mortality.

Walking a tight rope between personal aesthetics and the repressive sociopolitical conditions of their countries, seven artists and a collaborative group — from Indonesia, Vietnam and Myanmar, respectively — demonstrated their roles as radical emissaries of change.

We're showing a group of key paintings and a wide - ranging selection of works on paper detailing recurring subjects from throughout the artist's oeuvre, which often drew on Poland's sociopolitical atmosphere in the wake of the Second World War.

Serious in subject matter and witty in execution, these rich and diverse characters enliven Nodjoumi's narratives and allude to collective experiences underpinned by sociopolitical struggles, articulating the full spectrum of feelings from aggression to victimhood.

Through her lyrical videos, Behbahani stages a contemporary cultural critique by layering and juxtaposing allusions to past and present sociopolitical circumstances with a language that she draws from her experience as a painter.

These works, narrated from an Arab point of view, shed new light on the roots of some of the major cultural and sociopolitical crises of today.