Sentences with phrase «from stages and screens»

Check back in with us next week for another dose of news from stages and screens big and small.

You will be able to enjoy professional performances from some well known actors from the stage and screen.

Other incarnations, from stage and screen's The Wiz to the $ 60 M CG - animated feature Legends of Oz: Dorothy Returns that has been «coming soon» for years, have produced or will produce their detractors, unquestionably being judged harshly against the magic and marvels of the iconic, enduring Judy Garland film.

Charting his exceptional career and extraordinary life away from the stage and screen, the film fully explores the complexities of the man by telling the story uniquely in Marlon's own voice.

That design distinguishes it from the movie and makes it more akin to theatre, though the presentation borrows from both stage and screen versions of the musical.

Featuring some of the U.K.'s most talented actors from stage and screen — including BBC's «Sherlock» star Andrew Scott — music by Béla Fleck and a special essay read by Gaiman himself, this is sure to please audiobook lovers.

I am an amateur trumpet player who plays songs mainly from the stage and screen!

Not exact matches

Giant screens and speakers line the beach for more than a mile from the main stage.

The burlap backdrop, the stark metal pipe («Metallica Cross») that is the stage's focusing point, the screen that projected Power Point scriptural quotations and highlights from Hahn's talk — these will soon come down.

Many pediatricians use the Ages and Stages Questionnaire, a widely used screening tool for kids from birth through to age 6.

Fairer votes would be fine, but the system we've got isn't critically unfair and, as a Labour party member, I can't get a nagging scene out of my head: the announcement of the result of the Labour leadership election last year, with the numbers from each stage of the voting flashing up on the big screen and no - one understanding quite what was happening or who was winning.

Instead, researchers told the European Breast Cancer Conference that their findings suggest that extending screening programs to older women results in a large proportion of women being over-treated, and at risk from the harmful effects of such treatment, because these women were more likely to die from other causes than from any tumors detected in the early stages of growth.

Key Findings Researchers found a 1 % increase in stage I diagnoses for four of the five cancers detectable by screening: breast (from 47.8 % to 48.9 %) and cervical cancer (47.3 % vs. 48.8 %, although this difference was not statistically significant) in women, and lung (from 16.6 % to 17.7 %) and colorectal cancer (22.8 % vs. 23.7 %) in men and women.

Therefore, screening could result in over-treatment and consequently in decreased quality of life and ability to function in older breast cancer patients, without lowering the incidence of advanced stage breast cancer or deaths from the disease,» he said.

A team of researchers from Universiti Teknologi Mara and Universiti Sains Malaysia developed a two - stage process to screen two groups of people: at - risk relatives of people with schizophrenia and a corresponding sample from the general population.

There are many stages in the drug discovery / development process from target identification, assay design, and screening through to compound optimization, pharmacology, and testing in animal models.

Our group has 3 major goals: Develop novel therapeutic approaches based on centrosomal clustering To further develop our first prototype inhibitors of centrosomal clustering preclinically and to establish a robust and specific high throughput small molecule screen Discover key events in myeloma pathogenesis To investigate the pivotal transition from the pre-malignant, asymptomatic to malignant, symptomatic stages of plasma cell dyscrasias in order to understand the pathophysiology and thereby identify novel targets Translate small molecule therapeutics from bench to clinical trials To evaluate novel agents in the preclinical setting and to initiate early phase clinical trials in hematologic malignancies with focus on multiple myeloma

Just as the Julia Roberts fairy tale Pretty Woman morphed from something, in its script stage, dark and harrowing to, on the screen, something sweet and cheery, this could - have - been foray into either the seamier side of life or the less - than - squalid but more - than - ordinary steers clear of ever getting near the truly treacherous.

Born in London to actress Vanessa Redgrave and the late director Tony Richardson, she had acting running in her veins and performed on screen and stage from a young age.

It's adapted by Tracy Letts from his 1993 play (Friedkin also turned Letts's play Bug into a film in 2006), and its theatrical origins do become obvious in the way certain characters are left disconcertingly off screen; the movie is concluded with a long, slow and single - location sequence, which makes it looks oddly like a filmed stage play.

What is most interesting about the film are the number of cameos from famous stars of stage and screen including Rodgers and Hammerstein who perform There's Music in You.

The first feature from Rupert Goold, artistic director of London's Almeida Theatre, the film owes a dramatic and stylistic debt to Capote, another stage veteran's big - screen debut about the complicated relationship between a prisoner facing a murder rap and the writer looking to capitalize on his experiences.

The firstborn daughter of Oscar - winning cinematographer Caleb Deschanel and actress Mary Jo Weir (their second was starlet Zooey), Emily received her B.F.A. in theater from Boston University before launching her career on the stage and screen.

Don is well known for his passionate performances on stage and screen, stemming from his breakout performance opposite Denzel Washington in DEVIL IN A BLUE DRESS, where he was named Best Supporting Actor by the Los Angeles Film Critics.

The filmmaker has borrowed from Chekhov the soul - baring introspection that can be so ineffable on the page or stage yet becomes so damply sensitive and dramatically vague on screen.

Byrne, however, comes from a dramatic background, which has garnered her top praise on both the stage and small screen.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

21st Folio is a podcast from Seventh Row about modern Shakespeare productions of stage and screen.

Rickman was already a succesful actor on stage in the 1980's, but rose to prominence with unforgettable on screen roles like Hans Gruber in the original Die Hard, the Metatron in Dogma, Alexander Dane in Galaxy Quest and of course Snape from the Harry Potter series.

The first disc includes the theatrical release of the film, along with an interesting feature commentary track by director Marshall and screenwriter Bill Condon, as well as the deleted musical number «Class,» and a 27 - minute documentary on bringing the musical to the big screen («From Stage to Screen: The History of Chicago&rascreen («From Stage to Screen: The History of Chicago&raScreen: The History of Chicago»).

I also bonded with my fellow film geek roommates at an apartment in Venice near Piazza San Marco: Rory O'Connor (@RorySeanOC - who writes for The Film Stage), Paul O'Callaghan (@PaulOCallaghan - who writes for ExBerliner magazine in Berlin), David Mouriquand (who also writes for ExBerliner magazine in Berlin), and Tom Humphrey (who writes for Screen Anarchy from London).

I ran from an early - morning screening of Salvation Army, which ends with a brilliantly staged and deeply moving shot, into a neighbouring theatre for The Amazing Catfish, and I don't mind admitting I was an emotional wreck for the rest of the day.

The big - screen version will utilise composer Claude - Michel Schönberg's original score from the musical, and is being produced by Cameron Mackintosh, who worked on the British stage iteration.

From the main menus, to the VS loading screen, to character and stage selection, to even the in - match bars, many elements are being revised with what looks to be a new gold - focused style.

Features on the Blu - ray include: Expanding the Audience: From Stage to Screen; The Company of Fences; Building Fences: Denzel Washington; Playing the Part: Rose Maxon, and August Wilson's Hill District.

Reitman read the stage directions, and each scene was set with an appropriate still from the film projected on a screen above.

Director John Wells, best known as executive producer and showrunner of hit television series ER, The West Wing and Shameless, skillfully translates from stage to screen, leading an all - star cast.

Following opening remarks from TIFF director / CEO Piers Handling, executive director / COO Michele Maheux and artistic director Cameron Bailey, who coined the term «Jakequake» to describe Gyllenhaal's impressive run of late, an excitable Vallee took the stage to introduce his bearded star and the rest of the cast, including Naomi Watts, Chris Cooper, Heather Lind and gifted newcomer Judah Lewis, who makes a strong first impression on the big screen.

With each area being cordoned off from the rest of the stages, the pacing can feel a little off at times, with environmental transitions happening suddenly after a loading screen rather than dynamically occurring as in the Souls games, but this more concentrated focus on the levels also allows for condensed, goal based gameplay that is almost impossible to achieve in Dark Souls, which is certainly welcomed when you're short on time and just want to grind out a twilight mission or two.

From stage to screens big and small, we've got you covered.

Not surprisingly, the acting here is consistently superb, from Ronan adding another wonderfully complicated character (with a perfect American accent) to her repertoire to a supporting turn from Metcalf that gives her the rare opportunity to dig into her talents on the big screen in the way she gets to on stage and television.

Here are our favourite portrayals of school life from stage, screen, pop and books — from The Inbetweeners to History Boys, Eton Rifles to Educating Yorkshire

It also offers two featurettes --» The Origin Story of Big Hero 6: Hiro's Journey,» which follows the process of adaptation process from comic book to animate feature, and «Big Animator 6: The Characters Behind the Characters,» with the animators discussing the evolution of the characters on the screen — deleted scenes (in rough form, as they were removed in early stages of production; you can see one of them at the end of the post), and Easter Eggs for the kids to hunt for.

The big - screen adaptation welcomes songs from the stage musical, including «Children Will Listen,» «Giants in the Sky,» «On the Steps of the Palace,» «No One Is Alone» and «Agony,» among others.

Danner has easily translated her talents from the stage to the small screen (her Emmy wins came care of her supporting work on «Huff,» the Showtime series she won back - to - back awards for in 2005 and 2006) and into feature film offerings, but the vast majority of her big screen roles have consisted of supporting turns that she elevated with her natural grace and unique sense of humor.

Esquire cool interview with the director of John Wick: Chapter 2, a former stuntman Stage Buddy on a new book about the immortal classic Casablanca Vox an excellent piece on AMC's Humans and how it differs from HBO's similarly AI themed but wildly different Westworld NYT Harvey Fierstein's Torch Song Trilogy to return to the stage Indie Wire Tulip Fever gets pushed back AGAIN even though it was supposed to open in less than two weeks Silver Screening Room on the Adapted Screenplay race of 1976 for reasons I do nt know but I enStage Buddy on a new book about the immortal classic Casablanca Vox an excellent piece on AMC's Humans and how it differs from HBO's similarly AI themed but wildly different Westworld NYT Harvey Fierstein's Torch Song Trilogy to return to the stage Indie Wire Tulip Fever gets pushed back AGAIN even though it was supposed to open in less than two weeks Silver Screening Room on the Adapted Screenplay race of 1976 for reasons I do nt know but I enstage Indie Wire Tulip Fever gets pushed back AGAIN even though it was supposed to open in less than two weeks Silver Screening Room on the Adapted Screenplay race of 1976 for reasons I do nt know but I enjoyed

Kerry Condon has impressed on stage and screen, adapting herself from the sweet but quietly manipulative Octavia in Rome to the freethinking Masha in The Last Station.

From Lugosi to Chaney, and Karloff to Lee, there are those masters of the stage and screen who simply understood their audience well enough to unleash the thrills in a focused onslaught of perfection.

It seemed like a natural and easy transition from stage to screen.

With interviews from the cast and crew, including actor / director Denzel Washington and Viola Davis, discover how August Wilson's Pulitzer Prize - winning play was adapted from stage to screen.