Sentences with phrase «from theatrical works»

Not exact matches

Jonathan, who uses a variety of techniques appropriate for each client group (ranging from writing / discussion to the highly participatory «jumping right in» theatrical methods) has worked with many different client groups, including prison inmates and excluded and in - care teenage boys.

Actor Peter Haskell has from time to time showed up in theatrical films (he was in two of the three Child's Play flicks), but the lion's share of his work has been on television.

Inspires that wonderfully satisfying theatrical experience of whole - heartedly cheering a hero and hissing villains, while also providing the uplift that comes from a real work of art.

In honor of the film's May 17th limited theatrical release, Chan took the time to run through all her feats from finding and working with Lin to securing financing, ensuring «33 Postcards» is a standout film, and more.

And while there are admittedly a few nifty twists within the third act - all of which, naturally, were present within the original film - Shutter's place as an absolutely redundant piece of work is undeniable virtually from start to finish (which is a shame, really, given how infrequently Jackson is afforded the opportunity to take on leading man roles within theatrical releases).

For example, prior to digital distribution, horror films from filmmakers working in countries like Japan, Spain, and Italy were traded on VHS and DVDs by American fans of the genre, including movies that never saw an official theatrical release in the United States.

More consciously seeking to recreate an old Hollywood vibe is the latest from Peter Bogdanovich, the refugee from the first golden age of cinephile directors who has found film work increasingly hard to find in recent years (this is his first theatrical fiction feature since 2001's The Cat's Meow).

Today Anton Chekhov is arguably best known for his plays, and although I count myself as a huge fan of his masterful short stories, I am not terribly familiar with these classic theatrical works (aside from Louis Malle's brilliant Vanya on 42nd Street).

An extensive selection of work from across the world is presented including the World Premieres of William English's HEATED GLOVES and THE HOST, in which director Miranda Pennell delves deeper into her past and her late parents» involvement with the Anglo Iranian Oil Company (BP); Ben Rivers» THE SKY TREMBLES AND THE EARTH IS AFRAID AND THE TWO EYES ARE NOT BROTHERS, the feature element of Ben's current Artangel installation at BBC White City; EVENT FOR A STAGE by Tacita Dean, a filmed presentation of her live theatrical happening in collaboration with actor Stephen Dillane at the 2014 Sydney Biennial; the European Premiere of Omer Fast's REMAINDER, a London - set thriller adapted from Tom McCarthy's acclaimed novel of the same name; the European Premiere of INVENTION which highlights the possibilities of camera movement and the development of artistic apparatus and Kevin Jerome Everson's PARK LANES, set in an American bowling alley over the course of a day.

Special Features: • Brand new 2K transfer from the original camera negative • High Definition Blu - ray (1080p) and Standard Definition DVD presentations • Optional English SDH subtitles for the deaf and hard of hearing • Audio commentary with co-writer and producer Mardi Rustam, make - up artist Craig Reardon and stars Roberta Collins, William Finley and Kyle Richards • New introduction to the film by director Tobe Hooper • Brand new interview with Hooper • My Name is Buck: Star Robert Englund discusses his acting career • The Butcher of Elmendorf: The Legend of Joe Ball — The story of the South Texas bar owner on whom Eaten Alive is loosely based • 5ive Minutes with Marilyn Burns — The star of The Texas Chain Saw Massacre talks about working on Eaten Alive • The Gator Creator: archival interview with Hooper • Original theatrical trailers for the film under its various titles Eaten Alive, Death Trap, Starlight Slaughter and Horror Hotel • US TV and Radio Spots • Alternate credits sequence • Reversible sleeve featuring original and newly commissioned artwork by Gary Pullin • Collector's booklet featuring new writing on the film, illustrated with original archive stills and posters

In Chronicle, Josh Trank's (who's previously worked on TV's «The Kill Point») theatrical debut, we learn that, much like how it is with young love, when high school students are confronted with superpowers, things can quickly escalate from skipping stones and playing aeronautical football to committing crimes of passion and bouts of melodrama.

Formed in 2014 from a merger of innovative theatrical distributor Variance Films («Sound City,» «Red Hook Summer») and leading digital distributor GoDigital, Amplify uses cutting edge marketing and distribution techniques with a focus on working directly with filmmakers to craft hand - tailored release campaigns for each film.

We watched the show every year, whether we'd seen any of the movies or not (my mom would race home from work to catch the beginning (back when the show used to be on a Monday so that it wouldn't compete with weekend theatrical movie business, remember when that was a thing that mattered?)

After offering highly theatrical displays of grief for the other men in the room (all while awkwardly trying not to get their suits wet from the puddle that has formed on the carpet around the leader's crotch), the bureaucratic work of figuring out which doctor should be called («The good ones» are either in prison or dead, since Stalin assumed they were trying to poison him) and how to proceed with a succession plan begins.

Director Todd Haynes is best known for making the 2002 theatrical feature Far from Heaven and the HBO miniseries «Mildred Pierce», two works that probed deep into human emotion and hidden desires.

After a brief, pointless «flight team training video,» a robust slate of picture galleries, including everything from pre-production storyboards, model work and conceptual monster sketches to on - set photographs, rounds out the material, along with the theatrical trailer and sneak peeks at five other forthcoming Anchor Bay DVD releases.

Some of the theatrical devices of Cocks and Winkler work like gangbusters, since theatre was Porter's primary milieu: lighting transitions, live production audio for the musical numbers, and a freedom from film's typical realistic restraints.

The direct digital transfers unsurprisingly offer perfection and these works have come a long way from the frugal television specials of yore, looking about as polished as the studio's theatrical efforts.

Netflix has the funds to pay the Billy Madison star the $ 80m - per - film fee which he reportedly receives from theatrical distributors and the comic has worked outside the major studio system for some time, so will not fear reprisals.

The pair last worked together on The Interview, about a bid to assassinate Kim Jong - un which almost caused an international incident after an infuriated response from North Korea lead to the postponing of its theatrical release.

From the point of view of someone who started working in theatrical features when computers were completely absent, to now 45 years later when they are omnipresent, Murch will explore the constants that nonetheless remain after the «bones» of celluloid and sprockets have dissolved away, and examine the salient technical, artistic, and philosophical differences between the post-production of a theatrical scripted film and a feature - length documentary.

DVD release date: 06/19/2018 Theatrical release: 02/14/2018 Language: French Genre: Romance / Thriller MPAA rating: NR Director: François Ozon Actors: Marine Vacth, Jérémie Renier, Jacqueline Bisset Plot: A disenchanted model and reserved beauty, Chloé suffers from severe and persistent abdominal pains, pains she finds are psychosomatic thanks to the work of her new psychoanalyst, the charming Dr Paul Meyer.

I would say that what the Dardenne Brothers do is certainly not theatrical, but you get a degree of intimacy from their work that you get from the best stage work.

Working from a true story, Frears and screenwriter Martin Sherman have designed a vivid theatrical world, complete with a list of new, vintage - sounding songs, boisterous musical numbers and spiky performances by the two leads.

WHY: Steven Soderbergh marked his early retirement from feature films with this long - gestating biopic about Liberace, and though it works perfectly fine as a TV movie, it's hard to believe that it got a theatrical release in other countries.

My film design work ranges from theatrical release posters and home entertainment key - art, to retail packaging, festival selections and campaigns direct to the independent filmmaker.

Conceived as a theatrical score that punctuates and demarcates space, creating interplay among pieces in different media and from diverse bodies of work,» the exhibition channeled pivotal figures including W.E.B. Du Bois, Bessie Smith, John Brown, Matthew Henson and Jimi Hendrix, exploring lesser - known aspects of their biographies.

Featuring his multimedia, cinematic installations, with playful animation and tricksy, theatrical filming evocative of early cinema, Kentridge's work tackles themes ranging from revolution and colonialism to loneliness and comic tragedy.

Viewable from above, the sculpture alludes to a theatrical stage where the artist has enacted her work.

On view from December 1, 2010 — February 13, 2011, the exhibition Jonathan Meese: Sculpture focuses on Meese's three - dimensional work, including his first ceramic talisman created when he was 15, small assemblages and dioramas from the beginning of his career that have never been shown before, massive bronze sculptures, recent large - scale ceramics, and models and set designs for theatrical and operatic productions.

His approach to art making is similar to that of a composer, and the exhibition is conceived as a theatrical score that punctuates and demarcates space, creating interplay among pieces in different media and from diverse bodies of work.

Featuring works from the Guggenheim Panza Collection, augmented with loans from several German collections, the exhibition and catalogue trace the theatrical elements in Nauman's oeuvre, as well as his manipulation of the performer - spectator roles.

From the 1970s, Paolini has created set designs and costumes for theatrical productions; he has also cultivated an interest in writing, and alongside his artistic work has produced many pieces of writing.

From 1983 to 1990, Wallace was part of the collaborative team Wallace & Donohue, which created work that is highly theatrical and self - aware, employing language, an absurdist sense of humor, and various devices — rotating and sliding panels, track lighting, a surveillance camera — to interrupt the otherwise passive act of looking.

In his first solo show since the stunning three - hour theatrical work The Humans (2014), Singh offers «The School for Objects Criticized,» a witty light - and - sound installation in which a slinky, an abstract sculpture, and a bottle of bleach are among seven protagonists that critique the artist's latest exhibition; the work takes cues from Molière's The School for Wives Criticized (1663).

Re-edited as a single - channel work for the current exhibition, the silent version brings source material together with Sullivan's theatrical elaborations, including an unlikely interlude taken from real life.

They included Woo Jae Gil, whose theatrical installation Sound of the Day used music and soundbites from the Kwangju Massacre of 1980; Lee Wen who showed the installation and performance work Journey of a Yellow Man No. 5: Index to Freedom, and Toshihiro Kuno, who exhibited Untitled 1991 — August, made from sandbags, wood, rusted wire and lightbulbs.

The book accompanies the reader through an imaginary and real itinerary, between history and trickeries, from the installation and performance Hiding the Elephant — referring to the people who «mysteriously» disappeared, who were exiled or persecuted during the Cold War — to the last works of the series Untitled Views — digital prints on mirror in which the artists experiment the theatrical effects of colored smoke bombs.

Claes Oldenburg helped manage the gallery, and in the winter of 1960 he and Dine created what would become a legendary work, an immersive environment comprising the first iteration of Oldenburg's The Street (1960) and a new work by Dine called The House (1960), a phone - booth - sized house made from leftover theatrical backdrops that Dine found in the church and covered with an exuberance of found materials, drawings, and words.

It appears to be simultaneously a working studio, an archive, and a theatrical setting, but might best be understood as a Wunderkammer — literally a «wonder room,» though the term is often translated from the German as a «cabinet of curiosities» — a cumulative and layered microcosm.

In the 1990s, his practice evolved from single works to theatrical room - sized environments.

[9] Another work from that time, Trinità (Trinity)(1966), consists of three large white canvases punctuated by lines of holes, embraced in a theatrical setting made from ultramarine plastic sheets vaguely resembling wings.

Drawing inspiration from the Earthworks movement, which saw artists such as Walter De Maria, Michael Heizer, and Robert Smithson making site - specific works from the natural landscape, Art on the Beach provided a temporary public venue for site - specific installations that were sculptural, architectural, and theatrical.

Although her celebrated series Untitled Film Stills (1978 - 1980) could certainly be considered early Sherman, her innovative and theatrical style, wigs, make - up, mime, gestures, expressions, costumes and everything that makes her work exceptional, was already on display during her student days in Buffalo, from 1975 to 1977.

The work employs a mix of theatrical genres ranging from the slide lecture, the fashion show, the sculptural display, and the live musical act as a means to illustrate the fictional parallel world of the San San International, a «hallucinatory mega-convention of staggering proportions».

In her new, yet to be titled work she recreates a performance by opera legend Maria Callas, singing the tragic song Suicidio taken from Ponchielli's 1876 opera La Gioconda, using a theatrical illusion that creates a hologram - like image floating in space.

Seed writes that Cretara is a «narrative painter who comes from the heart, Cretara's work fuses the personal with the theatrical, and channels emotions ranging from nostalgia to tenderness to indignation.»

Before the opening in March, Mr. Lassry presented a theatrical performance in an off - site theater with dancers from the New York City Ballet in which he choreographed movements based on fragments from iconic dance works.

Throughout the project's chapters, which take shape as performances, theatrical / cartographic works, sound - and text - based installations - as - stage - sets, as well as writings and conversations, the «alien» turns into a discursive tool that allows for the setting up of alternative archives from which to read and locate corporate and state - sponsored forms of violence and their enabling legal apparatuses.

She was born into a theatrical family and worked as a professional entertainer from age 3 to 17.