Sentences with phrase «from unstretched»

We filmed with the artist for over a year to create this nine - minute film, documenting the paintings as they went from unstretched canvases to completed works installed inside the museum.

Not exact matches

This mini-survey of Kim MacConnel's unstretched fabric paintings from the 1970s, and a terrific one from 2004, is the first of four shows at Salomon this spring collectively titled «American Responses: Pleasure, Reverence, Heart, Home.»

Golub experimented with scale, and the works assembled for this exhibition range in size from the smaller works on paper to monumental, unstretched canvases that extended from floor to ceiling at the Serpentine Gallery.

From a distance, the rarely seen abstractions on unstretched canvas and aluminum from the artist's early career in New York during the 1970s recall aerial maps or stratified rock formatiFrom a distance, the rarely seen abstractions on unstretched canvas and aluminum from the artist's early career in New York during the 1970s recall aerial maps or stratified rock formatifrom the artist's early career in New York during the 1970s recall aerial maps or stratified rock formations.

Gretchen Hasse, Character study from the webcomic Freaks» Progress, housepaint and acrylic on unstretched canvas, 2014

Artists realized that Jackson Pollock's process — the placing of unstretched raw canvas on the floor where it could be attacked from all four sides using artist materials and industrial materials; linear skeins of paint dripped and thrown; drawing, staining, brushing; imagery and non-imagery — essentially took art - making beyond any prior boundary.

Four paintings here feature his trademark stripes, in blue or silver or red or black, spanning the unstretched canvas and bulging out from the wall; you can see the creases where he folded the canvas and the punctures where staples held it to his studio wall.

The father of Provisional: Griffa's paintings from the Sixties and Seventies are all shown unstretched, often with their fold marks

Artists realized that Jackson Pollock's process — placing unstretched raw canvas on the floor where it could be attacked from all four sides using artistic and industrial materials; dripping and throwing linear skeins of paint; drawing, staining, and brushing; using imagery and nonimagery — essentially blasted artmaking beyond any prior boundary.

Unstretched canvas from the early 1970s has the same play of lightness against weight, much as for Sam Gilliam and Richard Tuttle.

From 1967 to 1973, Thornton Willis worked on a series of paintings now called his «Slat Series» involving a «wet on wet» process working on the floor on large wet unstretched canvas and using rollers with long extension handles to develop striped bands across the entire picture plane.

They realized Pollock's process — working on the floor, unstretched raw canvas, from all four sides, using artist materials, industrial materials, imagery, non-imagery, throwing linear skeins of paint, dripping, drawing, staining, brushing - blasted artmaking beyond prior boundaries.

Then again, Freedman Fitzpatrick had no trouble selling works on unstretched canvas that resulted from performances by Mathew Lutz - Kinoy.

Roberta Smith on Pierre Bonnard at the Met: «Working simultaneously on several unstretched canvases tacked directly to the wall, he painted largely from memory with the help of quick sketches and watercolors, burnishing his motifs until they approached incandescence.

My guess: the punctures were made when the canvas was unstretched while being flipped from back to front.)

It's been far too long since New York has seen these paintings from the seventies, on unstretched, irregularly sliced canvas.

These are followed by paintings from the late 1980s and early 1990s made in Chicago, where Marshall lives and works and developed a signature practice of painting in acrylic on the collaged surfaces of large unstretched canvases.

Complex underlying structures caused the canvases to bulge or reach out along the wall or into the room; a sequence of 12, gradually changing forms was based on the pages of a calendar from which successive pages had been torn; and finally, in work from 1972, the architectonic quality of the paintings was discarded in his Kite Paintings, in which unstretched, painted canvases were suspended from rods and interrupted by cords and threads hanging off and passing through them.

My most recent encounter with his works was during his two simultaneous exhibits: Works: 1968 — 1977 (Petzel, March 2 — April 29) consisting of the artist's early unstretched, pieced - together canvases and paper works made of unconventional materials in serial forms; and Lost Objects (curated by Piper Marshall at Mary Boone Gallery, March 4 — April 29), which features his installation of a smaller reconfiguration of 240 of the 750 cast concrete bone replicas from the fossil collection of the Carnegie Museum of Natural History (1991) along with a cooperative video work May I Help You?

Pollock's unconventional methods — dripping, flinging and throwing paint onto an unstretched canvas on the floor — symbolized the degree to which artists could feel free to deviate from traditional approaches.

Griffa paints on unstretched, unprimed canvas employing symbolism and signage that always move from left to right.

While her pouring process invites comparisons to Jackson Pollock, rather than laying her canvases on the floor, Steir paints from a ladder and works directly on unstretched canvas tacked to the studio wall.

This exhibition, The Human Stain (quoting the title from the Philip Roth novel), is comprised of a series of works on paper and unstretched canvas by Karen Schwartz.