Sentences with phrase «from viewers wondering»

Within hours the network wasflooded with calls from viewers wondering if Moss had survived the gruelingordeal.

Not exact matches

Given the enduring popularity of television medical dramas, other researchers have wondered about the accuracy of depictions of medical care and illness in these programs, and what key messages viewers might take away from watching them.

No wonder Colbert Report and Daily Show viewers know more about public policy than people who get their information from traditional tv news.

Whereas viewers of the day may have wondered how Daniels could have fallen for the womanizing Lawton (Sidney Blackmer, who, looks-wise, was definitely a comedown from Scott), modern audiences tend to hope she'll dump her stuffy boyfriend, whom she's left back home while she goes on an ocean voyage.

Moreover, Mallick also instills the sense of paranoia of the time, as the viewer sporadically hears the sound of whispers, primarily from Jack, who speaks out to the various themes of the film: spirituality, compassion, regret, fear, anger, sadness, and wonder — all elements of everyday life.

The performance of David Duchovny struck this viewer as pretty wooden and left one wondering how he went from interested skeptic to heart - felt believer.

In many regards, The Catch certainly achieves its goals, but when the lives of every person on - screen revolve around one character and viewers are left wondering how a private investigation firm can afford a huge futuristic office with an enormous staff, it takes away from some of the fantasy.

A viewer can't help but wonder where it goes from here.

The young viewers cheered their way to the triumph, and I can imagine them looking out of car windows in wonder as they rode home from the theater.

«Full of charm and wit, with a little mystery thrown in for good measure, APPLESAUCE is a rare and very original take on the relationship drama and mystery genres, excelling quite well in both... It's a film that keeps its viewer wondering what will happen next, from the very opening of the film, to the moment the credits roll, and is by far Tukel's best work yet.»

Emma Watson and Miles Teller were originally primed for the film's leads, Mia and Seb, eventually played by Stone and her co-star Ryan Gosling; inevitably, their departure from the project and its subsequent success left viewers wondering what went wrong for the pair.

The viewer is kept is suspense until late in the picture wondering how Sidney transformed from one version of himself to another and then still another.

As a former reality - TV star and an ex-model, Donald and Melania Trump seem likely to become perhaps the most image - dependent first couple in American history — a fact that lends Jackie a pang of nostalgia the director couldn't have intended, as the viewer walks out wondering how we got from there to here.

What benefits Marshland greatly, are the two excellent central performances from Javier Gutiérrez and Raúl Alévaro whose very different ideologies lead to a suspicion of each other which lends the film another level of intrigue where, as a viewer, you're left constantly wondering what the next piece of the puzzle will reveal.

There's not much of a story at all, as Jim and his family just keep getting bounced from one situation to another, some of which leave the viewer wondering what the point was.

But as with her queerness, her pop inclinations are a feature, not a bug, and it is difficult to separate Dirty Computer from the larger narrative of resistance across the arts today; from A Wrinkle in Time, a film dedicated above all else to instilling wonder and empowering young viewers; from Gabby Rivera's (now sadly discontinued) America comic book series, one centering a young, queer Latina, America Chavez, who repeatedly declares she is America; from An American Marriage, Tayari Jones's latest novel that emphasizes to be black is to be American.

In the inconclusive ending, the viewer is still left wondering about his feelings for his wife, preventing the message the movie is trying to make from coming across clearly.

Liotta has some affecting moments as Fred; Paul Reubens steals his scenes as Jung's flamboyant friend and cohort Derek Foreal; and Spanish actor Jordi Molla will leave viewers wondering where he came from with his charismatic turn as Diego, the man who introduces Jung to cocaine.

A short film takes the viewer on a fast - paced, virtual - tour of Panama's natural wonders, from deep within the ocean to high above the rainforest canopy.

«Her goal was to create brief respites from many of the difficulties suffered by those who lived in her segregated neighborhood; she attempted to teach her viewers to find the wonder of nature in their own front yards.»

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery spaces.

There is a sense of lifetimes in his paintings that continue from childhood to old age, for he makes sure the viewer knows that the girl is adolescent and that the woman holding flowers is elderly, yet we can't help but wonder who the «The Chaperone» is.

Coming from Hershman Leeson, who enjoys exploring the boundaries of new technology with her art (and with varying successes and lessons learned), the unanswered question makes the viewer wonder if there should be a limit.

Grimanesa Amorós is an interdisciplinary artist with diverse interests in the fields of social history, scientific research and critical theory, Through her art she conveys an ephemeral wonder, entrancing the viewers from all different backgrounds and communities to become agents of empowerment.

Britton's Polyptychs take inspiration from Jan Van Eyck's alter piece The Ghent Altarpiece and like Van Eyck aim to put the viewer in Awe, not of the damnation of their eternal soul but in the wonders of the flesh, bone and sex.

Dyani White Hawk's dynamic multimedia paintings come from an inward inspiration of reflections and contemplations that intrigue, engage and draw viewers into the wonder of her work.

There is a distinctive grid, irregular and rounded, that appears when you tilt a canvas with a dripping swath of paint on it along one axis and then across it... The other form taken is the hidden pour, in which the force of the falling paint removes evidence of the human hand from the application, leaving the viewer to wonder how the shapes got there.»

Having learned from the publicity flyer that the seven artists, Dominic Kennedy, Mali Morris, Bridget Riley, Julian Wild, James Alec Hardy, Selma Parlour and Martin Maloney, work with colour in «radically different ways» each one presenting «a unique vision of how to liberate colour to stimulate and energise the viewer» I wonder if I can discover in my short visit what it is that they are doing differently with colour.

Described as a deeply passionate person by contemporaries such as Nicholas Serota, it is no wonder Hodgkin transformed his experiences into coherent physical objects that contain an evanescent and emotional sense of realism, with which he would rather move the viewer than convey the nature of an extract from his life.

Operating on «poor» and every day materials — which often include paper, books, pictures taken from postcards, posters or photocopies, as well as polystyrene, plastic, plasticine, fabrics — Arienti realizes surprising works, that induce the viewer to reflect on the concept of «wonder», prompting participation, through the use of manipulation too.

Conservatives, moderates and independents often wonder why their liberal friends sound sooo stooopid: the answer is K - R - U-G-M-A-N, and other chattering idiot - elites who live and breathe stupidity for their readers, viewers and listeners from the major MSM outlets.

From that, the average reader might start to wonder if assertions about unprecedented weather fall apart, and if the same thing happens to assertions about «time spent by viewers watching The Weather Channel» back in 2002, and if Gelbspan's own website traffic was actually increasing back then.