Sentences with phrase «from visual languages»

Rather, each painting is an assemblage of multiple artistic hands, borrowing from visual languages across time.
She intuitively explores her experiences by extracting them — both consciously and subconsciously — from a visual language of impressions, recollections, and desires.
It is difficult to precisely define what faux - naive means, but, loosely speaking, it is a term often attached to contemporary painting that actively embraces elements from the visual language associated with outsider and self taught artists.
Borrowing from the visual language of street photography, many of images in the show were made on her commute to work in downtown San Francisco.
Los Angeles - based artist Ed Ruscha, one of the seminal American artists of the past 30 years, is known for taking elements from the visual language of advertising and commercial art: he has made hundreds of «word» prints, drawings and paintings that exhibit an interplay between bold letters and softly shaded, atmospheric backgrounds.
With a series of new works for Invites, Adam has borrowed from the visual language of toiletries, bathroom fixtures and food trays to create arrangements that could relate to both institutional spaces and private domestic settings.

Not exact matches

In an article from Co.create.com, Abigail Posner, Head of Strategic Planning And Agency Development at Google explains our societal fascination with sharing cat memes and videos: «In the language of the visual web, when we share a video or an image, we're not just sharing the object, we're also sharing in the emotional response it creates.»
In order to compare them, you would have to begin by eliminating from human language everything that goes beyond visual information, everything that is inaccessible to the code.
Greek culture and language, the cultivation of the body, sex and family mores at odds with the traditions of Yahwism - Judaism, fascination with the visual arts — all of this Hellenistic world pressed in upon Judaism and Jerusalem and even infiltrated in the persons of regularly visiting Jews from communities outside Palestine.
What he should have called for is the enrichment of the visual language of painting, since he believed that representational symbolism suffered from serious limits.
«When we humans apply the word «three» to sounds or visual images, we're using language to link these different sets from different modalities.
Sofia Coppola's adaptation of The Virgin Suicides... captures the loveliest visuals and bits of language from Eugenides» book and faithfully, but not slavishly, transfers them to the screen.
One gets the sense that some of the monotony is purposeful, but that can also make it easy to drift from the words — especially when the visual language of the film is so fascinating.
These scenes feel for all the world like the actors were reading their lines directly from the book, without the adjustments being made for the visual language of cinema.
Mamet's fixation on language is, nonetheless, more effective onstage than onscreen, where the technical and visual requirements distract from the sounds of the words — the heart of Mamet's work.
The Coens are of course well - versed in the themes and visual language of the western genre, having previously written and directed No Country for Old Men and True Grit, and with the backing of Annapurna (Zero Dark Thirty, The Master) the prospect of an original anthology series from the brothers is very exciting indeed.
Topics will range from thematic undercurrents and visual styles (I hope to show how the films develop a serious, even challenging visual language that both reflects and informs current traits of the modern blockbuster) and will also touch on more subtle or obscure details that deserve heightened focus.
BEST SUPPORTING ACTOR: Sam Rockwell, «Three Billboards outside Ebbing, Missouri» BEST MAKEUP AND HAIRSTYLING: «Darkest Hour» (Kazuhiro Tsuji, David Malinowski, Lucy Sibbick) BEST COSTUME DESIGN: «Phantom Thread» (Mark Bridges) BEST DOCUMENTARY FEATURE: «Icarus» (Bryan Fogel, Dan Cogan) BEST SOUND EDITING: «Dunkirk» (Richard King, Alex Gibson) BEST SOUND MIXING: «Dunkirk» (Gregg Landaker, Gary A. Rizzo and Mark Weingarten) BEST PRODUCTION DESIGN: «The Shape of Water» (Paul D. Austerberry, Jeffrey A. Melvin, Shane Vieau) BEST FOREIGN LANGUAGE FILM: «A Fantastic Woman» from Chile BEST SUPPORTING ACTRESS: Allison Janney, «I, Tonya» BEST ANIMATED SHORT FILM: «Dear Basketball» (Kobe Bryant, Glen Keane) BEST ANIMATED FEATURE FILM: «Coco» (Lee Unkrich, Darla K. Anderson) BEST VISUAL EFFECTS: «Blade Runner 2049» (John Nelson, Gerd Nefzer, Paul Lambert and Richard R. Hoover) BEST FILM EDITING: «Dunkirk» (Lee Smith) BEST DOCUMENTARY SHORT: «Heaven Is a Traffic Jam on the 405» (Frank Stiefel) BEST LIVE ACTION SHORT: «The Silent Child» (Chris Overton, Rachel Shenton) BEST ADAPTED SCREENPLAY: «Call Me by Your Name» (James Ivory) BEST ORIGINAL SCREENPLAY: «Get Out» (Jordan Peele) BEST CINEMATOGRAPHY: «Blade Runner 2049» (Roger Deakins) BEST ORIGINAL SCORE: «The Shape of Water» (Alexandre Desplat) BEST ORIGINAL SONG: «Remember Me» from «Coco» BEST DIRECTING: Guillermo del Toro, «The Shape of Water» BEST ACTOR: Gary Oldman, «Darkest Hour» BEST ACTRESS: Frances McDormand, «Three Billboards outside Ebbing, Missouri» BEST PICTURE: «The Shape of Water» (Fox Searchlight Pictures)
Like many recent films based on well - known cult comics, director and co-writer Edgar Wright (Shaun of the Dead, Hot Fuzz) attempts to translate, quite literally, the images from the comics to the screen, with phonetic musical demonstrations (songs written by alt - rock fave, Beck), visual name tags for character introductions, and bleeped (visually) foul language.
However, although he was working hand in hand with the lenser of his new visual language (Oscar - winning cinematographer Robert Richardson has filmed every Tarantino film Kill Bill onward), Tarantino wasn't using a composer, instead he selected bits from previous film scores to «score» his films.
As directed by Zak Hilditch (whose 2013 debut «These Final Hours» was an expressionistic apocalyptic tale), «1922» has the merits of a solid «Tales From the Crypt» or «Masters of Horror» episode, with a straightforward story that folds the delicate visual language of a rural Terrence Malick drama into the mold of existential horror.
The authors argue visual literacy is especially important for primary school aged children, as they are making the transition from «viewing and speaking to formal language acquisition and incorporate the rules of speaking and writing, and from making marks and drawing to letters, language and text - based learning».
This ranges from making an animation using Scratch (a visual coding language created by MIT, which is free to download or use online), to creating simple games using text - based coding languages such as Python.
However, from a cognitive load perspective, we humans have relied on our visual capabilities far longer than the relatively recent availability of written language.
eLearning solves this critical problem by replacing trainers with audio - visual clips that can be seamlessly translated from one language to another.
Eligible schools can choose from a broad array of options, including dual language, STEM, visual and performing arts, Montessori, and career - themed pathways.115 Although implementation is just now under way, New York has set an important precedent in the use of state funds for economic integration purposes.
They said that the common visual language for thinking enabled their students to transfer patterns of thinking from Spanish into English, to focus on learning, and to build vocabulary.
Adult continuing education programs encompass a vast array of career possibilities including everything from math and foreign language to visual arts and time management.
This summer, more than 200 K - through - 12 LAUSD teachers from all subject areas attended arts integration development sessions, which guided arts and non-arts teachers on how to integrate dance, music, theater and visual arts into basic subjects like math, science and language arts.
Design chief Marek Reichman revealed that the Vulcan also previews the «visual language of our future sports cars», as Aston prepares to give greater visual differentiation to its sports cars and GTs in its next generation of models, due from 2016.
Visual Basic is a third - generation event - driven programming language and integrated development environment (IDE) from Microsoft for its Component Object Model (COM).
Accompanying each small biography is a well - reproduced, representative work from each artist and a discussion, in clear, succinct language, that will encourage readers to look closely at the images (and visual art in general) and form their own opinions of what they see.
They have fundamentally different storytelling techniques from the timing, to the narrative structure, to the visual language and so on.
I started with an easy programming language, Visual Basic and it was from there I went on to learn more about programming.
In 2007, painter Sanford Wurmfeld wrote that Jones «looks afresh for ideas - ideas that are pure color and form... For him it is a visual language from which arises pictorial events to be savored.»
Over the course of a long career, Jones has developed a rich visual language and applied his rigorous, abstract process to a wide range of interests from Dogon carvings to political injustice.
This attention to compositional structure is what separated him from his AbEx colleagues... Opper somehow transcended the mythology of the AbEx period and almost clandestinely slipped into the more formalist designs of color field painting, while holding to a visual language that was both his own and an echo of Bonnard.»
The other part of it is, it's inseparable from the building of something, it's a visual language...»
In Brenda Goodman's recent works, completed after her move from Manhattan to the Catskills, she continues to explore powerfully personal narratives animated by a visual language that moves that moves freely between abstraction and representation.
Referencing past precedents of feminist art, installation, performance, and ideology, the artworks in the show present an expanded visual language that has resulted from a more inclusive art world, shaped in part by the social movements of the 1970's, thereby paying homage to a generation who has paved the way for contemporary female expression.
The exhibition begins chronologically, spanning the artist's oeuvre from the early 1940s, straight through the late 1960s, offering a penetrating glimpse at the progression of his visual language.
Using the visual language of mythological depictions of wrestling, mined from art historical sources and his own memory, these paintings propose new through lines in Dunham's practice that are both formal and autobiographical in nature.
For the stop - animation film Mr Sea (2014), Geng uses ceramics to craft a tale reminiscent of the stories found in the Qing Dynasty collection Strange Tales from Make - do Studio, merging narrative story with her exploration of the medium's visual language.
Assembling in Marfa will be a faction of contemporary artists who are peeling the page one frame - at - a-time in an inquiry into the visual dimension of language, ranging from David Gatten's reflection on the role of documents and Michael Tracy's secret, worldly recitations to Julia Meltzer and David Thorne's digital archives where images become a fault - line between world views and hidden narratives.
The glow of red, white and blue from Rafael Ferrer's Artforhum neon, rendered in the typeface of the magazine to which the wordplay refers, creates a new visual language around established culture.
Fein's visual language frequently incorporates appropriated imagery and simple graphics taken from the mainstream or sub-cultures, in order to spark curiosity in the viewer about his historical and cultural discoveries.
In these works, Valdés draws inspiration from an art - historical motif, as he does in much of his work, using his own visual language to skillfully play tribute to one of the great masters.
Taking influence from classical portraiture, Egyptian hieroglyphs and Japanese woodblock prints, as well as public signage, information boards, and traffic signs, the artist connects the clean visual language of modern life, with the fundamentals of art history.
Sites, subjects, and methods of observation are critical to each artist's visual language: planted fields, elevations seen from an airplane window, gradations of color in a sky reflected on a watery plane, shapes glanced at through apertures between buildings, or the puzzle of shapes in a tapestry - like world are some of the inspirations for the paintings shown here.
Embarking from traumatic childhood experiences both men succeeded in turning their suppressed past into thought - provoking works of art, however following different practices and adapting a diverse visual language.
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