Sentences with phrase «from war photography»

The exhibition will trace the history of photography from its early developments through its rise in status as both creative and documentary medium, from war photography to contemporary fashion imagery.

Not exact matches

When a Norwegian newspaper editor — who posted the photo as part of a series on war photography — tried to re-post it, along with a response from Phuc herself, his account was suspended.

Just a few weeks ago, the social network repeatedly deleted posts and suspended the account of a Norwegian newspaper editor after he published a Pulitzer Prize - winning photo of a young Vietnamese girl running away from her bombed village in 1972, as part of a series on compelling war photography.

«Disco Night Sept 11,» an upcoming photography book from Peter van Agtmael, documents how the wars in Afghanistan and Iraq have affected U.S. citizens and soldiers.

Perhaps best remembered for their mid-century plywood and fiberglass furniture, the Eames Office also created a mind - bending variety of other products, from splints for wounded military during World War II, to photography,

Retelling the L. Ron Hubbard origin story as a way of exploring American masculinity after World War II, The Master spoils its audience with rich photography from Mihai Malaimare Jr. (replacing regular Anderson DP Robert Elswit), a dreamy Jonny Greenwood score, and two dueling lead performances that infuse Anderson's fifth feature with a jolt of darkly comic energy.

With the release of Solo: A Star Wars Story a little over a week away, a new «Rebels on the Run» featurette has arrived online for the Star Wars anthology movie which includes interviews with director Ron Howard, director of photography Bradford Young, stars Donald Glover and Emilia Clarke, and members from the hair, make - up, costume, -LSB-...]

After a tease a few weeks ago from co-director Chris Miller, the official Star Wars site has announced that the still untitled Han Solo anthology film has begun principal photography.

Inspired by a true story from the Civil War and rewritten as comedy with a romantic air and a happy ending, it maintains an admirable fidelity to authenticity in costumes and props — the imagery evokes Matthew Brady's Civil War photography — and the visual scope of the film is not simply impressive, it is dramatic and cinematic and at times awesome.

Of Guatemalan - American descent, Benjamin witnessed the effects of transnational processes such as NAFTA, the drug war and deportations from both sides of the border, motivating him to join Americorps as a Community Health Instructor and to study political thinking and photography at Bard College before transferring and receiving his B.A in socio - cultural anthropology with an Honors Thesis at Columbia University.

An ABC Of Cat Care 1961 & 2003 Brief History of Cats & the Law Caring For Cats During the World Wars Cats, Fits and Megrims in the Nineteenth Century Cat Photography & Cat Artists (1903) Early Genetics papers on Coat Colours in Cats (Genetics) History of Cat Rescue - SPCAs, Bands of Mercy, Temporary Shelters (in general) History - Cats Protection League Cutting 1930 - 1950s History of Cat Rescue in Britain - Animals» Rescue League History of Cat Rescue in Britain - London Institution for Lost and Starving Cats History of Cat Rescue in Britain - Our Dumb Friends League History of Cat Rescue in Britain - Regional Cats» Homes History of Cat Rescue in Britain - Society for the Protection of Cats History of Cat Rescue in Britain - Some Other Organisations History of Cat Rescue in Britain - Some Benefactors History of Cat Rescue in the USA History of Chelmsford Cats Protection 1963 - 2003 History of Chelmsford Cats Protection - Reports from 1969 - 1974 Scientific Breeding of Cats (Genetics)

Public Symposia History, Photography, and Race in the South: From the Civil War to Now April 14 at 10:30 East Building Auditorium

2011 Video Exhibition Highlights Wadsworth Atheneum's History Wadsworth Atheneum Receives $ 21,000 From NEA to Support MATRIX Exhibition Series Wadsworth Atheneum Commemorates Civil War's 150th Anniversary in New Collection Installation Claire Beckett / MATRIX 163 Opens Nov. 3 Robin Jaffee Frank Named Chief Curator and Krieble Curator of American Painting and Sculpture Wadsworth Atheneum to Receive Significant NEH Funding Wadsworth Atheneum Presents Photography by Patti Smith Shaun Gladwell / MATRIX 162 Opens June 2 Wadsworth Atheneum's Morgan Great Hall Opens to the Public

Ishimoto Yasuhiro, Untitled (from the series «Katsura»), 1953 - 54 Gelatin silver print, printed 1980 — 81 June 20 — September 12, 2010 Photographer Ishimoto Yasuhiro (born 1921) is one of the most influential figures in post-World War II Japanese photography.

Along with Postmodernism in photography and Lawrence's sorrow at racism and war, Pop Art extends to Hollywood Africans by Jean - Michel Basquiat, gay pride from Félix Gonzáles - Torres and David Wojnarowicz, and the Robert Mapplethorpe photo of a torn and beaten American flag.

Representing a pinnacle of American photography between the World Wars, Edward Weston's Shell from 1927 perfectly embodies the principles of Modernism.

Images from as early as the Civil War — really just three decades after the invention of photography — to the war in Iraq make up a stunning tribute to «The American Soldier» at the Saint Mary's College Museum of Art in MoraWar — really just three decades after the invention of photography — to the war in Iraq make up a stunning tribute to «The American Soldier» at the Saint Mary's College Museum of Art in Morawar in Iraq make up a stunning tribute to «The American Soldier» at the Saint Mary's College Museum of Art in Moraga.

Covering many subjects and countries, from war to human rights issues and from cultural identity to the sex industry, Meiselas uses photography, film, video and sometimes archive material, as she relentlessly explores and develops narratives integrating the participation of her subjects in her works.

Photographers Among Us charts the evolution of documentary photography, from the Civil War through the late 20th century, providing an opportunity for visitors to follow technological developments in the field.

Chapter 1: Things Must be Pulverized: Abstract Expressionism Charts the move from figurative to abstract painting as the dominant style of painting (1940s & 50s) Key artists discussed: Willem de Kooning, Barnett Newman Jackson Pollock, Mark Rothko Chapter 2: Wounded Painting: Informel in Europe and Beyond Meanwhile in Europe: abstract painters immediate responses to the horrors of World War II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar II (1940s & 50s) Key artists discussed: Jean Dubuffet, Lucio Fontana, Viennese Aktionism, Wols Chapter 3: Post-War Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc TuymWar Figurative Painting Surveys those artists who defiantly continued to make figurative work as Abstraction was rising to dominance - including Social Realists (1940s & 50s) Key artists discussed: Francis Bacon, Lucien Freud, Alice Neel, Pablo Picasso Chapter 4: Against Gesture - Geometric Abstraction The development of a rational, universal language of art - the opposite of the highly emotional Informel or Abstract Expressionism (1950s and early 1960s) Key artists discussed: Lygia Clark, Ellsworth Kelly, Bridget Riley, Yves Klein Chapter 5: Post-Painting Part 1: After Pollock In the aftermath of Pollock's death: the early days of Pop, Minimalism and Conceptual painting in the USA (1950s and early 1960s) Key artists discussed: Jasper Johns, Robert Rauschenberg, Frank Stella, Cy Twombly Chapter 5: Anti Tradition - Pop Painitng How painting survives against growth of mass visual culture: photography and television - if you can't beat them, join them (1960s and 70s) Key artists discussed: Alex Katz, Roy Lichtenstein, Gerhard Richter, Andy Warhol Chapter 6: A transcendental high art: Neo Expressionism and its Discontents The continuation of figuration and expressionism in the 1970s and 80s, including many artists who have only been appreciated in later years (1970s & 80s) Key artists discussed: Georg Baselitz, Jean - Michel Basquiat, Anselm Kiefer, Julian Schnabel, Chapter 7: Post-Painting Part II: After Pop A new era in which figurative and abstract exist side by side rather than polar opposites plus painting expands beyond the canvas (late 1980s to 2000s) Key artists discussed: Tomma Abts, Mark Grotjahn, Chris Ofili, Christopher Wool Chapter 8: New Figures, Pop Romantics Post-cold war, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymwar, artists use paint to create a new kind of «pop art» - primarily figurative - tackling cultural, social and political issues (1990s to now) Key artists discussed: John Currin, Peter Doig, Marlene Dumas, Neo Rauch, Luc Tuymans

Download: (PDF)(MS Word) Photography: From the Civil War to Civil Rights.

«Since its origins, photography has infiltrated every aspect of modern life, from art to war, and religion to politics and many of these applications are represented in NOMA's extensive collection,» said Russell Lord, Freeman Family Curator of Photographs.

It also follows her decision to remove herself from the picture by allowing her props and prosthetics alone to represent the subjects that she wished to critique, such as pornography and war photography.

The following exhibitions OPEN at CU Art Museum in Boulder: Points of View: Selections from Seven Colorado Collections; Image Clash: Contemporary Korean Video Art; The Anxiety of Influence: Selections from the CU Art Museum's Ceramics Collection; Through Soviet Jewish Eyes: Photography, War, and the Holocaust.

We've seen multiple Star Wars homages through the years from Nick Barclay's clever minimalist poster designs to the hyper - real street photography of Cédric Delsaux.

Felshin's past exhibitions include, in addition to the five she curated for ICI, Black and Blue: Examining Police Violence; Disasters of War: From Goya to Golub; Global Warning: Artists and Climate Change; and Framing and Being Framed: The Uses of Documentary Photography.

Lee Miller managed the remarkable feat of shifting from surrealist photography to war photography.

Using appropriation more pointedly, works from Martha Rosler's powerful Bringing the War Home: House Beautiful series (1967 - 72) juxtapose images from lifestyle magazines with found Vietnam War photography to wrench a distant, all - too - real dystopia into the living rooms of middle - class Americans.

She has curated or co-curated several recent exhibitions at MoMA including Being: New Photography 2018 (upcoming); Unfinished Conversations: New Work from the Collection (2017); Nan Goldin: The Ballad of Sexual Dependency (2016 - 17); Ocean of Images: New Photography 2015 (2015 - 16); Soldier, Spectre, Shaman: The Figure and the Second World War (2015 - 16); and Art on Camera: Photographs by Shunk - Kender, 1960 — 1971 (2015).

Steichen's career also spanned a range of titles, from painter to aerial photographer in World War I to curator to head of the U.S. naval photographic division in World War II to director of photography at the Museum of Modern Art.

Featuring photography and video spanning almost fifty years — from the Vietnam War to the War on Terror — the exhibition Breaking News: Turning the Lens on Mass Media at the Getty Center couldn't be more timely, showing that artists have been questioning the veracity of «the media» since well before our current outrage over «alternative facts.»

An Alternative History of Photography,» Fotomuseum Winterthur, Winterthur «(Mis) Understanding Photography,» Museum Folkwang, Essen «Post Conflict,» Kinz + Tillou Fine Art, New York «Re-framing History,» Galerie Lelong, New York «Red Pill,» Galleria H, Taipei «RE: VISION,» Trish Clark Gallery, Auckland «Surfacing,» Goodman Gallery, Cape Town «The Militant Image,» Urban Subjects with Camera Austria, Graz «The Venice Syndrome — The Grandeur and the fall in the art of Venice,» Gammel Holtegaard, Copenhagen «The war which is coming is not the first one, Great War 1914 - 2014, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto «Under the Same Sun: Art from Latin America Today,» Guggenheim Museum, New York «Waterscapes,» Kumho Museum of Art, Sewar which is coming is not the first one, Great War 1914 - 2014, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto «Under the Same Sun: Art from Latin America Today,» Guggenheim Museum, New York «Waterscapes,» Kumho Museum of Art, SeWar 1914 - 2014, Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto «Under the Same Sun: Art from Latin America Today,» Guggenheim Museum, New York «Waterscapes,» Kumho Museum of Art, Seoul

+ George Lucas finally settled on LA's Exposition Park as the location for his $ 1 billion Museum of Narrative Art, which will include Norman Rockwell paintings, Mad Magazine covers, photography, children's art, and Hollywood props from Star Wars.

Cecil Beaton: Theatre of War at the Imperial War Museum, London: major retrospective of Beaton's war photography, held from 6 September 2012 — 1 January 20War at the Imperial War Museum, London: major retrospective of Beaton's war photography, held from 6 September 2012 — 1 January 20War Museum, London: major retrospective of Beaton's war photography, held from 6 September 2012 — 1 January 20war photography, held from 6 September 2012 — 1 January 2013.

Brooklyn Museum: «War / Photography: Images of Armed Conflict and Its Aftermath» (closes on Sunday) This flawed but intensely absorbing exhibition presents pictures by more than 280 photographers relating to conflicts from the Mexican - American War of 1846 - 49 to the Arab Spring revolution of 2010 - 11.