Sentences with phrase «front space of the gallery»

The front space of the gallery is symmetrically organised.

Since September 2000, the front space of the gallery has been turned into a small project space, called Playstation.

Not exact matches

Historical buildings, museums, art galleries and a myriad of temples are among countless other attractions that share the space with good shopping, restaurants and people hanging up their laundry in front of their houses.

Also check out Zingara (great for gifts too,) 585 Boardriders, the new shop around the corner at 585 Venice, Altered Spaces Gallery at the opposite end of the street with gifts and art 1221 Abbot Kinney Blvd., M Herrington is the new gallery in the front room at the same address and Venice Vintage Paradise across the street for fantastic vintage finds and fun at 1144 Abbot Kinney Blvd. Jazz at Joe's Restaurant on the patio is another place to go - it's west of the light at WesmGallery at the opposite end of the street with gifts and art 1221 Abbot Kinney Blvd., M Herrington is the new gallery in the front room at the same address and Venice Vintage Paradise across the street for fantastic vintage finds and fun at 1144 Abbot Kinney Blvd. Jazz at Joe's Restaurant on the patio is another place to go - it's west of the light at Wesmgallery in the front room at the same address and Venice Vintage Paradise across the street for fantastic vintage finds and fun at 1144 Abbot Kinney Blvd. Jazz at Joe's Restaurant on the patio is another place to go - it's west of the light at Wesminster.

A case in point is the current exhibition of painting and installation by the artist Franklin Evans where a physical copy of Painting as Modelsits up front and center on the gallery floor while material unleashed from the book orbits about the space.

A front page Village Voice story in November of 1969 describes how artists began (illegally) filling the neighborhood's large, empty industrial spaces, even though they weren't zoned for residential use, with James Rosenquist and Paula Cooper Gallery being name - checked as pioneers of the area.

Brown also curates Front Window Gallery, an alternative exhibition space located in the window of a 19th - century townhouse in Milton, PA..

Presented in conjunction with the 47th annual conference of the National Council on Education for the Ceramic Arts — a FotoFest - style extravaganza that will flood the city's art spaces with all things clay — the exhibit will fill Moody's front gallery with all - white porcelain works, the show's dark title notwithstanding.

A quick way to orient oneself in the space is to identify nine large paintings, more or less traditionally hung in the front and rear galleries, and note how the paintings are conceptually tethered to an array of installation elements on the floors, walls, and internal areas.

By placing each fragment against opposite walls of the gallery so that the front half appears from one wall, while the back disappears into another, Paolini not only destroys the object quality of the sculpture but in doing so creates an installation which calls attention to the architecture of the particular exhibition space.

Before even entering the gallery, the viewer encounters sky blue rectangles of paint on the curb in front of Para / Site and on the space's goldenrod - yellow and black facade, painted by Costa Rican artist Federico Herrero.

Codex is the current group exhibition located in the front gallery space of the Wattis Institute for Contemporary Art, conceived and by artist and book collector, Pierre Leguillon during a residency at the Kadist Art Foundation in 2011.

Characteristically deploying their strategic combination of humour, information, bold graphics and a subversive use of public space, their latest campaign includes a banner installed on the front of the Gallery and a display of posters and new research.

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.

Harper has had solo exhibitions at Otterbein University, University of Kentucky, Kent State University, and Front / Space Gallery in Kansas City.

For example, eight years ago, the front space of the former L&M Gallery presented a grouping of fur coats hanging on antique racks.

Presented in the front gallery space is an installation of new ceramic sculptures entitled «Bombs».

The new figurative sculptures, shown in the front gallery space, are carved out of cork, and darkened in parts with black paint.

Here in the front gallery, with Jason Andrew, owner of Norte Maar Gallery in Bushwick, in the yellow shirt, talking with Matthew Deleget, owner of Minus Space ingallery, with Jason Andrew, owner of Norte Maar Gallery in Bushwick, in the yellow shirt, talking with Matthew Deleget, owner of Minus Space inGallery in Bushwick, in the yellow shirt, talking with Matthew Deleget, owner of Minus Space in DUMBO.

Exploring the differences between institutional or traditional galleries and the kind of aesthetic space many people have access to in their own front yard, Outside Gallery provides a new platform for contemporary art.

2nd Cannons Publications 98weeks Alternative Space LOOP Arrow Factory Arthub Asia Artis Artists Space Artspeak Auto Italia South East Ballroom Marfa Barbur Black Dogs Capacete Entertainment Casa Tres Patios Cinematheque de Tanger cneai = Collective Parasol Dispatch e-flux journal Elodie Royer and Yoann Gourmel - 220 jours Embassy gallery Filipa Oliveira + Miguel Amado FLUXspace FormContent Galerie im Regierungsviertel / Forgotten Bar Project Green Papaya Art Projects Hell Gallery Hermes und der Pfau i - cabin Intoart K48 Kling & Bang Latitudes L'appartement 22 Le commissariat Le Dictateur Light Industry Lucie Fontaine Lugar a dudas Mousse New Jerseyy Next Visit no.w.here Not An Alternative Or Gallery Oregon Painting Society Para / Site Art Space Peep - Hole PiST / / / Interdisciplinary Project Space Post-Museum PSL [Project Space Leeds] Rhizome Sala - Manca + Mamuta Sàn Art Scrawl Collective studio1.1 Swiss Institute The Mountain School of Arts The Museum of Everything The Royal Standard The Suburban The Western Front Society Thisisnotashop Torpedo tranzit.cz Viafarini DOCVA Vox Populi Western Bridge White Colugallery Filipa Oliveira + Miguel Amado FLUXspace FormContent Galerie im Regierungsviertel / Forgotten Bar Project Green Papaya Art Projects Hell Gallery Hermes und der Pfau i - cabin Intoart K48 Kling & Bang Latitudes L'appartement 22 Le commissariat Le Dictateur Light Industry Lucie Fontaine Lugar a dudas Mousse New Jerseyy Next Visit no.w.here Not An Alternative Or Gallery Oregon Painting Society Para / Site Art Space Peep - Hole PiST / / / Interdisciplinary Project Space Post-Museum PSL [Project Space Leeds] Rhizome Sala - Manca + Mamuta Sàn Art Scrawl Collective studio1.1 Swiss Institute The Mountain School of Arts The Museum of Everything The Royal Standard The Suburban The Western Front Society Thisisnotashop Torpedo tranzit.cz Viafarini DOCVA Vox Populi Western Bridge White ColuGallery Hermes und der Pfau i - cabin Intoart K48 Kling & Bang Latitudes L'appartement 22 Le commissariat Le Dictateur Light Industry Lucie Fontaine Lugar a dudas Mousse New Jerseyy Next Visit no.w.here Not An Alternative Or Gallery Oregon Painting Society Para / Site Art Space Peep - Hole PiST / / / Interdisciplinary Project Space Post-Museum PSL [Project Space Leeds] Rhizome Sala - Manca + Mamuta Sàn Art Scrawl Collective studio1.1 Swiss Institute The Mountain School of Arts The Museum of Everything The Royal Standard The Suburban The Western Front Society Thisisnotashop Torpedo tranzit.cz Viafarini DOCVA Vox Populi Western Bridge White ColuGallery Oregon Painting Society Para / Site Art Space Peep - Hole PiST / / / Interdisciplinary Project Space Post-Museum PSL [Project Space Leeds] Rhizome Sala - Manca + Mamuta Sàn Art Scrawl Collective studio1.1 Swiss Institute The Mountain School of Arts The Museum of Everything The Royal Standard The Suburban The Western Front Society Thisisnotashop Torpedo tranzit.cz Viafarini DOCVA Vox Populi Western Bridge White Columns Y3K

Concurrent with this exhibition, Sean Kelly will present an exhibition of new paintings focusing on the Cuban land - scape by Havana based artist Alejandro Campins in the front and downstairs gallery spaces.

The exhibition coincides with the opening of DiabloRosso's new gallery space located in the charming neighborhood of Santa Ana, right in front of the historic Plaza that bears the same name.

For the duration of the exhibition, acclaimed German publishing house Hatje Cantz will present a «pop - up» bookshop in the front gallery space.

David Walsh, Elizabeth Pearce, Jane Clark 2013 ISBN 9780980805888 Lindsay Seers, George Barber, Frieze, January 2013 One of Many, Adrian Dannatt, Artist Comes First, Jean - Marc Bustamante (ed), Toulouse International Art Festival (exhibition catalogue), June 2013 All the World's a Camera: Notes on non-human photography, Joanna Zylinska, Drone ISBN 978 -2-9808020-5-8 (pg 168 - 172) 2013 Lindsay Seers, Artangel at the Tin Tabernacle - Jo Applin, ArtForum, December 2012 Lindsay Seers, Martin Herbert, Art Monthly, October 2012 Exhibition, Ben Luke, Evening Standard, (pg 60 - 61) 20 September 2012 Lindsay Seers @ The Tin Tabernacle, Sophie Risner, Whitehot Magazine, September 2012 Artist Profile: Lindsay Seers, Beverly Knowles, this is tomorrow, 12 September 2012 Dream Voyage on a Ghost Ship, Richard Cork, Financial Times, (pg 15) 11 September 2012 Nowhere Less Now, Amy Dawson, Metro (pg 56) 7 September 2012 Voyage of Discovery, Helen Sumpter, Time Out, (pg 42) 6 - 12 September 2012 Nowhere Less Now, Rachel Cooke, The Observer, (pg 33) 2 September 2012 Divine Interventions, Georgia Dehn, Telegraph Magazine, 25 August 2012 Eine Buhne fur das Ich, Annette Hoffmann, Der Sonntag, 25 March 2012 Das Identitätsvakuum - Dietrich Roeschmann, Badische Zeitung, 27 March 2012 Ich ist ein anderer - Kunstverein Freiburg - Badische Zeitung, 21 March 2012 Action Painting - Jacob Lundström, FLM NR.16, March 2012 Dröm - fabriken - Peter Cornell, Kultur, 21 February 2012 Vita duken lockar Konstnärer - Fredrik Söderling, Dagens Nyheter (pg 4 - 5) 15 February 2012 Personligen Präglad - Clemens Poellinger, SvD söndag, (pg 4 - 5) 12 February 2012 Uppshippna hyllningar till - Helena Lindblad, Dagens Nyheter (pg 8 - 9) 9 February 2012 Bonniers Konsthall - Sara Schedin, Scan Magazine, (pg 48 - 9) Febuary 2012 Ausstellungen - Monopol, (pg 120) February 2012 Modeprovokatörer plockas up par museerna - Susanna Strömquist, Dagens Nyheter (pg 8 - 9) January 2012 Promosing in Kabelvåg - Seers» «Cyclops [Monocular] at LIAF, Kjetil Røed, Aftenposten, 10 September 2011 Reconstructing the Past - Lindsay Seers» Photographic Narrative, Lee Halpin, Novel ², May / June 2011 Lindsay Seers, Oliver Basciano, Art Review, May 2011 Lindsay Seers, Jen Hutton, ArtForum Picks (online), April 2011 Lindsay Seers: an impossibly oddball autobiography, Murray Whyte, The Toronto Star, 13 April 2011 The Projectionist, David Balzer, Eye Weekly, 6 April 2011 dis - covery, exhibition catalogue, 2011 Lindsay Seers: It has to be this way ², Paul Usherwood, Art Monthly, April 2011 Lindsay Seers: Gateshead, Robert Clark, Guardian: The Guide, February 2011 It has to be this way ², 2011, novella published by Matt's Gallery, London Neo-Narration: stories of art, Mike Brennan, modernedition.com, 2010 Steps into the Arcane, ISBN 978 -3-869841-105-2, published 2010 It has to be this way1.5, novella 2010, published by Matt's Gallery, London Jarman Award, Laura McLean - Ferris, The Guardian, September 2009 Top Ten, ArtForum, Summer 2009 Reel to Real - On the material pleasure of film, Colin Perry, Art Monthly, July / August 2009 Remember Me, Tom Morton, Frieze, June / July / August 2009 It has to be this way, 2009, published by Matt's Gallery, London Lindsay Seers at Matt's Gallery, Gilda Williams, ArtForum, May 2009 Lindsay Seers: It has to be this way — Matt's Gallery, Chris Fite - Wassilak, Frieze, April 2009 Lindsay Seers: it has to be this way, Rebecca Geldard, Art Review, April 2009 Review of Altermodern - Tate Triennial 2009, Jorg Heiser, Frieze, April 2009 Tate Triennial: «Altermodern» — Tate Britain Feb 3 — April 26, 2009, Colin Perry, Art Monthly, March 2009 Lindsay Seers: It has to be this way (Matt's Gallery, London), Jennifer Thatcher, Art Monthly, March 2009 No sharks here, but plenty to bite on, Tom Lubbock, The Independent, 6 February 2009 Lindsay Seers: Tate Triennial 2009: Altermodern, Nicolas Bourriaud, Tate Channel, 2009 «Altermodern» review: «The richest and most generous Tate Triennial yet», Adrian Searle, The Guardian, Feb 2009 Critics» Choice for exhibition at Matt's Gallery, Time Out London, January 29 — February 4 2009 In the studio, Time Out London, January 22 — 28 2009 Lindsay Seers Swallowing Black Maria at SMART Project Space Amsterdam, Michael Gibbs, Art Monthly, Oct 2007 Human Camera, June 2007, Monograph book Published by Article Press Lindsay Seers, Gasworks, London, Pil and Galia Kollectiv, Art Papers (USA), February 2006 Review of Wandering Rocks, Time Out London, February 1 — 8, 2006 Aften Posten, Norway, Front cover and pages 6 + 7 for show at UKS Artistic sleight of hand — «Eyes of Others» at the Gallery of Photography, Cristin Leach, Irish Times, 25 Nov 2005 There is Always an Alternative, Catalogue (Dave Beech / Mark Hutchinson) 2005 Wunderkammer, Catalogue, The Collection, October 2005 Lindsay Seers» «We Saw You Coming»;» 20,000 Leagues Under the Sea»; «Apollo 13»; «2001», Lisa Panting, Sphere Catalogue (pg 46 - 50), Presentation House Gallery, 2004 Haunted Media (Site Gallery, Sheffield), Art Monthly, April 2004 Miser and Now, essays in issues 1, 2 + 3 Expressive Recal l - «You said that without moving you lips», Limerick City Gallery of Art, Dougal McKenzie, Source 37, Winter 2003 Braziers International Artists Workshop Catalogue, 2002 Review of Lost Collection of an Invisible Man, Art Monthly, April 2003 Slade - Hannah Collins, Chris Muller, Lindsay Seers, Elisa Sighicelli, Catherine Yass, (A journal on photography, essay by John Hilliard), June 2002 Radical Philosophy, 113, Cover and pages 26/30, June 2002 Elle magazine, June 2002, page 92 - 93 Review, Dave Beech, Art Monthly, June 2002 Nausea: encounters with ugliness, Catalogue Lindsay Seers, Artists Eye, BBC Programme by Rory Logsdail The Fire Station, a film by William Raban and a catalogue by Acme The Double, Catalogue from the Lowry, Lowry Press, July 2000 Contemporary Visual Arts, Roy Exley, June 1999 Hot Shoe, Chris Townsend.

Sirens of Chrome is a single channel video presentation to be installed in the gallery's front space.

Hung in the front window of the gallery, and thus viewable from both recto and verso, the work establishes a cogent, even menacing, relationship between the space of the gallery and the public street just outside.

New Vision sits in dialogue with another piece by Osterloh, Dots Front Misfire - Shooting Blanks (2008), hung on the opposite side of the gallery, which depicts a prone figure covered in multicolored paper dots, in a space also papered with a riotous pattern of the same colors, both blind and camouflaged, unknown and unknowable.

The gallery explains: «Drawing slanted lines on the front, sides, and bottom of the given space, Park completed an illusion as if the walls were skewed or the floor was rising up.

Her work has been exhibited and performed at EFA Project Space + Performa, New York City, Art Gallery of Ontario, Toronto, Museum of Contemporary Art Santiago, Chilé, Western Front, Vancouver, Images Festival + Museum of Contemporary Canadian Art, Toronto, Remai Modern, Saskatoon, Art Gallery of Alberta, Edmonton, Art Museum, Toronto, and elsewhere.

The first is that Terrain specializes in outdoor exhibits, using its space on the front lawn of a residential neighborhood in Oak Park — while HATCH shows typically appeared indoors in galleries.

This ambitious exhibition spans two gallery spaces — in the Diego Rivera Gallery, Pereda has erected Change the world or go home (2009 - 2015), a 24 - foot tall fluorescent scaffolding structure in front of the iconic work The Making of a Fresco Showing the Building of a City (1931), simultaneously illuminating and obscuring one of the institution's most - treasured and historically significantgallery spaces — in the Diego Rivera Gallery, Pereda has erected Change the world or go home (2009 - 2015), a 24 - foot tall fluorescent scaffolding structure in front of the iconic work The Making of a Fresco Showing the Building of a City (1931), simultaneously illuminating and obscuring one of the institution's most - treasured and historically significantGallery, Pereda has erected Change the world or go home (2009 - 2015), a 24 - foot tall fluorescent scaffolding structure in front of the iconic work The Making of a Fresco Showing the Building of a City (1931), simultaneously illuminating and obscuring one of the institution's most - treasured and historically significant works.

Concurrent with this installation, Sean Kelly will present Robert Mapplethorpe: Unique, an exhibition of Polaroid photographs by Robert Mapplethorpe, in the front gallery space.

A wall runs the length of the gallery from front to back, through 2 exhibition spaces, along a corridor and through the back office space.

Her work has been exhibited internationally including: El Palacio de Bellas Artes, Dominican Republic, The Gallery at the Universita Degli Studi di Genova in Genoa, Italy, The Dialogue Space at Proyecto «Ace in Buenos Aires Argentina, Makii Masaru Fine Art + Ginza Art Lab in Tokyo, ArteAmericas, North Miami MOCA, SCOPE international art fair, Frost Museum of Art in Miami, Harn Museum of art in Gainesville, Girls Club Collection in Ft. Lauderdale, Dorsch Gallery, the Sixth Street Container Miami, Jonathan Ferrara Gallery, The Front, and The Ogden Museum of Southern Art in New Orleans.

The front windows of Sector 2337 have also been transformed by the current show: a massive blue screen becomes the suggestion of another billboard, and fits into the space of the vertical windows as an intervention on the face of the gallery.

In front of a window of a gallery in the Breuer building, Fred Eversley had planned to install a 72 - inch pink acrylic disc, that when refracting light and images from inside the space and the outside world, would fill the galleries with pink, effervescent light.

The photographs depict Chisenhale Gallery's interior, its hallways, doorways and thresholds, and together they evoke the experience of navigating the space — from the front entrance, through the gallery, to the office and out onto the canal which runs alongside the back of the gallery's buGallery's interior, its hallways, doorways and thresholds, and together they evoke the experience of navigating the space — from the front entrance, through the gallery, to the office and out onto the canal which runs alongside the back of the gallery's bugallery, to the office and out onto the canal which runs alongside the back of the gallery's bugallery's building.

Recent curatorial projects include «Canceled: Alternative Manifestations & Productive Failures» at The Center for Book Arts (New York, NY), «Directly in front of you» at Vox Populi (Philadelphia, PA), «Spirit of the Signal» at Nicole Klagsbrun Gallery (New York, NY), and «Get on the Block» at Camel Art Space (Brooklyn, NY).

Almost the entire front space of this two - room gallery was filled to the rafters with debris — wooden crates, old fencing, plywood.

Flying atop a pole in front of the old school building that now houses white - walled gallery spaces, the flag anticipated an inaugural exhibition of works by Nick Cave.

The 24 SEVEN curators» project uses an 8 metre square dedicated space at the front of the gallery.

Since November 2009, site - specific versions of Network have been created in Chicago for an unused store front downtown and a gallery space at Hyde Park Art Center.

Leo Castelli Gallery, New York, presents a solo exhibition featuring Rosenquist's Horse Blinders (1968), a room - sized installation that fills the walls of the front galleryGallery, New York, presents a solo exhibition featuring Rosenquist's Horse Blinders (1968), a room - sized installation that fills the walls of the front gallerygallery space.

Empire curated by Natika Soward / FiveMyles / 558 St. Johns Pl, Brooklyn / thru 6/9 Emily Berger; Nancy Manter; Anne Russinof / Soapbox / 636 Dean, Brooklyn / thru 6/6 Interior Space: E.Church; E. Johnson; D.Miller; B.Schmidt; W.Schrank / Salena Gallery / LIU / 1 University Plaza, Flatbush@DeKalb / thru 7/13 Opening 6/5 Theodora Skipitares / Humanities Gallery / LIU / 1 University Plaza on Flatbush near DeKalb / thru 7/20 Opening 6/15 (5 - 8 PM) Vincent Como / Minus Space / 111 Front / Dumbo / thru 6/15 Nuances: Elise Freda; Carri Skoczek; Melissa Murray; Kathy Goodell / Causey / 111 Front / Dumbo / thru 7/1 Barbara Roux; Nancy Lasar; Lillian Gerson / AIR / 111 Front, / Dumbo / thru 6/23 Chitra Ganesh / Transparent Studio: Bose Pacia / 163 Plymouth / Dumbo / thru 7/16 Opening 6/18 Sam Anderson / Bed Stuy Love Affair / 214 Van Buren, Bedford Stuyvesant / thru 6/23 Amanda Friedman; Laura Hunt / Spare Room Projects / 81 Central, Bushwick / thru 6/16 Andrew Seto / Theodore / 56 Bogart / Bushwick / thru 6/16 Chloe Bass / Momenta / 56 Bogart / Bushwick / thru 6/30 Matt Freedman / Studio 10 / 56 Bogart / Bushwick / thru 6/16 Phillip Buntin / Henry Contemporary / 56 Bogart / Bushwick / thru 6/9 The Indifference of Wisdom / Nurtureart / 56 Bogart, Bushwick / thru 7/12 Opening 6/14 (7 - 9 PM) Paul McLean / Slag / 56 Bogart / Bushwick / thru 6/30 Julian Lorber / et al / 56 Bogart / thru 6/17 Linda Francis; John O'Connor; Ken Weathesby / Suite 217 / 56 Bogart, Bushwick — floor 2 / thru 7?

The exhibition's title borrows a verse from the popular song by Ferruccio Tavaglini, to which the title of the exhibition «With the Sun in Front of Me», held in the Naples gallery space in 2010, was already referred.

2015 Three Day Weekend: Business in Front b / w Blue White Red, Blum & Poe, Los Angeles, CA Dissolving Margins, Paula Cooper Gallery, New York, NY A Voice Remains, Pippy Houldsworth Gallery, London, UK In the Lee of the In - Between, Kunstenfestival Watou, Watou, Belgium Open Source: Engaging Audiences in Public Space, City of Philadelphia Mural Arts Program, Philadelphia, PA

Occupying the store - front like gallery of the CUE space, Roberts presents a bookshelf titled Design Within Reach, made from discarded materials from the Metropolitan Museum of Art (where she is employed) and featuring newly released issues of Oikos and Methods alongside Bittersweet, a commissioned natural scent by Tatiana Godoy Betancur, jewelry by Sarah Shikama, and ceramics by Lauren Francescone.

Stain absolutely knocked one out of the park with his transformation of the front gallery space into a New York City rooftop scene, which featured an amazing gargantuan - sized mural on one of the gallery's walls.

The normally public space in front of a shop is relocated inside a gallery, while the normally private space is visually and physically hidden by the draped windows and locked doors».