Sentences with phrase «full colour vision»

Worldwide, 300 million people lack full colour vision.

It is worth noting that what you describe as «full colour vision» in humans is nothing of the sort, and...

They will now have full colour vision and show effort to move to things that are brightly coloured and will be attempting to reach for things.

Not exact matches

In this book, then, and especially in the earlier part, I have sometimes resorted to a slight verbal elaboration, either because there was no alternative if one was to write English at all, or because two words seemed necessary to convey the full «poetic» content of one word in the French, or again because a verbal elaboration seemed more likely to communicate the colour (and colour is of the essence of vision) of the original.

When babies are first born they have poor vision, in fact, at the most they can see around 20 — 30 cm away from their face and colour recognition isn't fully developed until they are around 5 months old when they will be seeing the full range of colours that we do.

A full year of schemes of study, a vast range of supporting slide shows, student and staff handbooks, student feedback forms, policies including Health and Safety and a Gifted and Talented policy, cross curricular information such as colours in different languages, a vision for Art Education, Art Technician duty list and much more....

A full year of schemes of study A vast range of supporting visuals and slide shows Student and staff handbooks Student feedback forms Policies including Health and Safety and a Gifted and Talented policy Cross curricular information such as colours in different languages A vision for Art Education Art Technician duty list and....

speed limit indicator, Launch vehicle, Night Vision Assist, ParkAssist including reversing camera, Power steering Plus, Preparation for towbar system, Privacy glass,Rear - axle steering including Power steering Plus, Rooflining in Alcantara, Seat heating (front & rear seats), Side window trims in black (high - gloss), Sport Chrono Package, Steering wheel heating, USB interface in rear, Wheel centres with full - colour Porsche Crest, Porsche Centre Leeds offer bespoke services including:, tailor made videos and vehicle delivery, We can also collect you from local transport links such as Leeds train station or Leeds Bradford Airport., We offer tailored finance packages and our team of buyers are on hand to offer the best price for your part exchange from any manufacturer., Have a question?

The full - colour headup display projects all the information relevant for the journey directly into the driver's field of vision.

A huge range of optional safety equipment is offered, including a surround - view camera, night vision with pedestrian recognition, parking assistance, lane - departure warning, speed - limit display and a full - colour head - up display so you can keep your eyes on the road at all times.

The BMW ConnectedDrive features numerous optional driver assistance systems, such as the high - definition, full - colour BMW Head - Up Display, BMW Selective Beam, the intelligent emergency call with accident severity detection, optional BMW Night Vision with Dynamic light Spot, high - end Surround Sound system from Harmon Kardon and BMW apps define the benchmark in its Class.

A 12.3 - inch HD virtual Interactive Driver Display combined with the Thin Film Transistor (TFT) full colour Head - Up Display means the driver has all the information they could possibly need within their field of vision.

One Touch Quick Demist Func., 7in Touchscreen, Bluetooth Handsfree Technology, Body Colour Rear Parking Sensors, ABS with Electronic Brake Assist (EBA), Centre Rear Seat Belt, Cruise Control, Deadlocking, Driver Airbag with Airbag Desactivation, ESC (Electronic Stability Control), ETC (Electronic Traction Control), Electric Front and Rear Windows, Electric Variable Assist Power Steering, Electronic Brake Distribution (EBD), Extra Tinted Rear Windows and Tailgate, Front Passenger Airbag with Airbag Deactivation, Front and Rear Headrests with New Generation Height Adjustable SRP (System for Restraintand Protection) Front Headrests with R.S. Logo on Front Headrest, Front and Rear No Seatbelt Warning Sound, Full LED R.S Vision and Daytime Running Lights at Top of Bumper, Handsfree Keycard Entry with Push Button Start, Heated Rear Screen, Heated and Electrically Adjustable Door Mirrors and Folding, Height and Reach Adjustable Steering Wheel, ISOFIX Child Seat Fixing Points on Rear Outermost Seats, LED Interior Lightning and Courtesy Mirror, Leather Steering Wheel with R.S. Logo, Rear Door and Window Child Locking Function (Front Driver Door Control Panel) for Rear Door, Remote Central Locking with RAID (Renault Anti Intruder Device) Automatic Door Locking, Renault MediaNav - Navteq Nav N Go Satellite Navigation with 3 Months TomTom Live Services Subscription, Renault Sport Rear Spoiler - Body Coloured, Reverse Parking Camera w. Front / Rear Park.

For example, the full - colour BMW Head - Up Display in the new BMW 3 Series enables all relevant information to be displayed directly in the driver's field of vision, leaving the motorist to concentrate fully on the road ahead.

Systems such as the high - definition, full - colour BMW Head - Up Display, BMW Selective Beam, the intelligent emergency call with accident severity detection, optional BMW Night Vision with Dynamic light Spot, high - end Surround Sound system from Harmon Kardon and BMW apps define the benchmark in its Class.

A comprehensive array of safety, comfort and infotainment features include a high - end audio package, satellite navigation, night vision (optional), full colour head - up display, lane change and lane departure warning, high - beam assist, surround view, park assist, reversing camera and internet access via Bluetooth and eligible smart phones.

in Art News, vol.81, no. 1, January 1982 (review of John Moores Liverpool Exhibition), The Observer, 12 December 1982; «English Expressionism» (review of exhibition at Warwick Arts Trust) in The Observer, 13 May 1984; «Landscapes of the mind» in The Observer, 24 April 1995 Finch, Liz, «Painting is the head, hand and the heart», John Hoyland talks to Liz Finch, Ritz Newspaper Supplement: Inside Art, June 1984 Findlater, Richard, «A Briton's Contemporary Clusters Show a Touch of American Influence» in Detroit Free Press, 27 October 1974 Forge, Andrew, «Andrew Forge Looks at Paintings of Hoyland» in The Listener, July 1971 Fraser, Alison, «Solid areas of hot colour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Ecolour» in The Australian, 19 February 1980 Freke, David, «Massaging the Medium» in Arts Alive Merseyside, December 1982 Fuller, Peter, «Hoyland at the Serpentine» in Art Monthly, no. 31 Garras, Stephen, «Sketches for a Finished Work» in The Independent, 22 October 1986 Gosling, Nigel, «Visions off Bond Street» in The Observer, 17 May 1970 Graham - Dixon, Andrew, «Canvassing the abstract voters» in The Independent, 7 February 1987; «John Hoyland» in The Independent, 12 February 1987 Griffiths, John, «John Hoyland: Paintings 1967 - 1979» in The Tablet, 20 October 1979 Hall, Charles, «The Mastery of Living Colour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» EColour» in The Times, 4 October 1995 Harrison, Charles, «Two by Two they Went into the Ark» in Art Monthly, November 1977 Hatton, Brian, «The John Moores at the Walker Art Gallery, Liverpool» in Artscribe, no. 38, December 1982 Heywood, Irene, «John Hoyland» in Montreal Gazette, 7 February 1970 Hilton, Tim, «Hoyland's tale of Hofmann» in The Guardian, 5 March 1988 Hoyland, John, «Painting 1979: A Crisis of Function» in London Magazine, April / May 1979; «Framing Words» in Evening Standard, 7 December 1989; «The Famous Grouse» in Arts Review, October 1995 Januszcak, Waldemar, «Felt through the Eye» in The Guardian, 16 October 1979; «Last Chance» in The Guardian, 18 May 1983; «Painter nets # 25,000 art prize» in The Guardian, 11 February 1987; «The Circles of Celebration» in The Guardian, 19 February 1987 Kennedy, R.C., «London Letter» in Art International, Lugano, 20 October 1971 Kent, Sarah, «The Modernist Despot Refuses to Die» in Time Out, 19 - 25, October 1979 Key, Philip, «This Way Up and It's Art; Key Previews the John Moores Exhibition» in Post, 25 November 1982 Kramer, Hilton, «Art: Vitality in the Pictorial Structure» in New York Times, 10 October 1970 Lehmann, Harry, «Hoyland Abstractions Boldly Pleasing As Ever» in Montreal Star, 30 March 1978 Lucie - Smith, Edward, «John Hoyland» in Sunday Times, 7 May 1970; «Waiting for the click...» in Evening Standard, 3 October 1979 Lynton, Norbert, «Hoyland», in The Guardian, [month] 1967 MacKenzie, Andrew, «A Colourful Champion of the Abstract» in Morning Telegraph, Sheffield, 9 October 1979 Mackenzie, Andrew, «Let's recognise city artist» in Morning Telegraph, Sheffield, 18 September 1978 Makin, Jeffrey, «Colour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» EColour... it's the European Flair» in The Sun, 30 April 1980 Maloon, Terence, «Nothing succeeds like excess» in Time Out, September 1978 Marle, Judy, «Histories Unfolding» in The Guardian, May 1971 Martin, Barry, «John Hoyland and John Edwards» in Studio International, May / June 1975 McCullach, Alan, «Seeing it in Context» in The Herald, 22 May 1980 McEwen, John, «Hoyland and Law» in The Spectator, 15 November 1975; «Momentum» in The Spectator, 23 October 1976; «John Hoyland in mid-career» in Arts Canada, April 1977; «Abstraction» in The Spectator, 23 September 1978; «4 British Artists» in Artforum, March 1979; «Undercurrents» in The Spectator, 24 October 1981; «Flying Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Colours» in The Spectator, 4 December 1982; «John Hoyland, new paintings» in The Spectator, 21 May 1983; «The golden age of junk art: John McEwen on Christmas Exhibitions» in Sunday Times, 18 December 1984; «Britain's Best and Brightest» in Art in America, July 1987; «Landscapes of the Mind» in The Independent Magazine, 16 June 1990; «The Master Manipulator of Paint» in Sunday Telegraph, 1 October 1995; «Cool dude struts with his holster full of colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» colours» in The Sunday Telegraph, 10 October 1999 McGrath, Sandra, «Hangovers and Gunfighters» in The Australian, 19 February 1980 McManus, Irene, «John Moores Competition» in The Guardian, 8 December 1982 Morris, Ann, «The Experts» Expert.

Selected Group Exhibitions, & Art Fairs 2018 Black Box Projects, 2 person exhibition, London Winter Song at NextLevel gallery, Paris Lights, Camera, Action, curated by Haley Finnegan at Kunstraum in Brooklyn Sitting Still at BravinLee programs 2017 «Painters and Photographers» at Providence College, Rhode Island, curated by Jamilee Polson PARIS PHOTO with NextLevel Galerie Art Market Budapest with Horizont Galeria, Budapest, Hungary Rubber Factory, NY, «Women In Colour: Women and Color Photography» curated by Ellen Carey Aspen Art Museum, Art Crush, courtesy of SOCO gallery Double Vision, Artists Who Instagram, at LabSpace, Hillsdale, NY Mountain Gallery, Brooklyn, «Along a River of Sapphire Pools» NextLevel Galerie «Full Bloom II», Paris, France 2016 PULSE Miami with Danziger Gallery UNTITLED Miami with SOCO Gallery PARIS PHOTO with NextLevel Galerie, Paris, France Davidson College Gallery, North Carolina Pallas Projects, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Dublin, Ireland New Photography Exhibition at BAM, curated by Holly Shen David Shelton Gallery: Summerzcool Curated by Austin Eddy and Benjamin Edmiston, Houston, Texas Sirius Art Center, 2 - person exhibition with Max Warsh curated by Jessamyn Fiore, Cobh, Ireland Spring Break Art Show curated by Kelly Schroer, NY, NY, Kristen Lorello gallery, Geometric Cabinet, NY, NY EddysRoom, Solo Show, Brooklyn, NY 2015 Silver Projects, Double Vision, Brooklyn, NY BRIC Art Center, Handmade Abstract, Brooklyn, NY, Zolla / Lieberman gallery, Hot Slice, Chicago, IL Danziger Gallery, Wonderful Lies, NY, NY Ameringer, McEnery, Yohe, Black and White, NY, NY, Danziger Gallery, Project Room, NY, NY Material Art Fair with LVL3, Mexico City 2014 Paris Photo with Laurence Miller Gallery Westport Arts Center, curated by Julia Mechtler and Elizabeth Koehn, Westport, CT Expo Chicago with Laurence Miller Gallery, Chicago, IL New Capital, Real Time, Future, Experience, Chicago, IL Spring Break Art show, NY, NY La Montagne Gallery, Black and White, Boston, MA