Sentences with phrase «full lives as artists»

My dream is to be able to make a FULL living as an artist, but I need some help with this.

Not exact matches

Also, I'd worked in a nursing home with people at the end of their lives and it was a good wake up call as I realized one day I too would be at the end of my life and I asked myself what I would regret not doing by the time I got there - I got a loud and clear answer that I had to give being a full - time artist and earning an income from my passion a proper go!

Each installment includes aspects from the legendary artist's life, and follows famed civil rights attorney Benjamin Crump as he conducts a full - scale, intensive investigation into key theories behind Tupac's murder.

Creative writing has been a part of his life for many years, as he enjoyed writing plots and stories for the various RPG games he played with friends as a teenager, and creating stories within his English classes at school.Following his education, Andrew eventually found work as a Freelance, and then in - house artist, while also pursuing a side career in wedding Photography before returning to full time freelance work.

I'm new to the ramifications and specific processes involved, but am pursuaded this is the likely model for future publication projects that most benefit the first person on the food chain: the writers / artists who conceived them, who are trying to make some kind of living doing what they do best, hoping to find an audience for their work as a * first * resort rather than wearing themselves out with full - time day jobs of no comparable skill or education preparation — but that pay the bills, maybe — and that leave little energy and reserves for their art.

Through our short couple sessions I was able to develop a plan that allowed me to live from my work in less than a year even making $ 1200 for a single 16 × 20 piece by my 5th month as a full time artist.

Beautiful works, full of life and color, that is what I hope to see at the Prado Museum auctions that will begin in February of this year, with artists such as Munuera Nico, Perianes Jorge, Gabino Amaya Cacho, Diego de Giráldez, Guillermo Pérez Villalta, and many more artists.

I talk to a LOT of artists who are over 40, 50, or even 60 years old who are just beginning the transition to making a full - time living as an artist.

He earned a living as a writer for close to 35 years before he felt successful enough as an artist to quit his job and to paint full - time in 1968.

By 1956, Scott's success as an artist, both nationally and internationally, allowed him to give up full - time teaching, although he would remain interested in, and involved with, art school education for the rest of his life.

In the year of 2010, he moved to Miami, Florida to fulfill his dream to live as a full - time artist.

Artist Statement Descriptions of my art are often populated with words such as very colorful, funny, deep, and full of life.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step RigArtist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Rigartist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

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The occasion of this retrospective marked the first time a living artist was the subject of a one - person exhibition in the museum's new space and, perhaps as importantly, it was the first full - scale exhibition devoted to a female artist at the Museum since Helen Frankenthaler's retrospective in 1989.

Just as Benjamin compiled ideas, the artists here mine the details of modern life to create new archives, full of treasures and secrets.

He got his nickname Red while living in Provincetown, where he worked as a dishwasher at a restaurant before he became a full - time artist.

I view Gillian Ayres as belonging to the generation of artists who escaped the gloom of the 1950s professional middle classes by creating visually intense, imaginative canvases full of life and colour and abstract, pictorial vividness.

The 352 - page catalogue, which includes 116 full - page color reproductions of paintings in the show as well as numerous other illustrations and a detailed chronology of the artist's life, has an essay by Carol Mancusi - Ungaro on «Material and Immaterial Surface: the Paintings of Rothko,» and interesting interviews with several artists including Ellsworth Kelly, Brice Marden, Gerhard Richter, Robert Ryman and George Segal.

He is now Professor Emeritus and lives and works in Denton as a full - time artist.

LARGELY KNOWN AS A WASHINGTON, D.C, - BASED ARTIST who dedicated herself to her practice full - time late in life, Alma Thomas (1891 - 1978) is recognized for her abstract compositions, exuberant works defined by rhythmic pattern and vibrant color.

-- Exhibition is open to 2d & 3d art — Submitting artists must currently teach 50 % to full time in public school grades K - 12 — No restrictions for date work was created, as long as it was made while teaching — Accompanying artist statement must address how teaching and art making impact each other in the artist's life — If selected, artwork must be delivered in person and ready to install in November (exact date TBD)-- Artwork must fit through a standard 32» door (or be able to be broken down to fit)-- The Nave Gallery will retain a 30 % commission for work sold

The use of vivid and very aggressive colors is something very usual in his career as an artist, Todd James ridicules and emphasizes to its last consequences the personality of the Western reality in which we live; as if it were a horror comic, he describes a modern world but at the same time, it's full of compassion for those who live and suffer in it.

Highly regarded as an up - and - coming artist, Claire Stigliani now lives in New York City making art full - time.

Exhibition: Born, 1926 New York Died, 2000 New York AWARDS 1975, Guggenheim Fellowship 1989, National Endowment for the Arts Visual Artist Grant 1992, Elected to the National Academy of Design 1993, Elected to National Academy of Design as Full Member 1997, Print Club of New York Print Commission 2004, Arts Award for Lifetime Achievement & Contribution to the Cultural Life of Columbia County SOLO EXHIBITIONS Perdalma Gallery, New York, 1953.

But as the forthcoming retrospective at Tate Modern aims to show, her work was far more varied than that — and it was also full of life and energy, as fellow artist Karen Schiff explains

IN 1985 - 86, THEIR RELATIONSHIP came full circle when Wells visited Stovall's studio to «observe and help» as he made a silkscreen print of the elder artist's painting «Still Life with Violin.»

The exhibition will be accompanied by a publication in Arabic and English, featuring essays by Philip Larratt - Smith and Sophia Al - Maria, as well as full - colour images of all works in the exhibition and an illustrated chronology of the artist's life and work.

As the title suggests, this etching by American artist Elizabeth Peyton is a still life arrangement of a vase of flowers in full bloom and a book connected with the Ballets Russes founder Sergei Diaghilev.

Tracey Emin, in full Tracey Karima Emin, (born July 3, 1963, Croyden, Greater London, England), British artist noted for using a wide range of media — including drawing, video, and installation art, as well as sculpture and painting — and her own life as the subject of her art.

But Hockney is also an art world - favorite whose carefully observed portraits, optimistic studies in color, and vigorously experimental compositions are as full of life as they've ever been — and continue to influence generations of artists at a time when we're seeing a new golden era of figurative painting.

The British Institution (in full, the British Institution for Promoting the Fine Arts in the United Kingdom; founded 1805, disbanded 1867) was a private 19th - century society in London formed to exhibit the works of living and dead artists; [1] it was also known as the Pall Mall Picture Galleries or the British Gallery.

After five months, Interim Director JD Beltran will step down and return to her life as a full - time artist and professor at the San Francisco Art Institute.

Katherine Dreier, in full Katherine Sophie Dreier, (born September 10, 1877, Brooklyn, New York, U.S. — died March 29, 1952, Milford, Connecticut), American art collector, artist, and writer who took it as her mission to promote the understanding and appreciation of modern art and the work of living artists, including Paul Klee, Jacques Villon, Wassily Kandinsky, Piet Mondrian, Fernand Léger, Naum Gabo, and many more.

To prepare the auditorium for the Christmas season, McCarten and two other local artists, Mary Jennings and Lynn Westergren, worked round - the - clock on two large panels, two text panels, and a pair of fabric pieces to serve as backdrops, all of them intended to project a visual representation of Acts 5:20: «Go stand in the temple courts and tell the people the full message of this new life.»

In 1992 the Physical Impossibility of Death in the Mind of Someone Living, better known as Shark, launched his international fame as an artist, Charles Saatchi's as a collector, and provided fodder for a million cartoons - the Saatchi gallery has a room full of them.

The Los Angeles County Museum of Art (LACMA) presents Tim Burton, a major retrospective exploring the full range of Tim Burton's creative work, both as a director of live - action and animated films, and as an artist, illustrator, photographer, and writer.

Yet in this riveting biography, the first full - length account of her colorful life, Krasner emerges as a significant artist who deserves her place in the twentieth century's cultural lexicon.

I've been making art professionally since about 1995, and have made a full - time living as an artist since 2000.