Sentences with phrase «full title of the film»

Even though they seem friendly, Red knows something is up and the eventually turn on the town, devising an evil plan that will eventually bring out the full title of the film in all of the characters.

Not exact matches

The camera tilts up crazily from his face into a sky full of swirling stars as the title score swells in the background and the name of the film appears on the screen.

This is the BEST James Bond film ever made as it is full of style, amazing action pieces that really dazzle and entertain, Pierce Brosnan is an excellent Bond (wit, humor, action, style, brutality), Xenia Onatopp is the greatest creation of a villain and Bond girl (because her weapon is Bond» worst nightmare), the villain is truly threatening and played very well by Sean Bean, the title song is awesome and classic Bond, the script for this film is VERY well written and witty, etc..

Viva Pictures has debuted a new full - length official US trailer for an animated film titled The Son of Bigfoot, produced by StudioCanal in France, and animated by nWave Pictures in Belgium.

Each title gets a full - length audio commentary from Travis Crawford, a dogged film critic and programmer with the instincts of a historian, who goes into detail on the background of just about every lead and significant supporting player who appears on screen, in addition to the producers and financiers behind the scenes who allowed (or more likely didn't allow) Romero to realize his vision on screen.

The first full day of the festival saw several prominent titles make their Los Angeles review, but the hot - ticket film was Luca Guadagnino's Call Me By Your Name.

Extras include a six - minute behind - the - scenes featurette whose highlight is star Wilson suiting up for a pre-production supersonic flight; seven deleted or extended scenes — among them odd alternate opening and closing title sequences — with optional commentary from director Moore and editor Paul Martin Smith — these trims carry a viewer discretion warning, for they would've threatened the film's PG - 13 rating; a fantastic, largely CGI pre-visualization (with, again, optional Moore / Smith commentary) of the virtuoso ejection set piece that at times gives Final Fantasy a run for its money; the teaser trailer for Spielberg's upcoming Minority Report; and two engrossing full - length commentaries, one by Moore and Smith, the other producer John Davis and executive producer Wyck Godfrey.

Taking its title from a hymn written by missionary Margaret Drummond (played in the film by Pauline Collins: Shirley Valentine), Paradise Road is the product of Beresford's interviews with surviving members of a Sumatran prison camp that was so remote, it took a full two weeks after VJ day for Allied forces to officially liberate them.

This new feature by Japanese provocateur Nakashima Tetsuya (Confessions, Kamikaze Girls) is not only chalk - full of nods to Chan - Wook's seminal film about an emotionally crippled man assembling the scattered pieces of his past, but also references classic titles such as The Searchers in its Fordian regard to reckless patriarchal rage.

As is to be expected from the film's title, this script is full, full, full of potty humor.

Let the Bullets Fly (Well Go), currently the highest - grossing Chinese film of all time, has a title that suggests shoot - outs and action galore, but in fact this slyly comic satire plays more like a spaghetti western in twenties - era China, full of bluffs and feints and false identities.

Behind every great film is an unforgettable score, and while we have yet to find out just what Oldboy director Park Chan - wook has in store for us with his English - language debut, Stoker — here's a taste of the film's score by the always excellent Clint Mansell, titled In Full Bloom.

There is really only one full - on production number, picturized to the title song, which is actually the lone memorable tune in a most uncharacteristically lackluster collection of songs from the composing triumvirate of Shankar - Ehsaan - Loy; even so, with the film's run time uncomfortably stretched to over two and a half hours, it could have used more musical bits to keep the energy from flagging.

The film, based on Steve Martin's 2000 novella of the same title follows the affairs of 20 - something Mirabelle Buttersfield (Claire Danes), a part - time artist and full - time sales clerk at the glove counter of a Los Angeles - based Saks 5th Avenue department store.

«I can do something no one else can...» Blumhouse Tilt has released a brand new, full - length official trailer for an indie film titled Sleight, which premiered in the ultra-low budget Nexst section of the Sundance Film Festival last year.

«When I was young, Parvana, I knew what peace felt like...» GKids has debuted the full - length theatrical trailer for an animated film titled The Breadwinner, set in the heart of Afghanistan telling the story of a girl who dresses as a boy in order to work and provide for her family.

Leading up to the anticipated release, the hype machine is in full swing with seven new character posters featuring Martin Freeman as our title hero along with Ian McKellen and Richard Armitage, the return of Orlando Bloom, and the introduction of Luke Evans, Lee Pace (who appeared briefly in the first film) and Evangeline Lily.

Born without memory of his past life (the title is the film's first puzzle, as it is really not so much a search for «Bourne's» identity as it is an examination of an identity at birth), Bourne finds himself oddly proficient in self - defence, preternaturally aware of his surroundings, and possessed of a Swiss bank account number (via the laser projector) leading to a safety deposit box full of enough passports and foreign currency to match his ability to speak several languages.

(Hong Kong film critic Stephen Teo has noted that the film's original title, A Fei Zhengxhuan, alludes to the Chinese title of Rebel Without a Cause:» «A Fei» is local Cantonese slang for unsavory youths and the full title may be interpreted as the life story of one.»)

«Brazilian writer - director Daniel Ribeiro expands his award - winning short film I Don't Want To Go Back Alone into this full - length coming - of - age drama, whose original title translates as Today, I Want To Go Back Alone, a subtle difference that reflects a shift in focus between the two films.

The film is actually a product of Iceland, where it was released theatrically in the fall of 2011 (titled Hetjur Valhallar - Þór, literally Legends of Valhalla: Thor) as the nation's first full - length animated film.

Music for a film like this (track titles include «Fire», «Lonely Christmas» and «Dying») is never likely to be all that perky, and so Gabriel Yared's score is appropriately sombre and generally full of doom and gloom.

From the way that the planes are subtly anthropomorphized to the giant crowd scenes to the subtle heightening of everything, from a bravura earthquake sequence to the wind of the title, all of the skills that Miyazaki and his Ghibli animators have accumulated over the years are on full display here, and few films this year will treat the eyes better.

The Dolby 5.1 soundtrack is fine, with no problems to report on, though the mix is largely front / center - based and only really boosted by Ford's bird hunting scene and plenty of female pop tunes (full list here; despite the film's title and tagline, there's as much as Oasis here as in Definitely Maybe, which is none).

Released in theaters 40 years ago in October, the super -»70s flick had a cool title, a killer poster, a score by Jerry Goldsmith, a cast that included George Peppard, Jan - Michael Vincent, Paul Winfield, Jackie Earle Haley, and Dominique Sanda — and the ultimate post-apocalyptic survival vehicle: The Landmaster.It capitalized on cold - war fears that nuclear armageddon was right around the corner, and what we'd be left with would be a radioactive wasteland, plagued by bizarre weather patterns and populated by mutated insects and deadly scavengers.The film also had a gimmick: Like BATTLESTAR GALACTICA's limited 1978 theatrical run that was released in «Sensurround,» DAMNATION ALLEY boasted a big - screen release bathed in «Sound 360» — basically full - range stereo speakers turned up to 11 to envelop the viewer and make the seats vibrate (a technique also used for the release of DAMIEN: OMEN II).

This game will be included as part of a package known as Tekken Hybrid, which includes Prologue, the full - length 3D film Tekken Blood Vengeance, and Tekken Tag Tournament HD, a high definition remake of the Playstation 2 title.

The only full - color botanical in the show, and the genesis for most of the works, is the fittingly titled Mutant Generate (Lester's titling is on point, recalling the synthetic nature of her subjects, just as her choice of surfaces, translucent drafting film, is purely manmade).