While «Diana» is hardly
a fully effective film, it admirably tries to understand a lonely public figure made briefly, energetically whole through a nourished...
Not exact matches
It's rather interesting to note that Warner decided to market the
film, much like Hitchcock would have probably done, by using a simple yet highly
effective warning to all future audiences that the lights in the theaters would be toned down during the ending sequence, promising a
fully immersive experience of pure horror.
The
film is
effective in the moments when her trauma shines through, but at the same time does struggle to
fully flesh out her character and arguably diminishes her character by presenting her in a way where the people around her, with the exception of her friend Nancy Tuckerman (Greta Gerwig), were always trying to coddle her.
So, he gives up (and if his stoned haze throughout suggests a man who may not have ever
fully gotten started, the
film proves him quite the
effective private dick).