The fun of a film like this is watching the characters cope with what fate throws at them.
Not exact matches
easy going guy caring my frends say im good
fun to out with
like music
films etc
like to have
fun easy to chat to a bit
of a joker at times can be very loving when with the right guy but lets guys so it a bla bla bla from me so if you
like what you see then mes me i do nt bite ok lol
hey im darren im very loving caring genuine
fun honest kind nice decent down to earth independant trustworthy outgoing friendy respectful adventurous spontaneous with a gsoh also romantic i
like making music
like most types
of films and music
like swimming walking camping going out having
fun...
The
film doesn't take a clear stance in regards
of the actual utility
of an institution
like this, we see how the patients there mock around and make
fun of the fact that they are being institutionalized there, and at the same time they hate the way that their parents brought them there, as well as the harsh instructions that they must go through every morning and every day.
With a giant god
like hand, Whedon destroys viewer expectation by carefully crafting the perfect satire
film with a wit, intelligence and depth that is often lacking in the
films it makes
fun of.
Criticizing a
film like The Hangover for the weakness
of its women's roles is
like complaining that Sex and the City had no good car chases, but it's notable that, apart from the Graham's hippie sex worker, the women here aren't much
fun.
Most
of this expository stuff, however, serves as a weak excuse for the
film's performers to have some
fun acting
like idiots, and there's no doubt that Old School has its fair share
of inspired gags, most
of them revolving around former SNL standout Ferrell.
And, while I'm growing a bit weary
of her, I enjoyed Leslie Mann as the mother
of some
of these girls, and she nails the modern day new - age philosophy
of parenting «these type»
of girls to a T. All in all this is a glossy and
fun film that will satisfy, but doesn't leave a strong legacy
like the kind the characters aspie to have, Regardless, I dug it and think you should check it out.
After all
of the interesting and
fun effects
of the preceding 110 minutes, the final effects make you wonder if the CGI folks pulled an all - nighter to rush this
film out —
like a cram session before a final exam.
Everything that made the first
film so much
fun is still here and done in a way that doesn't feel
like a simple rehash
of the first movie.
The
film is given an opportunity to shrewdly poke
fun at cable news, specifically Fox News (their new home is run by a cocky Aussie), as Ron uncannily becomes a purveyor
of sensationalist non-news stories
like car chases and cute animals while Veronica can't make an interview with Yasser Arafat grab anyone's attention.
For fair and balanced
film reviews and
fun features
like the Movie Quote
of the Week, you really ought to go check out his site.
Speaking
of blazes: Escape from New York is a
fun film to revisit if you grew up during that era,
like I did, and enjoy taking a stroll down Nostalgia Lane every once in a while.
OUR TAKE: Alexandre Aja (High Tension, Hills Have Eyes) is a pretty significant horror icon - and this premise alone sounds
like grounds for the kind
of sick twisted
fun Aja has with his
films.
Much
like Thor: Ragnarok, this
film was
fun, crazy, colourful, and two - and - a-half-hours
of pure escapism.
Like many
of Rogen's other
films, «Sausage Party» exists to poke
fun at
films in general with its meta - references and seeks to emphasize some sort
of screwed up part
of our psyches.
It is great
fun to hear much
of this music again (even if the
film deliberately ignores the majority
of the club's history, which was devoted to even more hardcore music), and to see many real details incorporated or lovingly re-created (
like the famously filthy bathroom, and the rough plank floor that always seemed to shift under your feet).
This spoofy
film about a social misfit being an unlikely badass is some good
fun, if you enjoy the works
of filmmakers
like the Farrelly Brothers, Todd Philips and Judd Apatow.
A rooftop standoff between Lex and Superman is
fun, a flirtatious encounter between Diana and Bruce is exciting, a veiled conversation
of threats between Wayne and Kent draws you in, but any attempt for Bruce to be emotional, or Lois and Clark to discuss their relationship
like humans and the
film drags to inert halt.
I really
liked this movie, the plot is a simple romantic comedy, but it has all the charm and rebelliousness
of a 50s teen flick combined with the
fun and sexiness
of an 80s teen
film.
The scoop:
Like all the «Fast & Furious»
films, «Fate
of the Furious» is big, dumb
fun.
Unlike BURN AFTER READING, or even RUTHLESS PEOPLE (two
films GRINGO should've been a close cousin to if the filmmakers felt
like having any
fun), there's a master plan connecting all
of these characters.
It's
fun and snaring entertainment with respectable performances by most
of the cast that won't make you cringe
like some action
films will.
His very early movies were great
fun and laid in the tradition
of American slapstick
like «The Three Stooges «and The Marx Brothers, and afterwards he changed course and made some extremely profound
films in the 60s and 70s.
«It seemed
like a
fun idea this year to do a special sketch based on one
of my
films, since Red Nose Day is now in both the U.K. and America.»
Her MacGyver -
like skills are somewhat questionable in their believability, given that she is an aspiring fashion designer who apparently doubles as some kind
of warrior who has secretly been training her entire life for this exact situation, but it's best not to question too much
of the mechanics
of this story and to just have
fun with what we're given, which the
film certainly knows how to deliver.
Final Destination 3 is
like the roller coaster featured prominently at the beginning
of the
film — a thrill ride we all know the destination and boundaries
of, and whatever
fun we extract from it comes through the experience
of it.
The key to Thoroughbreds is that Amanda and Lily are not shallow, and the
film isn't making
fun of them
like its most obvious forebears, Heathers and Mean Girls.
It's not quite as awful as Lynch's last effort, the horror - comedy «Knights
of Badassdom,» but while the idea
of watching a scantily - clad Hayek fight her way through yakuza henchman and prostitutes - turned - assassins may sound
like a ton
of fun, «Everly» is never able to match its B - movie aspirations, instead forced to flounder in the gutter
like the filthy, exploitative grindhouse
film that it is.
I feel
like we put a lot
of sort
of fun Easter eggs in there for fans
of the first
film where the sequel actually visits the first movie.
As many
of us already know,
films like Insidious: Chapter 3 are made with the hopes
of being
fun more than anything else.
The
film certainly pushes a fairly bleak outlook on life,
like most westerns, and is definitely not the kind
of story you'd go along to see for «
fun».
Like its predecessor, «Paddington 2» is a clever delight
of visual invention and wit; this sequel draws particularly from the
films of Charlie Chaplin and Buster Keaton for its ingenious slapstick action set pieces, while the screenplay by director Paul King and Simon Farnaby packs the dialogue with
fun wordplay and tiny details that pay off in major comic ways.
It is, however, a loud,
fun, heroic exploso-fest
of a
film that really felt
like it honored the spirit
of the original TV Show.
«Such a delight» cast & crew statements do little to bolster the actual quality
of the docu, but because the
film is sort
of fun in a trash - cinema way, you feel
like forgiving a lot
of the crimes
of self - regard herein.
This is one
of those surprise didn't - know - this - existed
films, but I'm very curious to see it, just sounds
like something
fun.
The actor's ability to poke
fun at herself while starring in a tentpole
film like «Ready Player One» is part
of what makes Cooke's success feel so genuine.
Like the
film as a whole, it lacks wit, insight, panache, or even a sense
of fun, becoming instead an image that no one should have to live with.
Though it has a lot
of fun playing with slasher tropes and cinema in general (showing the way Max and her friends are affected by elements
like musical cues, monochromatic flashback sequences and slow motion within the fictional movie), the
film isn't funny or scary enough, ultimately becoming a victim
of its own satire due to its insistence on preserving the genre's traditionally bad acting and writing.
The
film is another piece
of horror - tinged, genre filmmaking — this time the main inspirations are hyper violent»80s action
films like Big Trouble in Little China and The Terminator (again)-- but
like the duo's preceding
film, it knows what it is, recognizes the flaws
of its ancestors, and tries to improve upon them while holding onto that sense
of reckless abandon that makes those movies so
fun.
The performances looked
like they could be very good but
like AmericanRequiem said above, this doesn't look
like the type
of film that one would just sit down to watch for
fun (not saying that is a requirement for
film - viewing) so the movie would have to really ride a wave
of huge critical support for me to give it a go.
It is really quite a lot
of fun, a breezy cinematic truffle that plays very much
like Woody «s Spanish vacation,
filming a lot
of the picturesque sites
of Barcelona as well as the island
of Oviedo.
While one may assume that getting these high - profile celebrities to be involved in Deadpool would've been a nightmare, it sounds
like most
of them were willing to partake in the
film purely for the
fun of it.
I do realize that it's a little corny and trite, playing more
like a 90 minute Mentos commercial than a motion picture, but the
film is just plain
fun, pleasant, gutsy and if you are on the right wavelength, will fill you with a sense
of inspiration and magic as well.
About the best thing you can say about Someone
Like You is that it sports a very impressive and likeable cast, all
of which seem up to the task
of making this a
fun and energetic
film.
Even when I'm not crazy about a particular
film of his — or, say, anything he's done since 1995 — I just can't put him down too harshly, because he has the energetic and
fun spirit
of a guy who genuinely
likes entertaining horror flicks.
Nell Minow: Guardians
of the Galaxy looks
like the best thrill - ride
of the summer, with an irresistible bunch
of ragtag reprobates and a
film that takes
fun seriously but never takes itself seriously.
However the
film looks
like it could be a lot
of fun.
But while there's a lot
of great talent involved in the
film (
like Cruise, Alec Baldwin, Catherine Zeta - Jones and Paul Giamatti), «Rock
of Ages» doesn't look nearly as much
fun as it should be.
Jumanji: Welcome to the Jungle: A nominal sequel to the 1995 Robin Williams movie, this
fun film is more
like a mash - up
of»80s John Hughes teen
films and wrong - body comedies
like «Big» and «All
of Me.»