Within this, autobiography
functions as a point of departure for thinking through the patriarchal power structures underpinning both the visual experiences and social relations performed by Papadopoulos» characters.
Not exact matches
Scripture is the primary source and guideline «
as the constitutive witness to biblical wellsprings
of our faith,» but tradition, experience and reason also
function as sources and guidelines, and in practice «theological reflection may find its
point of departure» in any
of them.
It serves
as a
point of departure in much the same way the horse and head
function in paintings by the contemporary American artist Susan Rothenberg (MATRIX 3).
This event considers the
function of text, artist's writing and artistic language
as departure points to explore the necessity
of writing for a wide range
of contemporary artists» working today such
as Martha Rosler, Hito Steyerl, Jonas Staal, Cai Gu - Qiang, Miguel A. Lopez, Marion von Osten and the many others who emphasize the act
of writing
as either a significant part, or
as the main site
of their artistic production.
The exhibition draws on Jakobson's distinctive ideas on the poetic
function of language
as a
departure point for considering forms
of expression situated beyond semantic clarity.
The group exhibition «More Than Just Words [On the Poetic]» is taking the idea
of the poetic
function of communication
as a
point of departure for ways
of expressing thoughts and ideas beyond semantic unambiguity.
The first sentence from the poem Albany by poet Ron Silliman
functions as the exhibition's
point of departure.
In the late 1800s Studio Voltaire's main gallery
functioned as a Mission Hall and Sunday School, Calero has used this
as an initial
point of departure to create an interior centred around a school.
These images were originally based on photos Anderson took while watching his father get a haircut, but photographs
function for Anderson much
as they do for the two artists who most evidently influence him, Luc Tuymans and Peter Doig (Doig is a former teacher
of Anderson's): not
as objective documents but
as points of departure for painterly reveries about the nature
of history, whether personal or shared.»