Sentences with phrase «fundamental elements of the painting»

Modernist hero Wassily Kandinsky's theorization of the fundamental elements of painting is not so different from Riley's conceptions, although the two artists belong to completely distinct worlds.

Due to the deep connection between the title and the painting, some fundamental elements of the painting are based solely on its name.

Aligned with the Concrete painters that precede him, Joseph Cohen, featured in edition # 90, is highly concerned with the fundamental elements of painting: color, form, and light.

Not exact matches

Fundamental elements of my works are focused on the interplay of color and the layering and texturing of paint.»

This signature paint application emerged within her representational work but became a technique that helped her explore fundamental elements of abstraction.

Aldrich pursues an open - ended exploration of painting and uses its fundamental elements — canvas, stretcher bars, paint — to interrogate and celebrate the intellectual and sensual conundrums of the art form.

Fundamental elements of my works are focused in the interplay of color and the layering and texturing of the paints.

Thus while he painted individuals from photographs, Richter's replica images were often blurred and bore nothing distinctively identifiable about the subject, an effect that forced the viewer to consider the fundamental components of the painting itself, such as composition, color scheme, and so forth, rather than leaving the viewer to identify with, or be distracted by, a picture's implied content or its emotional element of «humanity.»

The exhibition «Family Portraits», Condo is continuing the discourse on the figurative element in painting, which is one of the fundamental aspects in the artist's oeuvre.

Known for his particular style that can be positioned in between Graffiti and Pollock's Abstract Expressionism, JonOne's work derives from the combination of three fundamental elements: calligraphy, colour and painting texture exhaling an extraordinary vitality that reflects his vision and understanding of the city.

Characterized, most saliently, by the wide holes cut into their centers, the spare, donut - shaped canvases explicitly recall the artist's «Ring Paintings,» 2011, and «Frame Paintings,» 1983 — 85, and find him continuing the exploration of the fundamental elements of composition — of line, shape, and color — that he undertook in those series.

In their works they dealt with what they considered to be the fundamental formal elements of abstract painting: pure, unmodulated areas of color; flat, two - dimensional space; monumental scale; and the varying shape of the canvas itself.

Frize's project is, simply stated, one of reducing painting to its most fundamental elements, of using structure and system to govern and regulate the compositional process and thus absolve the artist from the decision making process, so that there is nothing more to the work than its physical, even technological, method of production.