I'm actually curious to see this movie, the leaked emails and market research about it all were probably
funnier than the script though.
Not exact matches
Surely too much money has been spent on the cast and the 3D rather
than on fashioning an intelligent,
funny script.
This movie is a mixed bag on one side is Kevin Hart mostly improvising which give most of, if not all of the film's
funny dialogue, he also shares good chemistry with Ice Cube, on the other side the
scripted jokes, are most of the time well lame, this fun to watch now
than most of the movies are ****
The middle hour is mostly filler, so devoid of substantive comic bits, that it almost feels like they brainstormed every morning about what might be
funny and just rolled film, rather
than go with a polished, finished
script.
They're more
funny strange
than funny ha - ha, as Walters flubs lines and her
scripted profanity is bleeped.
Something better
than another damn quote: The line - up scene was
scripted as a serious scene, but after a full day of filming takes where the actors couldn't keep a straight face, Singer decided to use the
funniest takes.
Add to that a
script full of successful jokes and memorable scenes like Billy's hilarious dodgeball game on his first day of school, and you've got a movie that's
funnier than it should be.
When Community creator and all - around
funny guy Dan Harmon was enlisted by Marvel to work on the
script for Doctor Strange, the reason seemed obvious at the time: more
than likely he was going to infuse the Sorcerer Supreme with a touch of humor.
The
script by Carlock is more chuckle inducing
than funny, so it's up to her to really make some of the scenes sing.
The Playlist calls the
script for The Sitter is «quite
funny,» which doesn't excite much more
than the image does.
Thankfully, Baumbach playing nice is still harsher
than 95 % of comedies and this flick features easily one of his
funniest scripts.
Still, there are more
than enough laughs and clever surprises in this broad and sometimes violent farce to warrant a recommendation, thanks to a solidly
funny script by Mark Perez, some pretty neat camera moves and choreographed action / comedic sequences from directors John Francis Daley and Jonathan Goldstein — and a likable and talented ensemble cast, led by two of my favorites.
Maybe it's not even that Rudolph is
funnier than McCarthy, but she is a welcome break from a
script that has our lead actress talking non-stop.
That, said Wheatley at a round - table interview Friday in West Hollywood, gave the film sweeter,
funnier moments
than he had in the
script.
Employing as much adult oriented humor as kid - aimed cracks, Hotel Transylvania «s
script includes some smart one - liners,
funny sight gags and rude jokes (often about fecal matter), most of which are more chuckle - worthy
than laugh - out - loud.
All these years later, this affectionate tribute to old Hollywood and innocent matinee westerns is just as
funny, thanks to a knowing
script (by Steve Martin, Lorne Michaels and Randy Newman), engaging performances (by Martin, Chevy Chase and Martin Short) and Landis» savvy direction, which is larger
than life in all the ways that those original westerns were.
The acting's sub-par across the board, the
script is terrible, none of the jokes are
funny, it's openly misogynistic, and Columbus finally made a film worse
than Nine Months.
This is a different sort of
script for Kaufman
than his others, much less outwardly clever in its construction (though it may be his
funniest script); that Kaufman feel is there, but it comes out more in his directorial choices
than his writing.
Rather
than identifying «what is
funny», the exhibition looks more closely at «what makes
funny» and how artists use various comedic personalities, strategies and tropes (including bodily movement,
scripted dialogue, timing, exaggeration of scale and situation) to reveal more serious concerns about race, labour, gender and history.