It might just be the most unintentionally
funny piece of film to survive the 1980s.
Not exact matches
One
of the
funniest examples
of this was when the director
of Awakenings mistakenly said the
film took place in a «menstrual hospital» instead
of «mental hospital», Williams immediately said, «It's a period
piece.»
As a follow - up to his Oscar ® - winning The King's Speech, he could have played it safe and done another smart,
funny period
piece or a family drama — or any number
of equally small independent
films.
Kumail Nanjiani, Emily V. Gordon, and Michael Showalter's unassuming romantic comedy is one
of the year's
funniest films, featuring some truly jawdropping one - liners and set
pieces, but it's also so completely naked - hearted and raw that you'll frequently be weeping even as you laugh.
Mike Birbiglia's sensitive,
funny, sad, honest
film Don't Think Twice, which has more affection for and understanding
of a certain kind
of comedy person than perhaps any
piece of fiction that's ever been written about them.
Stay through the end credits for a
funny scene involving his character that likely had been intended as a set
piece within the main body
of the
film, but which works much better out
of the context.
MEMENTO The second reality - testing
film to make my list this year, Christopher Nolan's darkly
funny noir
piece Memento is something
of a tribute to the editor's craft.
When the
film premiered at the festival on May 19, TheWrap called it «a long, scathing, brilliantly
funny film with a jaw - dropping set
piece... It is a bold, generous and marvelously constructed exploration
of its director's favorite question: «Aren't we humans a sorry lot?»»
''... impressive is the chemistry
of the two leads... their interactions are
funny, gutsy, and keep the momentum
of the
film going, even when it's time for a breather from the high - falutin» action
pieces.»
In pursuing that goal, Sestero and Bissell thoughtfully tell a genuinely affecting story, and elevate The Disaster Artist from a
funny, diverting curio to a truly vital
piece of pop
film writing.
Next Movie feels much more like the deleted scenes
of their first and much
funnier film, Up In Smoke, than it does as a stand alone
piece.
Episodic to a fault, the
film offers one raunchy, cartoonish set -
piece after another, only a few
of which are especially
funny or clever.
Although The Disaster Artist maintains a great reverence for The Room, the
film can be seen as a
funny comedy about how such true - to - life absurdities can be a catalyst for such a terrible yet mesmerising
piece of art.
The plot never runs out
of steam, but you'll soon see it as an excuse for dazzling bits
of business: a spaghetti strand turned into a lasso, an excruciatingly
funny piece of on - set dialogue direction (some cowpokes will never become urbane smoothies) and Channing Tatum in a screwy - sailor dance number that plays like a reason to make the
film.
Most
of the appeal
of the
film comes from the interaction
of Fox and Woods, both known for giving energetic performances, but without good,
funny material to surround them with, all we're left with is a personality
piece that might only appeal to fans
of the leads.
The
film features multiple scenes in which «Toni,» sporting a ludicrous fright wig and fake teeth, unexpectedly shows up to embarrass his daughter at important work functions; there's also a showstopping karaoke performance (
of sorts) and an extended, screamingly
funny set
piece involving nonsexual full - frontal nudity.
The new
film is structured much like the first one, based largely on extensive set
pieces and montages; this time they're less
funny, while also throwing in a lot
of fan service for fan service's sake.
A solid cast
of comedy actors lend their voices to the supporting characters, including Michael Peña, Kumail Nanjiani, Abbi Jacobson, Zach Woods and Fred Armisen, but the
film loses them in the cacophony
of kung fu movie references, colourful action and fitfully
funny comic set
pieces.
It's a tremendously
funny film, due more to its sustained deadpan tone than the deployment
of elaborate set
pieces or scene - stealing side players.
«Boyhood»: Richard Linklater's masterwork, and a
piece of cinema as superb as it is unique, with one boy's step - by - step trek through the years brought to meaningful, beautiful life in a
film made up almost entirely
of the kinds
of real, wrenching and
funny scenes other, lesser movies either cut or never include in the first place.
Filmed on three cameras during the night
of October 16 2004, it is a
funny, perplexing and oddly affecting
piece.
Mike Kelley: Day is Done Judson Church Dance Tuesday November 17 — Thursday, November 19 at 8 pm and 10 pm In the first
of two related Performa projects, Season 3 artist Mike Kelley will present three short dance / performance
pieces in the Judson Memorial Church inspired by the darkly
funny vignettes in his 2005
film and video installation Day Is Done.