Sentences with phrase «funny scene of the film»

The only really funny scene of the film belongs to Ebon Moss - Bachrach, a yuppie prison architect who beds Lola while singing along to Ani DiFranco.

Not exact matches

In the first flick, Neil Patrick Harris played a truly messed - up version of himself and created the funny scenes in the film.
I did think there were scenes of emotional import (I did care during Tony's re-watching his dad's old films, amanohyo) and there were a handful of funny moments that worked (Hammer's «Ex-Wife»... yeah kinda figured that would happen, but hey there's a pill for that now!).
Not only do you get more pie with this longer cut of the film but there are also some surprisingly good deleted scenes (touching rather than funny).
One of the greatest and funniest horror films ever made, it has a great story and a powerful scenes with great visuals and exquisite acting, I am a big horror fan, this one is good, it is really good, although I was barging for something smaller and simpler, but it turned out to be way too different than expected!
One of the greatest and funniest horror films ever made, it has a great story and a powerful scenes with great visuals and exquisite acting, I am a big horror fan, this one is good, it is really good, although I was barging for something
One of the funnies, most original sex scenes ever seen in a mainstream feature film.
In one of the film's funniest scenes, David tries to help Diaz's prom date, Ben Stiller, extricate himself from an embarrassingly sticky situation.
The only real thing I liked in this film was the scene with the three little pigs being bad mercenaries, but the funny thing about it is that Cheech marin plays one pig and Chong plays another, and I found that pretty funny actually, but the rest of the film is just crap, and Is undoubtedly the worst film I've seen this year.
Ditto the film's only truly funny scene — a straight rip - off of MacGruber.)
Wiig has been the funniest person on the planet for a while, ruling SNL when she was on it, stealing scenes in movies like «Knocked Up,» and now, in this script she co-wrote with Annie Mumolo, who plays her airplane seatmate in the film, she's front - and - center in all of her awkward glory.
The film doesn't shy away from the horrors of slavery, yet the grim material is balanced with a deliciously dark sense of humour - just check out the scene with a band of white - sheeted vigilantes, acting as a precursor to the KKK, which is one of the funniest scenes Tarantino has ever written.
In the film's funniest scene, a klatch of patients laugh off their absurd therapies while bragging about their advancement in various games.
Part of the story is fit for a comedy, but this film isn't funny at all, which includes the scenes where it seems like it's trying to be.
In the end, what emerges is a funny, honest, and incisive portrait of a truly one - of - a-kind artist, and an exhilarating behind - the - scenes look at the last 50 years of the film industry through the eyes of someone who has truly seen it all.
Among many others, the scene with The Dude morphed onto a bowling ball and rolling down the lane - between the legs of a horde of beautiful women - and to some groovin» music - may be the funniest and most surreal thing I've ever seen in film.
In one of the more clever twists, Enter the Dragon's sex slave scene tosses in a different spin — making the women into men — funny, and done with more subtlety than most other films would have shown.
One thing I found quite funny in particular was director Tim Story's decision to have her wear glasses in many of the scenes in the film.
While it might be a chore to extract whole scenes from the film due to the fact that most are very funny, many of the characters and sub-stories are superfluous, and could have easily been worked into a future Apatow comedy if need be.
«Life of the Party» is another classic case of a comedy that puts its best stuff in the promos, while the actual film provides very few funny or memorable scenes.
In one of the film's funniest scenes, Chewbacca forgoes eating a roasted Porg when a bunch of other Porgs stare at him with horror.
Apatow's special edition supplements are always terrific and this is no exception, from the 75 - minute «Funny People Diaries» (a making - of documentary as a personal journey through the film guided by director Apatow) to the deleted / alternate scenes, montages of ad - libs and other goodies.
And the scene that immediately follows is not even remotely funny — it's straight out of a war film.
Along with the to be expected there are some truly funny and standout scenes in play in Deadpool 2, such as an imaginative sequence demonstrating new mutant Domino's luck (played fantastically by newcomer to the series Zazie Beetz) and the first mission for Wilson and his new X-Force squad that includes standouts Peter and Vanisher, while the introduction of Josh Brolin as Cable is the films biggest win, with Brolin rolling on with that good Thanos form.
Stay through the end credits for a funny scene involving his character that likely had been intended as a set piece within the main body of the film, but which works much better out of the context.
At the top of that list is the scene where the President informs the Russian Premier of the accidental attack — by far one of the funniest one - sided conversations ever recorded on film.
Going for seriousness only makes the film all the more funnier, albeit unintentionally, because the only entertainment that's left for us is to laugh at all of the amazing coincidences and guess what predictably boneheaded turn the story takes from scene to scene.
In the film's funniest scene, he gives a mind - projection of Frost a virtual grope while the real thing sits watching boredly from the sofa, muttering, «Pathetic!»
This film contains one of the funniest scenes and lines I have ever enjoyed.
Something better than another damn quote: The line - up scene was scripted as a serious scene, but after a full day of filming takes where the actors couldn't keep a straight face, Singer decided to use the funniest takes.
In the film's funniest scene, Bruce takes over the new anchor's body and speech control on his first day of the job, causing him to spasm and spout out unintelligible blabber.
It's a sporadically funny scene that plays Hank's seemingly straitlaced nature (He has portraits of himself as characters in animated films) as a way to hide his dirty secrets, puts Annie in a situation where she must do cocaine to keep up appearances, and features an unstoppable dog that relentlessly pursues Jay as he searches for the tablet.
Except that the final scene is of her dancing to the eponymous track by Umberto Tozzi and, in itself, provided me with one of my very favorite film moments from 2013 — a perfectly uplifting, joyous ending to a movie that manages to be optimistic without being pat, funny without being scornful and happy without being slight.
Directed by Wayne Wang, it's companion film, shot on the set during downtime while filming the movie, is very funny, has a cast of dozens (including some great scenes with Jim Jarmusch and Lou Reed) and ranks # 44 this year.
Adapted from the novel by Chris Fuhrman, there's some funny dialogue and interesting insights delivered during the course of the film, and had the tone stayed within the bounds set during the opening scenes, this would have been an enjoyable slice of life film with humor and heart.
Frankly, I found The Nice Guys to be the funniest film of the year and was a perfect blend of sharp humor and meticulously choreographed action scenes.
The film can be tonally inconsistent, so that some scenes come off a weird hybrid of funny and / or awkward.
It has some of the funniest moments of any film this year, but it also features scenes of such heart - rending sadness that you couldn't possibly call it a comedy.
But does all the referencing and homage — and not just to Demy, but also to Golden Age Tinseltown productions like An American in Paris, jazz greats like Miles Davis, and even (in the film's funniest scene) the English new - wave band A Flock of Seagulls — add up to much of anything original?
Next Movie feels much more like the deleted scenes of their first and much funnier film, Up In Smoke, than it does as a stand alone piece.
Only once we've got to know these two better does the film itself gain their intimacy, giving us long, tender, funny scenes of flirting and pillow talk.
Hill and Tatum are very funny together (e.g., the opening scene, in which Schmidt disguises himself as a Hispanic gang member and Jenko tries and fails to play along) and funny enough on their own (e.g., Schmidt's take on slam poetry and Jenko's delayed, childlike reaction to discovering the identity of his partner's romantic interest), which is vital because the film's questioning of itself extends to the relationship between these characters.
Unfortunately this film is not one of my favorites, it plays more like a slapstick comedy, which is not funny, with a few decent action scenes chucked in.
But while Wiseau's ineptitude and tyranny behind the scenes of his mystifying magnum opus make for a few funny scenes, there is no point at which The Disaster Artist attempts to work on its own as a film — not even as a poor man's Ed Wood.
It's unexpected and raunchy and funny but also rooted in friendship and a practicality that unites the dueling agendas of the film like few other scenes.
Marvel's Howard the Duck all but disappeared after his eponymous 1986 film failed miserably and entered the pantheon of terrible comic book movies, but the character is primed to make a triumphant return, thanks in no small part to a funny post-credits scene in this year's runaway hit, Guardians of the Galaxy.
It hasn't been a particularly memorable year at the movies, especially for those in search of a good comedy, so it's a relief to see a film like «We're the Millers» arrive in theaters, because although it's not as funny as its behind - the - scenes talent might suggest, it's one of the better comedies released thus far.
Although the film moves at a steady pace, and has some funny scenes (especially the one where the farmers sing), the writers unfortunately seem to disconnect with the characters near the end of the film.
From my review of Rush Hour 2: «The film - making formula appears to be this: come up with a semi-workable plot, work in some situations that might inspire something funny happening, plug in Tucker (Jackie Brown, Money Talks) and Chan (The Myth, Around the World in 80 Days) into these scenes, and then roll film and hope they ad - lib something amusing to use for the final film
The funniest scene in the film is Thor and the Guardians of the Galaxy (which includes a talking raccoon and tree) feeling each other out, although the inevitable convergence of Dr. Strange and Iron Man's egos provides a lot of laughs as well.
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