The only really
funny scene of the film belongs to Ebon Moss - Bachrach, a yuppie prison architect who beds Lola while singing along to Ani DiFranco.
Not exact matches
In the first flick, Neil Patrick Harris played a truly messed - up version
of himself and created the
funny scenes in the
film.
I did think there were
scenes of emotional import (I did care during Tony's re-watching his dad's old
films, amanohyo) and there were a handful
of funny moments that worked (Hammer's «Ex-Wife»... yeah kinda figured that would happen, but hey there's a pill for that now!).
Not only do you get more pie with this longer cut
of the
film but there are also some surprisingly good deleted
scenes (touching rather than
funny).
One
of the greatest and
funniest horror
films ever made, it has a great story and a powerful
scenes with great visuals and exquisite acting, I am a big horror fan, this one is good, it is really good, although I was barging for something smaller and simpler, but it turned out to be way too different than expected!
One
of the greatest and
funniest horror
films ever made, it has a great story and a powerful
scenes with great visuals and exquisite acting, I am a big horror fan, this one is good, it is really good, although I was barging for something
One
of the
funnies, most original sex
scenes ever seen in a mainstream feature
film.
In one
of the
film's
funniest scenes, David tries to help Diaz's prom date, Ben Stiller, extricate himself from an embarrassingly sticky situation.
The only real thing I liked in this
film was the
scene with the three little pigs being bad mercenaries, but the
funny thing about it is that Cheech marin plays one pig and Chong plays another, and I found that pretty
funny actually, but the rest
of the
film is just crap, and Is undoubtedly the worst
film I've seen this year.
Ditto the
film's only truly
funny scene — a straight rip - off
of MacGruber.)
Wiig has been the
funniest person on the planet for a while, ruling SNL when she was on it, stealing
scenes in movies like «Knocked Up,» and now, in this script she co-wrote with Annie Mumolo, who plays her airplane seatmate in the
film, she's front - and - center in all
of her awkward glory.
The
film doesn't shy away from the horrors
of slavery, yet the grim material is balanced with a deliciously dark sense
of humour - just check out the
scene with a band
of white - sheeted vigilantes, acting as a precursor to the KKK, which is one
of the
funniest scenes Tarantino has ever written.
In the
film's
funniest scene, a klatch
of patients laugh off their absurd therapies while bragging about their advancement in various games.
Part
of the story is fit for a comedy, but this
film isn't
funny at all, which includes the
scenes where it seems like it's trying to be.
In the end, what emerges is a
funny, honest, and incisive portrait
of a truly one -
of - a-kind artist, and an exhilarating behind - the -
scenes look at the last 50 years
of the
film industry through the eyes
of someone who has truly seen it all.
Among many others, the
scene with The Dude morphed onto a bowling ball and rolling down the lane - between the legs
of a horde
of beautiful women - and to some groovin» music - may be the
funniest and most surreal thing I've ever seen in
film.
In one
of the more clever twists, Enter the Dragon's sex slave
scene tosses in a different spin — making the women into men —
funny, and done with more subtlety than most other
films would have shown.
One thing I found quite
funny in particular was director Tim Story's decision to have her wear glasses in many
of the
scenes in the
film.
While it might be a chore to extract whole
scenes from the
film due to the fact that most are very
funny, many
of the characters and sub-stories are superfluous, and could have easily been worked into a future Apatow comedy if need be.
«Life
of the Party» is another classic case
of a comedy that puts its best stuff in the promos, while the actual
film provides very few
funny or memorable
scenes.
In one
of the
film's
funniest scenes, Chewbacca forgoes eating a roasted Porg when a bunch
of other Porgs stare at him with horror.
Apatow's special edition supplements are always terrific and this is no exception, from the 75 - minute «
Funny People Diaries» (a making -
of documentary as a personal journey through the
film guided by director Apatow) to the deleted / alternate
scenes, montages
of ad - libs and other goodies.
And the
scene that immediately follows is not even remotely
funny — it's straight out
of a war
film.
Along with the to be expected there are some truly
funny and standout
scenes in play in Deadpool 2, such as an imaginative sequence demonstrating new mutant Domino's luck (played fantastically by newcomer to the series Zazie Beetz) and the first mission for Wilson and his new X-Force squad that includes standouts Peter and Vanisher, while the introduction
of Josh Brolin as Cable is the
films biggest win, with Brolin rolling on with that good Thanos form.
Stay through the end credits for a
funny scene involving his character that likely had been intended as a set piece within the main body
of the
film, but which works much better out
of the context.
At the top
of that list is the
scene where the President informs the Russian Premier
of the accidental attack — by far one
of the
funniest one - sided conversations ever recorded on
film.
Going for seriousness only makes the
film all the more
funnier, albeit unintentionally, because the only entertainment that's left for us is to laugh at all
of the amazing coincidences and guess what predictably boneheaded turn the story takes from
scene to
scene.
In the
film's
funniest scene, he gives a mind - projection
of Frost a virtual grope while the real thing sits watching boredly from the sofa, muttering, «Pathetic!»
This
film contains one
of the
funniest scenes and lines I have ever enjoyed.
Something better than another damn quote: The line - up
scene was scripted as a serious
scene, but after a full day
of filming takes where the actors couldn't keep a straight face, Singer decided to use the
funniest takes.
In the
film's
funniest scene, Bruce takes over the new anchor's body and speech control on his first day
of the job, causing him to spasm and spout out unintelligible blabber.
It's a sporadically
funny scene that plays Hank's seemingly straitlaced nature (He has portraits
of himself as characters in animated
films) as a way to hide his dirty secrets, puts Annie in a situation where she must do cocaine to keep up appearances, and features an unstoppable dog that relentlessly pursues Jay as he searches for the tablet.
Except that the final
scene is
of her dancing to the eponymous track by Umberto Tozzi and, in itself, provided me with one
of my very favorite
film moments from 2013 — a perfectly uplifting, joyous ending to a movie that manages to be optimistic without being pat,
funny without being scornful and happy without being slight.
Directed by Wayne Wang, it's companion
film, shot on the set during downtime while
filming the movie, is very
funny, has a cast
of dozens (including some great
scenes with Jim Jarmusch and Lou Reed) and ranks # 44 this year.
Adapted from the novel by Chris Fuhrman, there's some
funny dialogue and interesting insights delivered during the course
of the
film, and had the tone stayed within the bounds set during the opening
scenes, this would have been an enjoyable slice
of life
film with humor and heart.
Frankly, I found The Nice Guys to be the
funniest film of the year and was a perfect blend
of sharp humor and meticulously choreographed action
scenes.
The
film can be tonally inconsistent, so that some
scenes come off a weird hybrid
of funny and / or awkward.
It has some
of the
funniest moments
of any
film this year, but it also features
scenes of such heart - rending sadness that you couldn't possibly call it a comedy.
But does all the referencing and homage — and not just to Demy, but also to Golden Age Tinseltown productions like An American in Paris, jazz greats like Miles Davis, and even (in the
film's
funniest scene) the English new - wave band A Flock
of Seagulls — add up to much
of anything original?
Next Movie feels much more like the deleted
scenes of their first and much
funnier film, Up In Smoke, than it does as a stand alone piece.
Only once we've got to know these two better does the
film itself gain their intimacy, giving us long, tender,
funny scenes of flirting and pillow talk.
Hill and Tatum are very
funny together (e.g., the opening
scene, in which Schmidt disguises himself as a Hispanic gang member and Jenko tries and fails to play along) and
funny enough on their own (e.g., Schmidt's take on slam poetry and Jenko's delayed, childlike reaction to discovering the identity
of his partner's romantic interest), which is vital because the
film's questioning
of itself extends to the relationship between these characters.
Unfortunately this
film is not one
of my favorites, it plays more like a slapstick comedy, which is not
funny, with a few decent action
scenes chucked in.
But while Wiseau's ineptitude and tyranny behind the
scenes of his mystifying magnum opus make for a few
funny scenes, there is no point at which The Disaster Artist attempts to work on its own as a
film — not even as a poor man's Ed Wood.
It's unexpected and raunchy and
funny but also rooted in friendship and a practicality that unites the dueling agendas
of the
film like few other
scenes.
Marvel's Howard the Duck all but disappeared after his eponymous 1986
film failed miserably and entered the pantheon
of terrible comic book movies, but the character is primed to make a triumphant return, thanks in no small part to a
funny post-credits
scene in this year's runaway hit, Guardians
of the Galaxy.
It hasn't been a particularly memorable year at the movies, especially for those in search
of a good comedy, so it's a relief to see a
film like «We're the Millers» arrive in theaters, because although it's not as
funny as its behind - the -
scenes talent might suggest, it's one
of the better comedies released thus far.
Although the
film moves at a steady pace, and has some
funny scenes (especially the one where the farmers sing), the writers unfortunately seem to disconnect with the characters near the end
of the
film.
From my review
of Rush Hour 2: «The
film - making formula appears to be this: come up with a semi-workable plot, work in some situations that might inspire something
funny happening, plug in Tucker (Jackie Brown, Money Talks) and Chan (The Myth, Around the World in 80 Days) into these
scenes, and then roll
film and hope they ad - lib something amusing to use for the final
film.»
The
funniest scene in the
film is Thor and the Guardians
of the Galaxy (which includes a talking raccoon and tree) feeling each other out, although the inevitable convergence
of Dr. Strange and Iron Man's egos provides a lot
of laughs as well.