Sentences with phrase «funny than anything»

More funny than anything.

Fortunately, the scene is more funny than anything else.

It's not quite as appealing - but is still funnier than anything else on offer.

That's totally true, and way funnier than anything I could come up with here.

Tracy Morgan is awesome on 30 Rock, much funnier than anything Chris Tucker has ever done.

Not surprisingly, the discarded scenes that accompany the concluding credits are funnier than anything that preceded them.

Still, when this movie is on, it is funnier than anything released this year.

Baldwin's puppy - dog eyes as he lovingly gazes at Streep, trying to convince her to bed or later understanding he's caused a big problem, are funnier than anything else Meyers could throw at Jake.

The film is preceded on Lionsgate's BD by a loud, showy DTS logo, which is almost funnier than anything Allen could've written.

There's also this great line, which is way funnier than anything we could say: «The Shape Of Water may have won Best Picture, but nothing will beat the shape of water you leave behind on your sick new ride.»

Pinky has written a fabulous blog about our meeting, which is much, much funnier than anything I could conjure up.

Not exact matches

Funny how all these atheists respond to the accusation that they do nt believe in anything other than truth - is - whatever - you - feel - it - to - be thinking, by saying they do nt believe in anything other than truth - is - whatever - you - feel - it - to - be thinking..

It's both funny and sad to see some of the responses above... so many people unwilling to examine life from anything other than through society's blinders.

«It is supposed to be funny more than anything.»

was funny but probably awkward for him more than anything.

It's funny how I planned on being ultra-glam for the shows and after only a day or two I started dressing more for survival than anything else!

I think of it more as a funny story about my own human failings, than anything particularly profound.

Hopeless romantic who loves to smile and laugh, funny but serious, carefree but responsible, honest but ornery, animal lover, loves my family more than anything!

The steady cavalcade of cameo appearances, coupled with the inclusion of a few genuinely funny comedic set - pieces, prevents the movie from becoming an all - out bore, admittedly, yet it's worth noting that both Carell and Fey's small - screen work is, by and large, far more entertaining than anything within Date Night's appreciatively short running time.

This is a heady mix, but it sounds funnier than it plays, because it needed a Billy Wilder level of cynicism, and Weitz doesn't have anything like that.

STRANGER THAN FICTION, a dark comedy - drama from comedian Will Ferrell (TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY; BLADES OF GLORY) and director MARC FORSTER (QUANTUM OF SOLACE; THE KITE RUNNER) is quite notably funny, and even when you think you're going to regret laughing (I won't ruin the movie for those of you who have not seen it), you do not regret anything at all.

The other disappointment in the Official Competition programme — though more from an expectations point - of - view than anything else — was Borgman, which calls to mind Michael Haneke's Funny Games (1997/2007) and Yorgos Lanthimos» Kynodontas (Dogtooth, 2009).

This is never so clear as the handful of times Super Troopers 2 returns to old bits, which more than anything else remind us nothing in this new film is remotely as funny as the first one.

Can there be anything funnier than seeing Clint Howard make fun of your «yutes» word choice?

Keeping up his namesake, he's also pretty darn funny — the «pencil trick» had our entire theater audience both laughing and wincing simultaneously — and comes closer to the true spirit of the comic book Joker than anything we've ever seen before.

Split is funnier, campier, and more freewheeling than anything its writer - director has done — slightly overlong, but reminiscent of Brian De Palma films like The Fury and Femme Fatale in its refusal to be boring.

«Magic in the Moonlight» doesn't make you believe in magic, or love, or anything, really, although maybe that's just the cynic in me, eager to expose the film as the fraud that it is, because the whole thing feels less like a genuine Woody Allen comedy (smart and funny with a healthy dash of neurosis) than a pale imitation.

Of note among the ten deleted / extended scenes totalling 19 minutes is an alternate version of the acid trip Dewey takes with The Beatles (I'm sure someone out there will enjoy seeing Kristen Wiig tongue - wrestle Margo Martindale) and a funny — and frankly vital — window into Dewey's songwriting process that's probably closer to reality than anything in Once.

I still haven't really seen anything from the pic that makes it stand out as anything other than a pretty standard buddy cop comedy, but Johnson and Wayans Jr. are very funny guys who have terrific chemistry on New Girl, so hopefully that charisma makes the full feature worthwhile.

The one thing I was — «cause I have been asked about this, my kid more than anything likes to make me laugh, so when I told him that, even at 9 years old, he has such a funny sense of humor, that's what he said, but this is the first time, it's the first thing I've ever done, ever, that he is like legitimately jazzed about.

But when you're on set, the level of collaboration, the pursuit of what works the best and is the funniest, is not different than anything else.

It's not very funny either, with many of the good laughs already spoiled in the trailer, resulting in an end product that's more awkward than anything that happens in the film.

Comedy is an integral part of cinema, but Bad Grandpa fails both for being rarely funny and for its sense of humor being worse than anything it's attempting to send up.

The resulting movie is a riot — a funny, foul, delirious gallop through street - level LA that never feels anything less than cinematic.

It's never shocking, never anything more than a chuckle's worth of funny as it struggles to mine some laughs out of how obnoxious the French are (and isn't the mocker unable to let a mediocre joke die the more obnoxious?)

However, Ghostbusters plays more for laughs than scare, and Fright Night isn't really funny as it is comical, generating most of its amusement from the comic relief provided through the tensest of moments than in anything that would be funny on its own.

You'd have to be more than merely intoxicated to find anything about this dismal stoner comedy remotely funny.

Funny, smart, ceaselessly creative, and bearing more than a taste of the bitter and genuinely sweet, there's no mistaking The Royal Tenenbaums for being anything other than a Wes Anderson film, and that is most certainly a compliment.

Other than the one depressing - to - read line that «Madagascar» does anything better than another film, this review was funny and intelligent.

In contrast to the first Deadpool, from which I remember the lame Rosie O'Donnell joke more than anything actually funny, the sequel's whiffs are less memorable than its hits.

This movie is funny, the sexual tension is much stronger than anything you saw in Reality Bites, and as Sebastian Lelio's first English effort, it soars.

Grammer - a pro's pro who deserves far better material than he's given here - can make almost anything funny.

«Hall Pass» has a lot going for it, from a funny cast to an interesting premise, but it never really comes together which winds up making it more disappointing than anything else.

Written and directed by Bruce Mc Culloch of «Kids in the Hall» fame and a supporting cast of some of the funniest people in the world - how could this be anything less than hilarious?

Wain refreshingly doesn't try for anything more than to be true to the characters and their potential for funny interactions, not injecting false romance or heavy - handed soul searching.

It's also funny because it knowingly, gently pokes fun at our culture of «you can be anything you want to be,» the source of more sometimes - murderous disappointment than any other child - rearing strategy endemic to the West.

Both are on Youtube and are quicker, funnier and look better than anything in The Final Chapter.

But this being from Pixar, and in particular from «Up» director Pete Docter, it's also a total, well, joy — bright, exciting, funny (was anything funnier this year than the film's closing credits?

The mirrored story lines about fear of getting old work well, because each character has a specific place to draw the line — and when the lines aren't spiteful (because these characters aren't true villains), they're funny: the movie's slapstick never fails, but the De Niro party is more effective than anything De Niro himself has done for years.

Nevertheless, Neeson (hard at work already on the next Taken sequel) is always watchable, and though his attempts at a New York accent are funnier than almost anything in This Is Where I Leave You, his grim avenger makes for (somewhat) compelling cinema.