Sentences with phrase «further dialogue with»

Note: Please provide a 200 - 300 word precise of the paper that shows your thorough understanding of the Paper and the issues discussed and the conclusions / recommendations BEFORE attempting to comment or engage in further dialogue with me about it.

«We look forward to further dialogue with everyone involved here, including advocacy groups, and we are committed to continuing to act with care and understanding during this difficult time.»

The Orthodox Churches have united to suspend further dialogue with the Roman Catholic Church on all other issues until a satisfactory solution of the problem is obtained.

I have no intention to waste my time with any further dialogue with you while this is the tone of your engagement.

I think I am going to pass on pursuing any further dialogue with you.

As far as ignoring someone, can you imagine a situation in which you realize that further dialogue with a person would be completely useless?

Their timeless and ageless presence complicates the notions of belonging and identity; however, their complex facial expressions and detailed attires build further dialogues with the audience.

He locally sources the tires for each city, emphasizing the latent violent potential of quotidian objects, while furthering his dialogue with architectures of violence and radical politics.

Not exact matches

If you can counter those jaded ideas with irrefutable arguments based in history and fact, that could go a long way in helping to further a more sensible dialogue and finding solutions to racial disparities that remain deeply entrenched.

Your customers are going far beyond TV to get their information, so it makes sense to have an ongoing dialogue with your audience to figure out how and where they consume video content.

Far from being a text which tells people not to talk back to God, Exodus 33:19 is a text which invites people to enter into genuine dialogue with God about His character, actions, and behavior.

Further: Christian freedom respects the freedom of others and is therefore tolerant, seeking the open dialogue with all men.

Abandoning the angelic marionettes who merely echo his thought as further extensions of his own being, God has elected to enter into dialogue with sinful, yet free, men.

«His famous dialogue with Habermas in Munich in 2004 came as a huge surprise to Catholic intellectuals, who were unaware of how far Ratzinger was open to the heritage of the Enlightenment.

See, we really don't get very far with that sort of dialogue, do we?

I wasn't going to comment further but as there has been a change in the tone of how you have come across to one which I think is more conducive to healthy dialogue David I will dignify that by engaging with it.

I have concentrated thus far on the confrontation of science and religion because the greatest intellectual task for religion today is a new dialogue with science that could transform both.

My belief is that forums like these are very helpful, but can only go so far, given that most people with negative views towards Islam are unlikely to participate in an open - dialogue such as this.

The examples I have given of the tower of Babel fallacy are enough to indicate that religion in the postmodern world will become relevant in so far as it can once again find dialogue with all the disciplines and help to transform their divided house into some sort of whole.

Autor further said that «last February, we had a dialogue with officials from DA RFU5.

Baby Milk Action informed the UN Global Compact Office that, while it would continue to copy the Office into its ongoing «dialogue» with Nestlé and encourage the Office to exclude Nestlé, the correspondence with the Office had demonstrated that it was incapable or unwilling to take any action to stop the violations and that far from improving corporate behaviour it was, in this instance at least, complicit in allowing violations to continue by providing legitimacy to misleading reports — which it refused to evaluate — and public relations cover.

I think it's far worse than that, with shades of Gentile's corporatism); that it has continued the conversion of competing and / or divergent centres of power into a recursive bureaucratic autarchy, emptying out the wider polity of any sort of dialogue or dialectic, shades of Gentile again, and that socially and fiscally it has been profoundly regressive, continuing the marketisation of the severely wounded NHS and of education, also badly bleeding, treating school and university students as «product», not as people; adopting a broadly Powellite attitude to migrants (useful economic fodder, mustn't change the culture, «British jobs for British people»); devising the catastrophe of PFI / PPP within a broader neo-liberal agenda, and so on.

While the UK Government has legitimised the Scottish Government and supported the Scottish Independence referendum as a highly democratic exercise, Spain stands out as remaining normatively inflexible without, so far, even contemplating any dialogue with the presidents of the Catalan and Basque Autonomies.

Taking advantage of diplomatic opportunity of the Olympic games, Moon and his administration actively pursued further - going dialogue with the North.

«As far as human rights is concerned I don't think we should be lecturing the Chinese, but it is right we have a proper dialogue with them about it,» he told the CNN's The Business View.

Further, while we are happy to participate and engage in dialogue with this Commission, many of our organizations are

Even when the director takes it too far — unceasingly pushing his camera through hallways and into ringing phones, or tilting up to the ceiling and spinning around a morally conflicted Graham — his curiosity is never less than winning, and his direction has rarely felt so energetic, giddy with scenes of overlapping dialogue and deftly orchestrated, impromptu conference calls.

Under the Dome was the series that I waited the most and hoping to be good, after being disappointed with Bates Motel, Under the Dome pleased me, it was well written, well directed, well acted and the dialogue is good, everything is good so far, I think it is going to be a blast.

Filmed without narration, subtitles, or any comprehensible dialogue, Babies is a direct encounter with four babies who stumble their predictable ways to participating in the awesome beauty of life.Needless to say, their experience of the first year of life is vastly different, yet what stands out is not how much is different but how much is universal as each in their own way attempts to conquer their physical environment.Though the language is different as well as the environment, the babies cry the same, laugh the same, and try to learn the frustrating, yet satisfying art of crawling, then walking in the same way.You will either find Babies entrancing or slow moving depending on your attitude towards babies because frankly that's all there is, yet for all it will be an immediate experience far removed from the world of cell phones and texting, exploring up close and personal the mystery of life as the individual personality of each child begins to emerge.

As far as the technical side of things goes, this sounds fine, with the main source of audio the dialogue and soundtrack.

As those scenes progressed, the dialogue and situations between them felt far more fictionalized than his work with the CIA, NSA, or the scenes taking place in Hong Kong.

Put together, this is one of the great dialogue comedies, with far more verbal acuity than most movies about campus life — or most movies, period.

Radnor has a knack with actors, and his dialogue is snappy without drifting too far toward sitcom - y or quirky.

Simon Pegg and Nick Frost have never been better as childhood best friends who have grown far apart, and the script provides Wright with his most snappy dialogue and clever structure yet.

Shyamalan's far - from - subtle modus operandi surely plays a significant role in The Happening's downfall, with the overwrought and flat - out laughable dialogue exacerbated by performances that are almost uniformly ineffective (something that's particularly true of Wahlberg's egregiously earnest and downright incompetent efforts at stepping into the shoes of an everyman).

As far as a plot goes, To the Wonder does not tell a story as much as present a cast, place them in a situation with minimal dialogue, and allow the audience to fill in the vast spaces that stretch out beyond.

With questionable dialogue and cheap CG effects, «The Aviator» might as well be a fictional story, but the backstory of this legendary director / aviator is far too compelling to look away from.

Director John Krasinski's third feature, and by far his most accomplished, «A Quiet Place» is a pretty crafty small - scale thriller set a few years in the future, with minimal dialogue and maximal, human - eating monsters.

Primarily, the film worked due to Rutger Hauer's menacing persona; he embodied mystery, darkness, menace, and an underlying envy for his prey, with a nuanced performance that ran far deeper than the few lines of dialogue he delivered.

While past games no doubt had similar moments, I can with no doubt envision players new to the series assuming the game is a whole lot more linear and flowery in dialogue than it actually is due to the frequency of said encounters, though it does get stronger the further you get into the game.

It's hard to believe that any film that starts so promisingly, with Ryan Phillippe full - on punching Sarah Silverman in the mouth, can go so far downhill, but despite its gonzo and engaging opening half hour, the film soon sinks under its own weight, hampered by thin characterization, ludicrous overplotting and a director way, way too much in love with the prose on the page to bother trying to make it sound like dialogue from a human mouth.

His economics teacher (George Takei in a fun role) helps him with his financial difficulties, and the closest anything comes to stalling his predefined progress is the fact that Mercedes suspects he might be involved with Talia, which, of course, is cleared up by a single line of dialogue far into the movie.

But when it comes to dialogue scenes between actors, I find it far too constricting (and unfair to the actors) to plan out those shots without the benefit of first playing it on the actual location with the actors.

It is far too talky with scenes of dialogue that stretch out to Tarantino proportions.

Some of the banter between them is even reminiscent of a romantic comedy, though screenwriter Nick Hornby thankfully never treads too far into this territory with his dialogue, knowing that it wouldn't fit the mostly pensive tone of the film.

Perhaps the most explicitly in dialogue with film history of all his works thus far, the film will read as a much - needed strike of lightning to wu xia for connoisseurs of the genre and a feature - length TV spot for others.

Far too much of Coogler's dialogue is laden with portent, and the way he places the camera and edits his scenes presses the point of impending tragedy too heavily.

The first Far From the Madding Crowd trailer eschews dialogue in favor of a montage backed with a gorgeous song; the strength of this footage might be enough to entice any lit obsessives, Mulligan fans, and period film devotees.

But by far the best aspect of the film is the feel; Branagh seems devoted to recreating those films of yore, dripping with great acting talent and sharp dialogue, and not distracting with explosions every few minutes.

Like many kitchen - sink comedies that end with outtakes in the closing credits, you can tell by the fact that the scenes that didn't make the cut are similar to scenes that did, except with different dialogue and mannerisms, which further cements the notion that any script these actors read from was merely a blueprint.