Sentences with phrase «further exhibitions at»

Running alongside the exhibition in Castle Dachau are further exhibitions at the Volksbank Raiffeisenbank Dachau eG displaying other print series by the artist.

Not exact matches

At any rate, as is true among all early peoples, from the beginning till far down the course of Hebrew thought, thunder and lightning were regarded as special exhibitions of superhuman power.

Maybe I'm a little stuck with Lord Kitchener and his moustachioed fellows of a bygone age, but I felt the Twitter focus at the end of the exhibition to be a bit bathetic, considering there are surely far subtler, more traditionally «propagandist» methods of messaging we are all susceptible to online — so subtle perhaps that's why they were missed...

Adele Irving and fellow researcher Oliver Moss are conducting further research on the experiences of homeless people in the North East and will showcase this research at an exhibition as part of the Economic and Social Research Council's 2014 Festival of Social Science.

After visiting the exhibitions you can be further astounded by going to catch a film at the IMAX 3D cinema, a truly unforgettable London dating experience!

A colourful trail booklet has been published and as a further expansive resource the Noor Inayat Trail exhibition, created with funding through the Heritage Fund, is now available for hire at minimum cost.

Ford's performance story will be further amplified at the Ford Out Front track, with exhibitions by professional drivers such as Ken Block, Vaughn Gittin Jr., Jack Roush Jr. and Justin Pawlak, and SEMA attendees can ride in ’15 Mustangs, Ford Raptors and Superformance Cobras piloted by Ford Racing High Performance Driving School instructors or other notable professionals.

Carlson gives us a journalist's - eye - view of what brought Nikita Khrushchev to the United States in the first place, depicting Vice President Richard Nixon as an awkward emissary who visited Moscow to further his own political career and made a spectacle at the American National Exhibition by debating the merits of kitchen appliances with the leader of the Soviet Union.

To further help facilitate business between exhibitors and buyers the Speed Networking session will now take place as a one hour - long session before the exhibition opens on Monday 7 November at 9 am - 10 am in Platinum Suite 3 and 4.

For 2011 the London conference will be supported by two new further WTM Vision Conference events; the first in Milan, Italy on April 14 and the second at WTM's sister exhibition Arabian Travel Market (ATM) in Dubai, UAE on May 4.

«Just like di Suvero's exhibition earlier this year at Governors Island, an NPS site in New York Harbor, this exhibition will give us an opportunity to further explore how art can create a new understanding and appreciation for a historic landmark like Crissy Field, ‖ said Golden Gate National Recreation Area Superintendent, Frank Dean.

During a demonstration where pro gaming teams Believe the Hype and Str8 Rippin played a live exhibition match of Halo 5: Guardians» multiplayer mode «one player used the thrusters to escape his opponent lunging at him with the Prophet's Bane, a new weapon similar to the Energy Sword but that also gives players the ability to move quicker and lunge farther.

Exhibition: Thomas Gainsborough at Morgan Library & Museum Although this 18th - century British master is known best for his portraiture and landscape work, his oeuvre extended far beyond his paintings.

He declined to provide further details about the work, which is still in production before its debut at a Grants & Commissions exhibition to September 7 at the CIFO Art Center in Miami.

When all is said and done this enormous exhibition at the Whitney Museum of American Art, The American Century: Art and Culture 1900 - 1950 falls far short of any expectations of experiencing the true greatness of American Art.

Further inside the exhibition is Cut Piece, a work that consists of dissected metal tubes with sharp points at its extremities, cross-sectioned like a medical school cadaver, oozing rubber appendages.

This book is published in conjunction with Jean - Baptiste Bernadet's exhibition «So Far, So Close» held at Almine Rech Gallery Brussels, April 20 — July 30, 2016.

So far this year, Katz has had exhibitions in Milan and Catanzaro in Italy, Paris, Vero Beach in Florida, Finland and at his New York City gallery, PaceWildenstein, where he recently showed a series of monumental sunsets.

For further information about sponsoring this exhibition or making a gift to the VMFA Exhibition Fund, please contact Jayne Shaw, Director of Development, at 804.340.5529 or jayne.shaw@VMexhibition or making a gift to the VMFA Exhibition Fund, please contact Jayne Shaw, Director of Development, at 804.340.5529 or jayne.shaw@VMExhibition Fund, please contact Jayne Shaw, Director of Development, at 804.340.5529 or [email protected].

At most ten minutes further, by the number 40 bus, lies the Snug Harbor Cultural Center and a huge, contemplative exhibition.

At the time, Feb. 9, 2014, the much - anticipated exhibition seemed far in the future.

Works in the current exhibition further her investigation at the 56th Venice Biennale - Okwui Enwezor's All the World's Futures — in which Sze created an open air field of remnants that evokes a garden's history and its deteriorating, cloistered world.

As a measure of its growing ambition, the catalogue for Marlborough's impressive 1960 Van Gogh exhibition of 18 self - portraits was introduced with an essay «Van Gogh looks at himself» by the then director of the Kröller - Müller Museum in Otterlo, Professor A-M Hammacher, and a further essay by Oskar Kokoschka entitled «Van Gogh's influence on modern painting».

Their living legacy will better prepare the participating artists to respond to grant proposals, calls for exhibitions, and present their works to curators during studio visits; thus enabling them to further their careers by taking advantage of opportunities at home and outside the Deep South.

Further exhibitions were held at the Museum für angewandte Kunst (MAK), Vienna and Massachusetts Museum of Contemporary Art, North Adams, Massachusetts (2001 - 2002); Deichtorhallen, Hamburg (2001 - 2002); Wexner Center for Contemporary Art, Columbus, Ohio (2001); Musée d'Art Contemporain, Marseille (2002); Whitechapel Art Gallery, London (2003); Kunsthaus Bregenz (2003); the Vancouver Art Gallery (2005); Museum für angewandte Kunst, Vienna (2008); Fondation Beyeler, Basel, Switzerland (2009); and the exhibition Franz West.

Auctions and exhibitions are held at salerooms in London, New York, Geneva, and Hong Kong, while clients are further served through representative offices based throughout Europe, the United States and Asia.

BOOKSHELF Further explore the work of Njideka Akunyili Crosby with «I Refuse to be Invisible,» which was published to coincide with the exhibition at the Norton Museum of Art.

Not far apart, about two minutes or a bit more by foot, depending on what friends you see along the way, are the two present exhibitions at Paul Kasmin Gallery, at 293 and 297 Tenth Avenue.

Sharpie on wall, commissioned wall drawing as part of exhibition Far, Far Away at the Children's Museum of Photography, New York, New York.

Recent exhibitions include Dusty Groove, Corbett vs. Dempsey, Chicago; Josiah McElheny: Towards a Light Club, Wexner Center for the Arts, Columbus, OH; Two Clubs at The Arts Club of Chicago, In Collaboration with John Vinci; The Past Was A Mirage I'd Left Far Behind, Whitechapel Gallery, London; Some Pictures of the Infinite, Institute for Contemporary Art, Boston; and The Light Club of Vizcaya: A Women's Picture, Vizcaya Museum & Gardens, Miami.

For further information please contact MPA Exhibitions Director, Nancy Sausser at [email protected] or contact your instructor.

An exhibition at Glasgow's Kelvingrove Museum aims to rethink the familiar work of Czech artist Alphonse Mucha — but could it have gone further?

If you miss it, a further exhibition of his work is showing at the Reina Sofia in Madrid, from 1 November until next spring.

In his third solo exhibition at Jack Shainman Gallery, the artist furthers his experiment with alternative materials in sculpture in addition his use of children as his subject matter.

Recent and current solo exhibitions include: Straight Down to Below: Lawrence Weiner (part of Artist Rooms on Tour at Tate Modern and National Galleries of Scotland), Woodhorn Museum, Northumberland, Scotland, 25 October — 19 April 2015; All In Due Course, South London Gallery, London, England, 26 September — 23 November 2014; The Grace of A Gesture (curated by Thomas Kellein), Written Art Foundation in conjunction with the 55th Venice Biennale, Palazzo Bembo, Venice, Italy, 29 May — 4 November 2013; As Far As The Eye Can See, Whitney Museum of American Art, New York City, USA, 15 November — 10 February 2008.

The new 6000 sq. ft. premises provides a further two gallery spaces, with the capacity to schedule multiple exhibitions at one time between venues.

On the Far Side of the Marchlands is a partner exhibition at Schering Stiftung that presents works by Morehshin Allahyari, Cathrine Disney, Keeley Haftner, Brittany Ransom, and Daniel Rourke.

«Kara Walker at the Met: After the Deluge» ran at The Metropolitan Museum of Art through July 30, 2006, and «Kara Walker: My Complement, My Enemy, My Oppressor, My Love» at The Whitney Museum of American Art through February 3, 2008, with a further exhibition of new work at Sikkema Jenkins through November 21.

For art at Christmas and New Year look no further than art critic Tabish Khan's Top 7 Art Exhibitions to see in London.

Political pop artist Qi Zhilong «s work is showing in a group exhibition titled, CHINAMANIA, taking place until January 3rd at ARKEN Museum for Moderne Kunst, in Ishoj, Denmark, not far outside Copenhagen.

In this, his seventh solo exhibition at Waddington Galleries, he continues to explore the physical nature of paint, pushing further his practice and its examination of the relationship -LSB-...]

And in April, Fallen Fruit will open an exhibition at Newcomb Art Museum bringing together objects from Tulane University's special collections to further examine the ways the story of New Orleans is told.

A further important highlight is Fuego Flores in acrylic and oil stick on canvas by Jean - Michel Basquiat (1960 - 1988), which has remained off the market for over 20 years and was last exhibited publicly in the 1984 exhibition Jean - Michel Basquiat at the Gallery V in Stockholm.

Functioning as a further chapter of this continuous practice the exhibition at Galerie Daniel Buchholz, the second solo exhibition of the artist in the gallery, is titled «The Oriental Therapies», a title spawned by a spontaneous poem of the early morning.

Beyond being an individual achievement, the exhibitions were a boon for African American women artists as a whole, whose opportunities over the years at the city's big three museums have been few and far between.

Noguchi's solo exhibition «Light Reaching the Future» held at the IZU PHOTO MUSEUM in 2011, in which she juxtaposed such photographic works with silkscreen works had served to further deepen her consideration both towards light and to photography (the film camera), by means of methodically deconstructing and inspecting the compositional elements of the photograph.

Further exhibitions include an overview of his watercolours in the Tate Gallery, Liverpool (1991), a solo exhibition at the Musée National d'Art Moderne - Centre Georges Pompidou, Paris (1993), a travelling exhibition in the Fundación «La Caixa» in Madrid and in the Astrup Fearnley Museet for Moderne Kunst in Oslo (1995 - 96), and a retrospective exhibition at the Hayward Gallery in London (2001).

Elena Bajo pushes this question further, giving us a multiform answer that is not expressed merely with language, but with a full sensory exploration communicated by dance, sound, and experience in her exhibition «With Entheogenic Intent (Burn the Witch)» at 18th Street Arts Center in Santa Monica.

It does not help either that running concurrently, at Stella's second home, MoMA, is an exhibition of another painter derailed into sculpture, whose radical beauty has lifted even further, if that were possible, that artist's reputation.

Jeffrey Gibson solo exhibition «Love Song» opens at the Institute of Contemporary Art Boston «Gibson has located in his work a compelling paradigm: that the categories between abstract painting histories and Native American visual histories and materials are not so very far apart, and that Gibson's own heritage and training might productively bridge the two.»