The exhibition includes
further key paintings by Pollock, as well as by artists who were close to him, including Lee Krasner and Robert Motherwell, as well as those who subsequently responded to his legacy, such as Andy Warhol.
Not exact matches
The picture all of these observations
paint is of a good game that could have been even better if pushed a little
further in various areas: a little more challenge, a story with perhaps a bit more build up towards the climax, and music that strives to go beyond ambiance in
key moments could have enhanced Apocalipsis considerably.
Jinchi
further emphasizes the formal beauty of the disembodied communication by
keying each
painting to a color: blue, green, yellow.
Going a step
farther to make the case for the gesture as the most critical element, Abstract Expressionist artists recognized that you could make a gesture without
paint but there would be no evidence of it, so gesture and
paint were inextricably linked as the essential unit of
painting, with the brush playing the
key role.
Painted four months after his arrival in Arles, Wheat Field displays some of the
key lessons that Van Gogh learned in Paris — the bright palette of the Impressionists and the individual touch of the Neo-Impressionists — which by then had developed
further into his highly personal, signature style with its distinctive brushwork and singing colour.
Further reflecting his interest in the notion of trilogy, each
painting relies on three
key elements; the silk screened texts by Blanchot, the female figures and hand - drawn phrases such as I Love You Too Much and You Take My Breath Away, which are also the titles of the works.
Before delving too
far into the
painting, I like to establish one or two
key elements with a sense of completion.
Key loans from the Cleveland Museum of Art; the Meadows Museum at Southern Methodist University; the Museum of Fine Arts, Boston; the Museum of Fine Arts, Houston; and the Virginia Museum of Fine Arts add to the distinguished international mix; as well as tell the
further story of the active collecting of Spanish
painting by American museums.
The exhibition includes a selection of the artist's Aluminum and Copper
Paintings,
further establish Stella's
key role in the development of American Minimalism.
When asked by a fledgling Artforum if they might reproduce one of his
paintings for an article about his ICA show, he wrote back, «I must unhappily withhold permission to allow
further use of image... The reason is that the high -
keyed red, it is simply not a reproduction of my
painting — in fact in spite of the imagery it is quite foreign to my thought and feeling as I used color to express them.»
These works were created between the 1960s and 2010 and are a
key strand in Balzar's 50 years of abstract
painting, which she produced in a global context, exploring the role and impact of non-referential art — a project that never left real - world references
far behind.