Made from sustainably - sourced American walnut and hand - finished to a seamless surface, the Volu table (2015), is conceived as a dinning pavilion with curved components and is shaped
further by
typological, functional and ergonomic considerations.
Spanning exhibitions, publications, films, new media, and site - specific installations, funded projects include «Incense Sweaters & Ice,» an immersive installation by Los Angeles - based artist Martine Syms; «Bond: Race and the Modern City,» which is described as the first book - length study of the architect J. Max Bond Jr. (at right, on
far left); «Sacred Stoops:
Typological Studies of Black Congregational Spaces,» an investigation of the porch and its role in the African American community; and research exploring «emerging paradigms» in architectural education across sub-Saharan Africa.