The program provides participants an introduction to the field of contemporary curatorial practice today, and the opportunity to set up a foundation for
future curatorial work.
Not exact matches
JM: As
curatorial team
working in a space with a social and political consciousness, what can we look forward to in the
future from Deuxfemmesnoires?
The less than reliable
curatorial voice from Powhida's
future proposes an authoritative account of our present and near
future through institutional forms — wall texts, videos, an exhibition catalogue, as well as fictional
works of art, speculative drawings, and research - based diagrams, that point to the ways exhibitions shape and reflect histories.
«Stephanie's commitment to Atlanta,
curatorial aptitude and ability to
work with artists of diverse backgrounds make her a great fit for WonderRoot's ambitious
future.»
Positionen Junger Kunst, exhibition catalogue, Temporary Gallery Cologne 2010 Frieze Art Fair Yearbook, fair catalogue, text by Kirsty Bell Heike Kabisch,
works 2005 - 2010, published by Chert, Berlin Drinnen & Draussen, exhibition catalogue, published by Chert & Motto, Berlin 2009 Younger Than Jesus / Artist Directory: The essential handbook to the
future of art, collected by the
curatorial team at the New Museum, New York 63.
She has also participated with her
work in the group exhibitions Trading
Futures, Taipei Contemporary Art Center, Taipei, Taiwan (2012); Doing, Kumho Museum of Art, Seoul, Korea (2012); The 10th SongEun Art Award Show, SongEun Art Space, Seoul, Korea (2011); Open Studio, International Studio &
Curatorial Program, New York, NY, USA (2011); Life, No Peace, Only Adventure, Busan Museum of Art, Busan, Korea (2011); The 10th Seoul International New Media Festival — Seoul space, Korea (2010), among others.
Organized by two Hong Kong - based curators, Cosmin Costinas of Para Site and Doryun Chong of the M + Museum, in collaboration with the
curatorial project called A
Future Museum for China, the show has intriguing early
work by all four artists, a detailed timeline and a riotously meticulous installation by Mr. Kwok that reimagines a mural he created for a Chinatown restaurant in the 1980s.
Put together by the curator - critic Paul O'Neill, Curating Subjects, documents the inter-dependent relationships between the
curatorial past, present and speculative
futures and, instead of following the convention of curators writing about themselves, invites the authors to provide a text about the
curatorial work of others.
While the Brooklyn Museum is dealing with a new round of outrage regarding A Fire In My Belly, conjuring a nagging sense that we are doomed to repeat the culture wars over and over again whether it is with Wojnarowicz, Robert Mapplethorpe, Andres Serrano or Chris Ofili, the question remains what will be the lasting effects of this battle on Wojnarowicz's
work,
future curatorial decisions and the politics of art.
Markopoulos is a reviewer for art agenda, and has also
worked on numerous writing and editorial projects, such as most recently Great Expectations: Propositions for the
Future of
Curatorial Education (Cologne: Walther Koenig Books, 2016), which followed a symposium on the same subject organized earlier this year by the Graduate Program in
Curatorial Practice.
Kim Rice's
work is being shown at Mainsite gallery in Norman, OK as part of the exhibition Public Narrative: Story of Self, Us, & Now, a show curated by the 2015 Oklahoma Art Writing and
Curatorial Fellows to «highlight the complexity of our stories as we look inward, to the community, and finally, to the
future.»
Selected by an expert
Curatorial Committee led by Philippe Garner, Former Director at Christie's and International Head of Photographs and 20th Century Decorative Arts and Design at Christie's, the
works will provide a valuable insight into the past, present and
future of the medium.