Sentences with phrase «future exhibition as»

The only project not organized by Al Qasimi was Tarek Abou El Fetouh's «The Time is Out of Joint,» a group exhibition that took two historical exhibitions and one future exhibition as its conceptual framework.

Showcasing the future of design practice, Central Saint Martins» recent graduates show off their latest projects at the Restless Futures exhibition as part of London Design Festival.

Not exact matches

Jan. 6, 2006 — While much of the buzz about this year's International Consumer Electronics Show in Las Vegas has centered on personal entertainment such as video - on - demand, portable media players, and giant television monitors, the four - day exhibition is also providing glimpses of the future of small business technology.

Project director Ethan Shi of» NürnbergMesse China therefore has a positive view of the future of the exhibition and of China as a location for organics: «I am very much looking forward to Biofach China, China's leading organic event, which will be

Important information and networking platform Alongside the exhibition, drink technology India visitors also got the opportunity to learn about current and future trends in the food, beverage and liquid - food industry as part of the supporting program.

But we hope to offer some courses in the gallery space in the future, as well as various exhibitions throughout the year.

I'm planning on going a little bit around the city to take some shots of the streets as I'm collecting photos for my future exhibition and it will be solely dedicated to this amazing city that blew my mind away more than once.

The superhero blockbuster trend shows no signs of slowing down, with upcoming releases of Thor: The Dark World, Captain America: The Winter Soldier, X-Men: Days of Future Past and dozens of other planned films, including the much - anticipated sequel to Avengers Assemble, and new television series such as Agents of S.H.I.E.L.D. Superheroes are everywhere, from shirts to toys to exhibitions like the Marvel Super Heroes 4D experience at Madame Tussauds.

DC Entertainment, hailing themselves as «the most prolific digital comic book publisher» (possibly in the wake of the continuous run of Forever Evil comics), has announced the DC2 and DC2 Multiverse at the opening of Time Warner's «The Future of Storytelling» exhibition in New York.

Canon held a forum on the future of the book as part of its exhibition work during the week.

Serving as both the Producer of ARMS and the «Final Boss» exhibition match opponent of the ARMS Invitational, Kosuke Yabuki shed some light on the future of the title and the potential for DLC characters.

This exhibition focuses on her early abstract metal sculptures and paintings as a starting point for future examination of a long and continuously inventive career.

Beatriz Cortez and Rafa Esparza's collaborative exhibition at Commonwealth and Council engages with immigrant labor as a metaphor for the construction of a future where multiple imaginaries of gender, race, class, and culture are made possible.

The exhibition at Susan Inglett, focusing on equality, is described by the gallery as a humane and humanistic statement about the future.

Looking forward at the time of the exhibition, the site's future as the Sugar Hill Children's Museum of Art & Storytelling was, and continues to be, a promising cultural anchor of the community.

The exhibition marks the one - year anniversary of the New Zealand artist's death and it will feature a single work by Julian entitled Future Call, as well as written tributes to him by more than 70 artists internationally.

Wide - open gaps in the gallery walls of this important exhibition, which offer glimpses of future works from earlier bays and vice versa, allow us to conceive of Stella's career as a single, unceasing effort to grapple with painting's potential.

As many of our longtime VIPs do, I would invest in one of the many talented «up - and - comers» who have shown at VOLTA throughout the years, most recently such as Lavar Munroe (VOLTA NY 2015 with NOMAD Gallery, Brussels), who is participating in the Main Pavilion «All the World's Futures» at this year's Venice Biennale, or Tiffany Chung (VOLTA11 with Tyler Rollins Fine Art, New York) who joins Lavar in the Main Pavilion group exhibitioAs many of our longtime VIPs do, I would invest in one of the many talented «up - and - comers» who have shown at VOLTA throughout the years, most recently such as Lavar Munroe (VOLTA NY 2015 with NOMAD Gallery, Brussels), who is participating in the Main Pavilion «All the World's Futures» at this year's Venice Biennale, or Tiffany Chung (VOLTA11 with Tyler Rollins Fine Art, New York) who joins Lavar in the Main Pavilion group exhibitioas Lavar Munroe (VOLTA NY 2015 with NOMAD Gallery, Brussels), who is participating in the Main Pavilion «All the World's Futures» at this year's Venice Biennale, or Tiffany Chung (VOLTA11 with Tyler Rollins Fine Art, New York) who joins Lavar in the Main Pavilion group exhibition.

As well as allowing new work by emerging artists to reach new audiences, fig - futures will leave a legacy through a new collecting model for the acquisition of the artworks after the exhibitions have endeAs well as allowing new work by emerging artists to reach new audiences, fig - futures will leave a legacy through a new collecting model for the acquisition of the artworks after the exhibitions have endeas allowing new work by emerging artists to reach new audiences, fig - futures will leave a legacy through a new collecting model for the acquisition of the artworks after the exhibitions have ended.

Complete only in their moment of exhibition, Denise's works are in constant flux as her materials are reused and re-imagined in future pieces.

His work has been shown in solo exhibitions as part of the Liverpool Biennial (2010) and WORKS PROJECTS (2012 & 2014) with future solo exhibitions at Castlefield, Manchester (2015) and ICIA, Bath (2016).

As part of its mission to create a forum for civic engagement through the arts, 18th Street Arts Center proudly presents «The Future of Nations,» their 2008 season of exhibitions dedicated to examining the issues related to the 2008 presidential campaign.

18th Street Arts Center concludes our 2008 exhibition series, The Future of Nations, with War as a Way of Life.

Santa Monica, CA — As part of its mission to create a forum for civic engagement through the arts, 18th Street Arts Center proudly presents «The Future of Nations,» their 2008 season of exhibitions dedicated to examining the issues related to the 2008 presidential campaign.

The exhibition is self - described as a desire for a past and future that «is - not - yet - here.»

In a series of landmark exhibitions ending in the late 1970s, these artists presented a dynamic, celebratory vision of transnational Africanism, which, as described in the 1969 AfriCOBRA Manifesto, encompassed «Definition: Images that deal with the past; Identification: images that relate to the present; and Direction: images that look to the future.»

A subsequent presentation of archive selections as projected images with accompanying musical mash - up took place at the Guggenheim Museum's «Past Tense / Future Perfect» performative event, produced to accompany the exhibition Carrie Mae Weems: Three Decades of Photography and Video.

A press release of future solo exhibitions coming in the next year reveals Runa Islam as the sole woman among seven men.

Since his residency, Thomasson was selected as one of Art Review's «2013 Future Greats», and has had two solo exhibition, Just About Managing, Southard Reid, London, 2012, and The Present Tense, commissioned by Chisenhale Gallery and Create as part of the Chisenhale Gallery Create Residency (2012 - 14).

Future Climates launched at State of Concept in Athens with The School of Redistribution, a three - month long exhibition, research and public program: all dressed as a school.

Pollock crosses his arms for Life magazine, while a larger group poses as «the Irascibles,» part of a protest against a museum exhibition that misses the future.

Sammak has been included in numerous group exhibitions, such as DSM - V, curated by David Rimanelli and presented by Vito Schnabel in The Future Moynihan Station, New York.

From hummingbird hats to oat - plant couture, an exhibition at London's V&A depicts fashion as a double - edged sword — and looks at its future

As one comes off the first escalator, that floor alone holds eleven exhibitions and installations, spanning the last few decades and forcing a look at both the museum's past and its future.

As always, this year's Deutsche Börse photography prize exhibition gives both a glimpse of the future and a nod to the past.

Other highlights of the exhibition include Robot Bodies, Piper's 1988 seminal interactive digital work — updated and re-programmed for this exhibition — in which the robot, android and cyborg are examined as metaphorical carriers of contemporary anxieties around racial difference; and a series of mixed media works on un-stretched canvas, «future projected history paintings of the present», that reference 19th century history painting and have been commissioned by Bluecoat and Iniva.

Help us say goodbye in style as we celebrate the closing of their current exhibitions, Entangled by Fulvio Di Piazza and our winter invitational The Shape of Things to Come, and raise a glass to toast our future in Jersey City.

Presented as an interrelated set of experiences, the exhibition (until 25 September 2016) weaves together concerns about land, architecture, progress, utopian dreams, inequality, trauma and resistance that refer as much to imagined futures as to the historical past.

«The Planetary Garden: Cultivating Coexistence» explores unseen connections, new intelligences and inequality (Sicily is one of Italy's poorest regions) through the prism of its host city, with the exhibition using Palermo «as a laboratory to investigate the challenges of our time and look for traces of possible futures».

Artists tied to ideas, historically grounded, and fleshed out in complex exhibitions like Meandering Abstractly are hints as to the bright future of this new space in Dallas.

Future Lab Africa hopes to create lasting networks and public engagements which extend beyond the exhibition incorporating research and multidisciplinary methodologies as a basis of understanding new developments in the African digital art space.

She has also participated in «VOCA 2010» at The Ueno Royal Museum, Tokyo, as well as international exhibitions such as «Future Pass — From Asia to the World» a Collateral Event of the 54th International Art Exhibition la Biennale di Venezia (Palazzo Mangilli - Valmarana, Venice, 2011), in addition to other group exhibitions in Seoul, Grenoble, and Berlin.

As regards future projects, I'm currently working on a solo exhibition of works by Emilio Prini, his first in an institution since 1995.

(2014); Bill T. Jones / Arnie Zane Dance Company 30th Anniversary Exhibition (2013); Dissident Futures (2013); Migrating Identities (2013); and Audience as Subject (2010/2012); Song Dong: Dad and Mom, Don't Worry About Us, We Are All Well (2011); The Matter Within: New Contemporary Art of India (2011); and Nayland Blake: Free!Love!Tool!Box!

Her recent exhibitions include One Step Forward, Two Steps Back, Times Museum, Guangzhou, 2013; Alternatives to Ritual Goethe Open Space, Shanghai, 2012; Institution for the Future as part of the Asia Triennial, Manchester, 2011; Taking the Stage OVER, a one - year exhibition engaging aspects of live art, Shanghai, 2011.

The title of Jemison's novella and exhibition, in tandem with her mining of historical materials, seems to offer the possibility that the seeds of change planted in the past are still viable and ripe for harvest as we imagine what the future can be in the face of ongoing institutionalized racism and systemic inequity.

Hailey and Roy Dawes, who has served as acting director and will become deputy director when a new museum leader is hired, have not scheduled many exhibitions for the future.

By the time of his first solo exhibition, «Future Hindsight,» at London's Union Gallery in 2007, he was showing images of friends posed like intertwined marionettes and defining the social sphere as his primary concern.

The less than reliable curatorial voice from Powhida's future proposes an authoritative account of our present and near future through institutional forms — wall texts, videos, an exhibition catalogue, as well as fictional works of art, speculative drawings, and research - based diagrams, that point to the ways exhibitions shape and reflect histories.

The recipient of The John McCaughey Memorial Prize for her commission for the National Gallery of Victoria in Melbourne, Johnson's works has been the subjects of recent solo exhibitions at Talbot Rice Gallery at The University of Edinburgh, at the National Gallery of Victoria in Melbourne, at Ivan Anthony Gallery in New Zealand, at Darren Knight Gallery in Sydney, and at the TSB Bank Wallace Arts Centre in New Zealand; as well as part of group shows like «Future Nature» at Jack Hanley, «Hiding in Plain Sight: A Selection of Works from the Buxton Collection» at the Bendigo Art Gallery in Australia, «Believe Not Every Spirit, But Try The Spirits» at the Monash University Museum of Art in Melbourne, and «Don't Hide The Hate» at the Slopes Gallery in Melbourne.