Sentences with phrase «future exhibition projects»

Current and future exhibition projects explore Frank Gohlke and Emmet Gowin's photographs of the aftermath of the Mount St. Helens eruption; the photographs and videos of Hank Willis Thomas; and the museum's holdings of American Pictorialist photography.

Interns are typically assigned responsibilities and research, such as overseeing social media for the galleries and researching artists» work for future exhibition projects.

Not exact matches

Project director Ethan Shi of» NürnbergMesse China therefore has a positive view of the future of the exhibition and of China as a location for organics: «I am very much looking forward to Biofach China, China's leading organic event, which will be

Or attitude to life: with the «smart urban stages» smart is creating temporary exhibition platforms in various cities for future - oriented projects that relate to ideas for the future of urban life.

Punctuating the DAM's upcoming North Building revitalization project, Then, Now, Next: Evolution of an Architectural Icon is an exhibition on the renowned modernist building, its history, and its future.

In their lecture, Ekblad and Voisin will present SCHLOSS» profile, previous exhibitions, video clips and future projects.

Showcasing the future of design practice, Central Saint Martins» recent graduates show off their latest projects at the Restless Futures exhibition as part of London Design Festival.

His work has been shown in solo exhibitions as part of the Liverpool Biennial (2010) and WORKS PROJECTS (2012 & 2014) with future solo exhibitions at Castlefield, Manchester (2015) and ICIA, Bath (2016).

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration

After studying at the Royal College of Art (London) and HAK (Vienna), Greig Burgoyne has embarked in various projects and exhibitions, most recently Slipstream a solo show at Five Years (London, 2011), Back to the Future (Hastings Museum and Art gallery, 2010), The Future of Nostalgia (Jerwood Project Space, 2009).

A subsequent presentation of archive selections as projected images with accompanying musical mash - up took place at the Guggenheim Museum's «Past Tense / Future Perfect» performative event, produced to accompany the exhibition Carrie Mae Weems: Three Decades of Photography and Video.

Our Autumn season is formed of exhibitions and projects that contribute to the urgent debate around the future of housing.

The only project not organized by Al Qasimi was Tarek Abou El Fetouh's «The Time is Out of Joint,» a group exhibition that took two historical exhibitions and one future exhibition as its conceptual framework.

Recent group exhibitions include: The Other Side, Garage, Moscow, «Infinite City», CCA Wattis Institute for Contemporary Arts, San Francisco, USA 2013, Abstract Possible, Eastside projects, Birmingham curated by Maria Lind, «Gaiety is the most outstanding feature of the Soviet Union,» Saatchi Gallery, London, 2012 - 13; «The Futures of the Past», Kunst Raum Riehen, Basel, Switzerland, 2013, «Red Mansion Prize», RA, London, 2012; «Bloomberg New Contemporaries», London, 2011 and «New Sensations», London, 2011.

Future projects include curating an upcoming exhibition of Ted Barraclough's sculpture at the Roma on Bungil Gallery in May and curating a collaborative installation by painter Allyson Reynolds and musician Heinz Riegler at the Caboolture Regional Art Gallery in June.

Other highlights of the exhibition include Robot Bodies, Piper's 1988 seminal interactive digital work — updated and re-programmed for this exhibition — in which the robot, android and cyborg are examined as metaphorical carriers of contemporary anxieties around racial difference; and a series of mixed media works on un-stretched canvas, «future projected history paintings of the present», that reference 19th century history painting and have been commissioned by Bluecoat and Iniva.

A: What are your future plans in terms of projects and / or exhibitions?

Future exhibitions include a one person exhibition at Breeder Projects Athens and a curated project for Camden Arts Centre, London.

Future curatorial projects include Exuma, the Obeah Man, scheduled for 2013, and Andy Kaufman: On Creating Reality a retrospective exhibition tentatively scheduled for 2014.

As regards future projects, I'm currently working on a solo exhibition of works by Emilio Prini, his first in an institution since 1995.

Through sculpture and video the exhibition projects the world of forecasting — the process of predicting future trends based on present data.

Josh Slater in 2016 BAM Art Auction, auction exhibition at Bridget Donahue Gallery, March 29 - 31, closing reception Thurs, March 31, 7 - 9 pm, https://paddle8.com/auction/bam/ Josh Slater in BYOB (Bring Your Own Beamer), Organized by GInger Shulick Porcella, San Diego Art Institute Project Space, Westfield Horton Plaza, San Diego, CA, Friday, March 25th, http://www.sandiego-art.org/upcoming/byob Rachel Higgins in «MDF Blog,» at Planthouse, NY, Feb 26 - Mar 30, http://planthouse.net/exhibitions/ «Geometric Cabinet» exhibition reviewed by Susan Happersett in Fibonaccisusan.com, http://fibonaccisusan.com/2016/02/23/geometric-cabinet-at-kristen-lorello-gallery/ Bayne Peterson in «Future, Past, Perfect,» curated by Lauren Comito, Ms Barbers, Los Angeles, CA, Feb 13 - Mar 5, msbarbers.com Goldschmied & Chiari in «Constellaciones Gaur,» curated by Fernando Golvano,» Fundacíon Donostia, San Sebastían, Spain, Jan 22 - May 15, http://dss2016.eu/en/voices/1966-gaur-constellations-2016 Scott Alario in «Love 2016,» curated by Rachel Stern, LeRoy Neiman Center for Print Studies, Columbia University, NY, Jan 19 - Feb 19, http://arts.columbia.edu/leroy-neiman-gallery Rachel Higgins in «Drawing for Sculpture,» curated by Courtney Puckett, at TSA, NY, Jan. 8 - Feb. 14, http://newyork.tigerstrikesasteroid.com/tagged/drawing-for-sculpture Giacinto Occhionero at BoCs Artist Residency, Cosenza, Italy, through Jan. 7, https://www.facebook.com/The-BoCs-Live-911458075596750

When SITE Santa Fe's multimillion - dollar renovation and expansion project concludes this October, the contemporary museum space will debut an exhibition called Future Shock.

Latest projects and exhibitions include: This Place is Every Place, Tensta Konsthall, Sweden, 2014; Urbanisme Unitaire, Le Quartier, Centre d'Art Contemporain de Quimper, France, 2014; Future Light, Vienna Biennial Austria 2015; and eating or opening a window or just walking dully along, Bergen Kunsthall, Norway 2015.

Recent solo and group exhibitions include Ok Great THANKS this is SO RIDICULOUS, ACME, Los Angeles (2014); Analogue Future, DCKT Contemporary, New York (2013); Windows, Denny Gallery, New York (2013); Fortune Teller, Fouladi Projects, San Francisco, CA (2012).

Recent exhibitions include: documenta 14 (2017); «The Mapping Journey Project», solo exhibition, MoMa, Museum of Modern Art, New York (2016); «Foreign Office», solo show at Palais de Tokyo, Paris (2015); «Garden Conversation», solo show at MACBA, Barcelona (2015); 8th Goteborg Biennale (2015); «Europe: The Future of History», Kunsthaus, Zurich (2015); «Here & Elsewhere», New Museum, New York (2014).

In this interview with the artist, Philippe Parreno talks about his relationship to Basel (where he showed Zidane in the city's football stadium), how he got the idea to the film Marilyn, how the different works in the exhibition are connected with each other, and about future projects.

Min has had numerous solo exhibitions and projects both nationally and internationally, which include «Into the Sun,» Susanne Vielmetter Los Angeles Projects, Culver City, CA; «For Instance,» Hammer Museum, Los Angeles, CA; «Above and Beyond,» Pasadena Museum of Contemporary Art, CA; «Distance is like the future, Circa Series,» Museum of Contemporary Art San Diego, CA; «Fading Wild,» Finesilver Gallery, San Antonio, TX; «One foot in front of the other,» Or Gallery, Vancouver, British Columbia, Canada; «Fast times,» ACME., Los Angeles, CA, amongprojects both nationally and internationally, which include «Into the Sun,» Susanne Vielmetter Los Angeles Projects, Culver City, CA; «For Instance,» Hammer Museum, Los Angeles, CA; «Above and Beyond,» Pasadena Museum of Contemporary Art, CA; «Distance is like the future, Circa Series,» Museum of Contemporary Art San Diego, CA; «Fading Wild,» Finesilver Gallery, San Antonio, TX; «One foot in front of the other,» Or Gallery, Vancouver, British Columbia, Canada; «Fast times,» ACME., Los Angeles, CA, amongProjects, Culver City, CA; «For Instance,» Hammer Museum, Los Angeles, CA; «Above and Beyond,» Pasadena Museum of Contemporary Art, CA; «Distance is like the future, Circa Series,» Museum of Contemporary Art San Diego, CA; «Fading Wild,» Finesilver Gallery, San Antonio, TX; «One foot in front of the other,» Or Gallery, Vancouver, British Columbia, Canada; «Fast times,» ACME., Los Angeles, CA, among others.

Michael D. Linares talks about his stay in Basel, his sources of inspiration, and current and future projects and exhibitions.

Throughout her 20 + year career she has produced seminal exhibitions for non-profits and public spaces throughout North America and internationally - be it in collaboration with an entire town (The Marfa Sessions), an intervention into an office or magazine (Exchange with Sol LeWitt, Cabinet), a radio presentation (Tuning Baghdad, WUNP Berlin), a series of discreet projects in private collectors» homes (Nina Katchadourian at Testsite, Austin), or interventions throughout Bloomberg's Financial Headquarters (Speculative Futures).

The Creators Project: Your exhibition's press release notes that your work nods at both the past and future of abstract painting.

Meg Shiffler presented several past and future projects that she organized at the San Francisco Arts Commission Gallery that highlighted local communities or sociopolitical circumstances such as the yearlong engagement (exhibitions and public programs) around the fact that San Francisco is a «Sanctuary City» and is defiantly refusing to comply with the Trump administration's request for personal documents related to its immigrant populations.

Author of exhibition projects in the form of publications, e.g. «A Cookbook for Political Imagination» (with Galit Eilat), «The Future of Art Criticism as Pure Fiction», «Spoken Exhibitions.

[9] Rubins collaborated with husband Chris Burden on a number of projects, including an installation called A Monument to Megalopolises Past and Future at Los Angeles Contemporary Exhibitions (LACE) in 1987.

This catalogue documents a two - part project that included an exhibition with works by Eadweard Muybridge and Jan Dibbets, together with a documentary created by Chris Dercon for Dutch television on the history and future of cinema.

I went to visit Dawn Black's exhibition, Conceal Project, at the Columbus Museum of Art and became engulfed with Promises of Great Things to Come: Future Gifts to the Collection of the Columbus Museum on view in its third floor gallery and organized to celebrate the Museum's 60th anniversary [December 4, 2012 - February 3, 2013].

Selected exhibitions include: «UK / raine» at Saatchi Gallery (2015), «Whispers» curatorial project at Ronchini (2015), «Home» solo show at Ronchini (2014), «Time to Hit the Road» at Leila Heller, New York (2014), «Articulate» at Victoria Miro (2013), «The London Project» curated by Gerson Zevi at Yorkshire Sculpture Park (2013), «The Uncanny» curated by James Putnam at Ronchini (2013), «Dead Inside» at Bleecker St Arts Club, New York (2013), «The Future Can Wait» at Victoria House (2013), «Dividing Line» curated by Sumarria Lunn at High House (2012), «The Threadneedle Prize» at the Mall Galleries project at Ronchini (2015), «Home» solo show at Ronchini (2014), «Time to Hit the Road» at Leila Heller, New York (2014), «Articulate» at Victoria Miro (2013), «The London Project» curated by Gerson Zevi at Yorkshire Sculpture Park (2013), «The Uncanny» curated by James Putnam at Ronchini (2013), «Dead Inside» at Bleecker St Arts Club, New York (2013), «The Future Can Wait» at Victoria House (2013), «Dividing Line» curated by Sumarria Lunn at High House (2012), «The Threadneedle Prize» at the Mall Galleries Project» curated by Gerson Zevi at Yorkshire Sculpture Park (2013), «The Uncanny» curated by James Putnam at Ronchini (2013), «Dead Inside» at Bleecker St Arts Club, New York (2013), «The Future Can Wait» at Victoria House (2013), «Dividing Line» curated by Sumarria Lunn at High House (2012), «The Threadneedle Prize» at the Mall Galleries (2012).

Art Slant Chicago Art Talk Chicago Bad at Sports Bite and Smile Brian Dickie of COT Bridgeport International Carrie Secrist Gallery Chainsaw Calligraphy Chicago Art Blog Chicago Art Department Chicago Art Examiner Chicago Art Journal Chicago Artists Resource Chicago Art Map Chicago Art Review Chicago Classical Music Chicago Comedy Examiner Chicago Cultural Center Chicago Daily Views Chicago Film Examiner Chicago Film Archives Chicago Gallery News Chicago Uncommon Collaboraction Contemporary Art Space Co-op Image Group Co-Prosperity Sphere Chicago Urban Art Society Creative Control Defibrillator Devening Projects Digressions DIY Film ebersmoore The Exhibition Agency The Flatiron Project F newsmagazine The Gallery Crawl... Galerie F The Gaudy God Happy Dog Gallery HollywoodChicago Homeroom Chicago I, Homunculus Hyde Park Artcenter Blog InCUBATE Joyce Owens: Artist on Art J - Pointe Julius Caesar Kasia Kay Gallery Kavi Gupta Gallery Rob Kozlowski Lookingglass Theatre Blog Lumpen Blog Marquee Mess Hall N'DIGO Neoteric Art NewcityArt NewcityFilm NewcityStage Not If But When Noun and Verb On Film On the Make Onstage Peanut Gallery Peregrine Program Performink The Poor Choices Show Pop Up Art Loop The Post Family The Recycled Film Reversible Eye Rhona Hoffman Gallery Roots & Culture Gallery SAIC Blog The Seen Sharkforum Sisterman Vintage Site of Big Shoulders Sixty Inches From Center Soleil's To - Do's Sometimes Store Steppenwolf.blog Stop Go Stop Storefront Rebellion TOC Blog Theater for the Future Theatre in Chicago The Franklin The Mission The Theater Loop Thomas Robertello Gallery threewalls Time Tells Tony Wight Gallery Uncommon Photographers The Unscene Chicago The Visualist Vocalo Western Exhibitions What's Going On?

Bauer was Co-Director with Hou Hanru of the World Biennial Forum No1, Gwangju, Korea (2012); Curator of The Future Archive exhibition project, n.b.k. Berlin (2012); Artistic Director of the 3rd Berlin Biennale for Contemporary Art (2004) and Co-Curator of Documenta11 on the team of Okwui Enwezor (2001 — 2002).

Recent and forthcoming exhibitions include The Future is Already Here - It's Just Not Evenly Distributed, The 20th Biennale of Sydney; Display Show, Stroom Den Haag, The Hague, Netherlands; How institutions think, LUMA, Arles France (2016); Céline Condorelli, Chisenhale Gallery, London; bau bau, Museum of Contemporary Art, Leipzig, Germany; Ten Thousand Wiles and a Hundred Thousand Tricks, M HKA (Museum van Hedendaagse Kunst Antwerpen), Antwerp, Belgium (2014); Additionals, Project Art Centre, Dublin; Puppet Show, Eastside Projects, Birmingham; Things That Go Without Saying, Grazer Kunstverein, Austria; The Parliament, «Archive of Disobedience», Castello di Rivoli, Turin, Italy (2013) and Surrounded by the Uninhabitable, SALT Istanbul, Turkey (2012).

A contemporary restaging plan will be developed to showcase the Philadelphia City Planning Commission's 1947 Better Philadelphia Exhibition — a pivotal historic project that helped define the future of urban redevelopment.

With an eye toward projected demographic trends such as these, the group exhibition The Future of America at the Hudgens Center for the Arts through April 28, brings together work by seven lens - based artists documenting various communities and subcultures among American teenagers and children: black cowboys and cowgirls, boys wearing fatigues and armed with paint guns, adolescent girls in their bedrooms.

This year the section will feature selected projects by 20 artists represented by 21 galleries, the winner of the «Illy Present Future Prize» consists in the unique opportunity of an exhibition by the winning artist in the prestigious setting of Castello di Rivoli Museum of Contemporary Art on the forthcoming edition of Artissima.

Recent group exhibitions include «A Union of Voices»: HORATIO JUNIOR, London «Sex Shop»: Folkestone Fringe, Folkestone, «In and out of windows»: Vane, Newcastle upon tyne, «Eulogy»: Vane, Newcastle upon Tyne, Between fact and fiction: Vane, Newcastle upon Tyne (2014), «Winter Show», September, Berlin, Germany, «Gifted»: Chart, London, «Luminous Language»: Launch F18 (2013), New York, USA «The Dorian Project», SecondGuest, New York, touring to Ana Cristea Gallery, New York, «Anschlüssel: London / Berlin», C4RD Centre for Recent Drawing, London (2012), «THE FUTURE CAN WAIT presents: Polemically Small», Torrance Art Museum, Torrance, California, touring to CHARLIE SMITH london, London, «Mail Please», Blyth Gallery, London, (2011), «MurmurART: an introduction», MurmurART, London (2010), «One Spirit Showcase», Hines Urban Gallery, London, «40 Artists 80 Drawings», The Drawing Gallery, London (2009), «00 Nature Part 1», Contemporary Art Projects, London, «Baltic Square», Arena Gallery, Liverpool Biennial (2008), and «Jerwood Contemporary Painters», Jerwood Space, London (2007).

Articulate Project Space presented the exhibition Taking Up Space from 6 to 22 March 2015 as an event celebrating the launch of Future Feminist Archives by Contemporary Art and Feminism (CAF) to coincide with the fortieth anniversary of Women's Day 2015.

The exhibition One Million Years (Past and Future) at David Zwirner is a continuation of the on - going project called One Million Years, which On Kawara started in 1970 with binders of typewritten pages of the Past series, and in 1989 with binders for the Future series.

Her work has been included in thematic exhibitions such as Contemporary Magic: A Tarot Deck Art Project at The Andy Warhol Museum in Pittsburgh, Summer Exhibition, at Royal Academy of Arts, Le Meilleur des Mondes at Musee d'Art Moderne Grand - Duc Jean in Luxembourg, New York Minute, at Macro Future Museum in Rome, and Out of Storage I — Painters Choose from the Collection at Musee d'Art Moderne Grand - Duc Jean in Luxembourg.

The artists current museum exhibitions are at the Hirshhorn Museum Ilya and Emilia Kabakov: Utopian Projects (7 September 2017 — 4 March 2018) and at Tate Modern, their first major museum exhibition in the UK, Ilya and Emilia Kabakov: Not everyone will be taken into the future (18 October 2017 — 28 January 2018), travelling to The State Hermitage Museum, St Petersburg and the Tretyakov Gallery, Moscow, in 2018.

«Welcome to the Future» by Daniel Arsham is a sprawling site - specific that transforms the Locust Project's main exhibition space into an excavation site.

Notable group exhibitions include «The Importance of Being», Museo de Arte Contemporáneo, Buenos Aires, Brazil (2015); «Contemporary Art in Dokolo Collection Sindika - You Love Me, You Love Me Not», Almeida Garrett Municipal Library, Porto, Portugal (2015); «The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», Frankfurt MMK, Frankfurt, Germany; touring to SCAD Museum of Art, Georgia, USA; Smithsonian National Museum of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2015 - 2014); «Slow Future», Centrum Sztuki Współczesnej Zamek, Poland (2014); «INSERT 2014: a cultural exploration of Delhi as a landscape for creativity and transformation», Indira Gandhi National Centre for the Arts, India (2014); «Ruffneck Constructivists», ICA, Philadelphia, Pennsylvania, USA (2014); «The Divine Comedy: Heaven, Hell, Purgatory revisited by Contemporary African Artists», curated by Simon Njami, Frankfurt MMK, Frankfurt, Germany; travels to Smithsonian National Museum of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2014); «My Joburg», La Maison Rouge, Paris, France (2013); «Artificial Amsterdam», de Appel Arts Centre, Amsterdam, The Netherlands (2013); «Sex, Money and Power», Maison Particulière, Brussels, Belgium (2013); «The Progress of Love», The Menil Collection, Texas, USA (2013 - 2012); «Mexico: Expected / Unexpected», Katzen Arts Centre, Washington D.C., USA (2012); «No Government No Cry», a project by Kendell Geers, CIAP Actuele Kunst, Hasselt, Belgium (2011); «Contemplating the Void», Guggenheim Museum, New York, USA (2010) and «Wall Rockets: Contemporary Artists and Ed Ruscha», The FLAG Art Foundation, New York, USA (2008).