Sentences with phrase «future exhibitions include»

Future exhibitions include a one - person show at Las Cienegas Projects in 2012, and exhibitions at the University of California, Santa Barbara and in Copenhagen.

Future exhibitions include work by Jessie Unterhalter and Katey Truhn, who are most known for their murals but also make incredible fiber works with appliqué and batik.

Future exhibitions include a solo exhibition at the Centre d'art contemporain La Halle des bouchers, Vienna (May 2015) and The London Open, Whitechapel Gallery (July — September 2015).

Past, present and future exhibitions include Vilma Gold Gallery, New Contemporaries, Extra City, The Approach Gallery, Grazer Kunstverein, Neuer Aachener Kunstverein.

Recent and future exhibitions include work by painters Roland Thompson and Jennifer Rasmusson, amongst a range of other accomplished and emerging artists.

Future exhibitions include a one person exhibition at Breeder Projects Athens and a curated project for Camden Arts Centre, London.

Not exact matches

The future four exhibitions, selected by notaries including the artist Cornelia Parker, the historian Simon Schama, and the non-political staff of No 10, will help fill out the picture.

This exhibition explores the basic biology of stem cells and what promise they hold for future treatments and includes live animals and specimes for exploration.

IPIC, in collaboration with Science Foundation Ireland, is involved in many local and national events and initiatives, including Smart Futures and the BT Young Scientist Exhibition.

Established in 1937, ADG's ongoing activities include a Film Society; an annual Awards Banquet, a creative / technology community (5D: The Future of Immersive Design) and Membership Directory; a bimonthly craft magazine (Perspective); and extensive technology - training programs, creative workshops and craft and art exhibitions.

Other highlights include Fox recalling the original film's royal screening, in which he was seated next to Princess Diana and had to use the bathroom the whole time; Secret Cinema's alluring Back to the Future exhibition (in which the 1955 Hill Valley was impressively recreated); a discussion of BTTF books that have been published; and homages to the franchise from ABC's «The Goldbergs» (whose creator Adam F. Goldberg is both an executive producer and interview subject here) to «American Dad» and Harmon's «Rick and Morty.»

The superhero blockbuster trend shows no signs of slowing down, with upcoming releases of Thor: The Dark World, Captain America: The Winter Soldier, X-Men: Days of Future Past and dozens of other planned films, including the much - anticipated sequel to Avengers Assemble, and new television series such as Agents of S.H.I.E.L.D. Superheroes are everywhere, from shirts to toys to exhibitions like the Marvel Super Heroes 4D experience at Madame Tussauds.

Notable group exhibitions include FUTURE PRESENT, the Schaulager, Münchenstein, Switzerland (2015); The New Human, Moderna Museet Malmö, Malmö, Sweden, in collaboration with The Julia Stoschek Collection (2015); Sights and Sounds: Global Film and Video, The Jewish Museum, New York (2014); and Harvest, Gallery of Modern Art, Brisbane, Australia (2014).

Recent exhibitions include The Inner Ocean, der TANK, Institut Kunst, FHNW Academy of Art and Design, Basel (2017), and Future Flourish at Tensta Konsthall, Stockholm (2016).

Recent exhibitions include «Past Future Perfect» Maxwell Colette, Chicago, IL and No Wave C.A.V.E. Gallery, Los Angeles, CA.

Group exhibitions include Regina Rex (NYC), Nicelle Beauchene Gallery (NYC), Loyal Gallery (Stockholm) and Future Gallery (Berlin) in 2015, and Galerie Jacob Bjorn (Aarhus, Denmark), LVL3 Gallery (Chicago), and Circuit12 Contemporary (Dallas, TX) in 2014.

Don't miss a series of curated exhibitions on the Factory Floor including Conscious Design and Oui Design; the Design Schools Workshop with students from around the globe collaborating around the theme Future Heirloom; a Career Day on May 17, open studio tours and a new mural by artist Camille Walala.

Lagomarsino has participated in numerous solo and group exhibitions across the world, including Carla Zaccagnini & Runo Lagomarsino, Malmö Konsthall (2015); Against My Ruins, Nils Stærk, Copenhagen (2014); We have everything, but that's all we have, Mendes Wood DM, São Paulo (2013), and For Each Light a Shadow, Ignacio Liprandi, Buenos Aires (2013); the World's Futures, the 56th Venice Biennale (2015); Really useful knowledge, Museo Nacional Centro de Arte Reina Sofía, Madrid (2014); Under the Same Sun, Guggenheim Museum, New York (2014); The 30th São Paulo Biennial — The Imminence of Poetics (2013); Untitled — 12th Istanbul Biennial (2011) and The Moderna Exhibition, Moderna Museet, Stockholm (2010).

Accompanying the exhibition, is a new publication, a supplemental book that presents scholarly texts by curator and art historian, Iris Müller - Westermann, Senior Curator of International Art at Moderna Museet, Stockholm and by New York based scholar, critic and curator, Alex Bacon; in addition it includes a visual essay that traces the specific historical inspirations and touchstones for this group of works, in hopes to speak to both the past and future.

Future Perfect (Singapore) will present a group exhibition focusing on leading South East Asian artists including Charles Lim and Arin Rungjang, who are the artists representing Singapore and Thailand respectively in the 56th Venice Biennale 2015.

«100 % Other: Artists and Psycho - Demographic Transitions» follows several recent critically acclaimed exhibitions, including «Patriot Acts» (the first installment of «Future of Nations») and «Incognegro,» which offered a contemporary critique of race through the exploration of infamous black - face performance.

Selected group exhibitions include: Whitechapel Gallery, London; Centro Artes Visuales Helga de Alvear, Cáceres (both 2011); Socrates Sculpture Park, Long Island City, New York; Denison Museum, Granville, Ohio (both 2010); Brooklyn Academy of Music, New York; Macro Future, Depart Foundation, Rome; Foundation CaixaForum, Madrid (all 2009); 2nd Moscow Biennale (2007); Weatherspoon Art Museum, Greensboro, North Carolina; Walker's Point Center for the Arts, Milwaukee; Cercle (all 2006); SculptureCenter, New York (2005); Queens Museum of Art, New York (2003); Whitney Museum of American Art at Altria, New York, Arnolfini, Bristol (both 2002), Public Art Fund, Brooklyn, New York (2001).

The themes of remembering and forgetting, of the palpable and ephemeral, emotional and intellectual, political and personal, are given striking form in this exhibition, and the loss will be ours if the work of all 16 talented artists included in this show is not carried into the future.

The exhibition showcases a variety of approaches and artistic processes, mapping a short yet historically important period, when new universal principles to engineer the future were found at the intersection of different art forms and disciplines, including metaphysics, science fiction writing, music, and poetry.

Other main group exhibitions include The King and the Mockingbird, Vermillion Sands, Copenhagen, Denmark, 2016; Yinchuan Biennale 2016 — For an Image, Faster Than Light, Museum of Contemporary Art Yinchuan, Ningxia, China, 2016; SHE — International Women Artists Exhibition, Long Museum, Shanghai, China, 2016; Tutorials, Pino Pascali Foundation Museum, Polignano, Italy, 2016; Bentu, Chinese Artists in A Time of Turbulence and Transformation, Foundation Louis Vuitton, Paris, 2016; Unordinary Space, Aurora Museum, Shanghai, 2015; CAFAM Future, Central Academy of Fine Art Museum, Beijing, 2015; Now You See, Whitebox Art Center, New York, 2014; 7th Shenzhen Sculpture Biennale, OCT - Contemporary Art Terminal, Shenzhen, 2012; stillspotting nyc, Solomon R. Guggenheim Museum, New York, among others.

Domanović's recent solo exhibitions include: Glasgow International 2014, Gallery of Modern Art, Glasgow (2014); «Aleksandra Domanović», firstsite, Colcheste (2014); «The Future Was at Her Fingertips», Tanya Leighton, Berlin (2013); «Turbo Sculpture», SPACE, London (2012); and «From yu to me», Kunsthalle Basel (2012).

The Denis Roussel Award winner will be featured on Rfotofolio with a future interview, and be included in future publications, and future exhibitions.

Selected exhibitions include: Solo Show at Green Art Gallery, Dubai (2014), Longing Persia, Exchange and Reception of Art in Persia and Europe in the 17th Century & Contemporary Art from Tehran, Museum Rietberg, Zurich (2013); Safar / Voyage at The Museum of Anthropology at the University of British Columbia, Vancouver (2013); When Attitudes Became Form Become Attitudes at the CCA Wattis Institute for Contemporary Arts and the Museum of Contemporary Art Detroit (2012, 2013); A Permanent Record For Future Investigation, Green Art Gallery, Dubai (2012) and Interior Renovations, Tehran, 2010, Green Cardamom, London (2011).

Recent group exhibitions include; «America is Hard to See», Whitney Museum of American Art, New York (2015) and «56th International Art Exhibition - All the World's Futures», Venice Biennale, Venice, Italy (2015) and «Land Marks», The Metropolitan Museum of Art, New York, USA (2013).

Sammak has been included in numerous group exhibitions, such as DSM - V, curated by David Rimanelli and presented by Vito Schnabel in The Future Moynihan Station, New York.

Recent exhibitions include Harlem: Found Ways, Cooper Gallery at Hutchins Center, Harvard University, Cambridge, MA (2017); Urban Planning: Contemporary Art and the City 1967 - 2017, Contemporary Art Museum St. Louis, MO (2017); Only When It's Dark Enough Can You See The Stars, The Contemporary, Baltimore (2016); Puddle, pothole, portal, SculptureCenter, Queens (2014); Outside the Lines, Contemporary Arts Museum Houston (2014); Fore (2012), The Studio Museum in Harlem, New York, NY (2012); Future Generation Art Prize, the Pinchuk Art Centre, Kiev, Ukraine (2012); and The Ungovernables, New Museum, New York, NY (2012), among others.

Recent group exhibitions include: The Other Side, Garage, Moscow, «Infinite City», CCA Wattis Institute for Contemporary Arts, San Francisco, USA 2013, Abstract Possible, Eastside projects, Birmingham curated by Maria Lind, «Gaiety is the most outstanding feature of the Soviet Union,» Saatchi Gallery, London, 2012 - 13; «The Futures of the Past», Kunst Raum Riehen, Basel, Switzerland, 2013, «Red Mansion Prize», RA, London, 2012; «Bloomberg New Contemporaries», London, 2011 and «New Sensations», London, 2011.

Future projects include curating an upcoming exhibition of Ted Barraclough's sculpture at the Roma on Bungil Gallery in May and curating a collaborative installation by painter Allyson Reynolds and musician Heinz Riegler at the Caboolture Regional Art Gallery in June.

Recent exhibitions include Jet Black Futures, 2017, Beaconsfield Gallery, London and Unearthing the Banker's Bones, 2016 - 17, Bluecoat Gallery, Liverpool and New Art Exchange, Nottingham.

He Xiangyu has also been included in various group exhibitions including Tales of Our Time Film Program (Screening of the film «The Swim»), Guggenheim Museum New York, New York, USA (2017); Hedge House Wijlre: Family Tree, Contemporary Chinese art from the Sigg collection, Bonnefanten Museum, Maastricht, Netherlands (2016); Juxtapoz x Superflat, Vancouver Art Gallery, Vancouver, Canada (2016); Chinese Whispers, Paul Klee Zentrum, Kunstmuseum Bern, Bern, Switzerland (2016) The 13th Biennale de Lyon (2015), Fire and Forget, KW Institute for Contemporary Art, Berlin (2015), Shanghai Biennale (2014), Future Generation Art Prize: Exhibition of the Shortlisted Artists at the Pinchuk Art Centre, Kiev, Ukraine (2014), Busan Biennale, (2014), Yokohama Triennale, (2014), 28 Chinese and the Rubell Family Collection, Miami (2013).

Sponsored by J.P. Morgan, the exhibition showcases original artworks from more than 160 leading Asian artists, including Yayoi Kusama, Fang Lijun and Xu Bing in addition to Nara, and is the last stop of Future Pass World's global tour.

Other highlights of the exhibition include Robot Bodies, Piper's 1988 seminal interactive digital work — updated and re-programmed for this exhibition — in which the robot, android and cyborg are examined as metaphorical carriers of contemporary anxieties around racial difference; and a series of mixed media works on un-stretched canvas, «future projected history paintings of the present», that reference 19th century history painting and have been commissioned by Bluecoat and Iniva.

Solo exhibitions this year include the Talbot Rice Gallery at The University of Edinburgh, Wurm Haus at the National Gallery of Victoria in Melbourne, Sensorium Chamber at Ivan Anthony Gallery in New Zealand, Endless Future Terror Forever at Darren Knight Gallery in Sydney and Mnemonic Pulse at the TSB Bank Wallace Arts Centre in New Zealand.

Her work has been the subject of numerous national and international exhibitions, including Unnatural Histories, MoMA P.S. 1, New York; All the World's Futures curated by Okwui Enwezor at the 56th International Art Exhibition La Biennale di Venezia, Italy; Players, Collezione Maramotti, Reggio Emilia, Italy; Huma Bhabha, Aspen Art Museum, Colorado, Stranger, Museum of Contemporary Art, Cleveland, Ohio; A Different Kind of Order: The ICP Triennial, International Center of Photography, New York; Land Marks, The Metropolitan Museum of Art, New York; Intense Proximity, La Triennale, Palais de Tokyo, Paris, France; 2010 Whitney Biennial, Whitney Museum, New York; and the 7th Gwangju Biennale, Korea.

Future curatorial projects include Exuma, the Obeah Man, scheduled for 2013, and Andy Kaufman: On Creating Reality a retrospective exhibition tentatively scheduled for 2014.

Her recent exhibitions include One Step Forward, Two Steps Back, Times Museum, Guangzhou, 2013; Alternatives to Ritual Goethe Open Space, Shanghai, 2012; Institution for the Future as part of the Asia Triennial, Manchester, 2011; Taking the Stage OVER, a one - year exhibition engaging aspects of live art, Shanghai, 2011.

Future solo exhibitions include, 2012: Art Unlimited, Art Basel; The Photographers» Gallery, London; Isabella Stewart Gardner Museum, Boston.

Future People, a solo exhibition by Derrick Adams, is a multifaceted experience combining large scale two dimensional works on paper mimicking spaceship windows with galactic scenes, a video projection animating the objects included in the collages, sculpture installation referencing a space station control center, with an added live DJ set component featured opening night and...

Group exhibitions include «Sappers and Shrapnel», Art Gallery of South Australia, Adelaide, 2016; «So far», Ten Cubed, Melbourne; «Percy Grainger: In the Company of Strangers», The Gallery at Bayside Arts & Cultural Centre, Melbourne, 2015; «Five Perspectives», The Young, Wellington; In Free Circulation, Mothers Tankstation, Dublin, 2014; «Melbourne Now», National Gallery of Victoria, Melbourne; «Future Primitive», Heide Museum, Melbourne; «Theatre of the World», La Maison Rouge, Paris; Murray White Room at Art Basel, Hong Kong, 2013; «The Theatre of the World», Museum of Old and New Art (MONA), Hobart, 2012; «Monanism», MONA, Hobart; «The Five Obstructions», Margaret Lawrence Gallery, Melbourne, 2011; «Primavera», Museum of Contemporary Art, Sydney; and «Freehand: Recent Australian Drawing», Heide Museum, Melbourne, 2010.

His work has recently been included in exhibitions All the World's Futures, 56th Venice Biennale, Italy (2015); Witness: Art and Civil Rights in the Sixties, Brooklyn Museum, NY (2014); Blues for Smoke, Whitney Museum of American Art, New York, NY (2013) and at The Geffen Contemporary at the Museum of Contemporary Art, Los Angeles, CA (2012); Now Dig This!

His work has been presented in both national and international exhibitions including Rendez - vous / 14th Lyon Biennale, Institut d'Art Contemporain, Villeurbanne / Rhône - Alpes, France (2017); Artists of Color, The Underground Museum, Los Angeles (2017); Future Generation Art Prize, 57th Venice Biennale, Venice, Italy (2017); The Necessary Reconditioning of the Highly Deserving, Commonwealth & Council, Los Angeles (2017); and Tenses: Artists in Residence 2015 - 16, The Studio Museum in Harlem, New York (2016).

Latest projects and exhibitions include: This Place is Every Place, Tensta Konsthall, Sweden, 2014; Urbanisme Unitaire, Le Quartier, Centre d'Art Contemporain de Quimper, France, 2014; Future Light, Vienna Biennial Austria 2015; and eating or opening a window or just walking dully along, Bergen Kunsthall, Norway 2015.

Recent solo and group exhibitions include Ok Great THANKS this is SO RIDICULOUS, ACME, Los Angeles (2014); Analogue Future, DCKT Contemporary, New York (2013); Windows, Denny Gallery, New York (2013); Fortune Teller, Fouladi Projects, San Francisco, CA (2012).

Recent exhibitions include: documenta 14 (2017); «The Mapping Journey Project», solo exhibition, MoMa, Museum of Modern Art, New York (2016); «Foreign Office», solo show at Palais de Tokyo, Paris (2015); «Garden Conversation», solo show at MACBA, Barcelona (2015); 8th Goteborg Biennale (2015); «Europe: The Future of History», Kunsthaus, Zurich (2015); «Here & Elsewhere», New Museum, New York (2014).

Min has had numerous solo exhibitions and projects both nationally and internationally, which include «Into the Sun,» Susanne Vielmetter Los Angeles Projects, Culver City, CA; «For Instance,» Hammer Museum, Los Angeles, CA; «Above and Beyond,» Pasadena Museum of Contemporary Art, CA; «Distance is like the future, Circa Series,» Museum of Contemporary Art San Diego, CA; «Fading Wild,» Finesilver Gallery, San Antonio, TX; «One foot in front of the other,» Or Gallery, Vancouver, British Columbia, Canada; «Fast times,» ACME., Los Angeles, CA, among others.